Note: Not extant. Not playable. (in this location)
2005-12-30 - Identified through online information from James R. Stettner. -- This was supposed to be a duplicate of the Estey installed in Seattle's Jewell Theatre. It had a player included. In 1928, Seattle Kimball rep. Arthur D. Longmore moved it to University Undertaking in Seattle for $2,500 and added chimes from a Kimball in practice room 101B of Meany Hall at the University of Washington. In 1952, Balcom and Vaughan moved the organ to Forkner's Funeral Home, electrified it, and rebuilt it as a 2-manual, 6-rank unit organ with 26 speaking stops and 426 pipes. In 1974, it was aleged to have been moved to the home of Betty Brooks by Balcom and Vaughan Tonal Director Eugene M. Nye. Its subsequent disposition is unknown. -Database Manager
Stoplist from the files of William J. Bunch of Seattle, Washington Source: Source not recorded Date not recorded
Kirkland, Washington C.A. Cummins Residence ESTEY ORGAN CO. Brattleboro, VT. Opus 649 1909 "Original Specifications" Manual (Expressive) COUPLERS 8 Open Diapason 61 Undocumented 8 Concert Flute 61 8 Viol d'Orchestre 61 8 Voix Celeste (tc) 49 FOOT LEVERS 8 Dulciana 61 Undocumented 4 Flute 61 8 Vox Humana 61 PEDAL MOVEMENTS Undocumented PEDAL 16 Sub Bass 30 ACTION: T-P ventil VOICES: 8 STOPS: 8 RANKS: 8 PIPES: ??? NOTES The preceding specification was provided from the files of William J. Bunch, former President of Balcom and Vaughan Pipe Organs, Inc. of Seattle, WA. It is supposed to be a duplicate of the Estey built for the Jewell Theatre in Seattle. The exact nomenclature of stops and controls is not verified since the original console is long gone, and the organ was subsequently rebuilt. The pipe counts are even in question. Several different sources have listed the number of pipes as 488, 427, and 396. The Bunch specification originally listed the pedal stop as a 16' Bass Flute which was an independent register. It is was later crossed out and relabeled as 16' Sub Bass and listed as a 12-pipe extension of the Concert Flute. Additionally, the 8' Voix Celeste was originally omitted and later pencilled-in. Most of the various sources have agreed that the instrument was 8-ranks, which would dictate that the pedal stop was, indeed, an independent register. The organ was originally built for the Kirkland residence of C.A. Cummins. It was furnished with a player. In 1928, Kimball respresentative Arthur D. Longmore moved it to University Undertaking in Seattle for $2,500.00 and added the chimes from the W.W. Kimball in room 101B in Meany Hall at the University of Washington. In 1952, Balcom and Vaughan moved the organ to Forkner's Funeral Home, electrified it, and rebuilt it as a II-manual, 6-rank unit organ with 26 stops and 426 pipes. In 1974 it was alleged to have been moved to the home of Betty Brooks by Eugene M. Nye. Sources: Estey Opus List; Balcom and Vaughan opus list; William J. Bunch [Received from James R. Stettner 2012-12-16.]
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