Trinity Episcopal Church: Sanctuary; left
26 White St.
Haverhill, MA
Images
2022-02-16 - Swell & Pedal stops (Photograph by Eric Anderson (Pelland Organ Co.), submitted by Jim Stettner/Jim Stettner)
2022-02-16 - Great, Choir, and Positiv stops (Photograph by Eric Anderson (Pelland Organ Co.), submitted by Jim Stettner/Jim Stettner)
2022-02-16 - Console (Photograph by Richard Pelland, submitted by Jim Stettner/Jim Stettner)
2022-02-16 - Sanctuary interior with organ chamber and console (still capture from video) (Photograph by Richard Pelland, submitted by Jim Stettner/Jim Stettner)
Consoles
Main
- Organ type: Traditional With Roll Top
- Console position: Console in Fixed Position, Left
- 3 manuals
- 35 stops
- 41 registers
- 5 divisions
- Key action Type: Electrical
- Stop action Type: Electrical
- Stop layout Type: Drawknobs in Vertical Rows on Angled Jambs
- Manual compass: 61 notes
- Pedal compass: 32 notes
- Pedal Type: Concave Radiating (Meeting AGO Standards)
- Expression Type: Balanced Expression Shoes/Pedals (Meeting AGO Standards)
- Has crescendo
- Has combination thumb pistons
- Has combination toe pistons
- Has coupler thumb pistons
- Has coupler toe pistons
- Has tutti thumb pistons
- Has tutti toe pistons
Notes
2004-10-30 - From Bradford College 1990. Moved by Thad Outerbridge. 2/92 form - stop list. -Database Manager
2006-05-16 - Identified through information adapted from <i>E. M. Skinner/Aeolian-Skinner Opus List</i>, by Sand Lawn and Allen Kinzey (Organ Historical Society, 1997), and included here through the kind permission of Sand Lawn: <br><i> The original builder was Aeolian-Skinner (Opus 998), relocated from Bradford College, Bradford, Massachusetts.</i> -Database Manager
Stoplist
Source: church's website http://trinityhaverhill.org/musicattrinity/aeolianskinnerorgan.html Date not recorded
Haverhill, Massachusetts
Trinity Episcopal Church
AEOLIAN-SKINNER ORGAN, Opus 998, 1940 (removed from Bradford College)
Thaddeus H. H. Outerbridge, 1990 - installed at Trinity Church
GREAT
16' Quintade 61
8' Principal 61
8' Flute Harmonique 61
4' Octave 61
2 2/3' Quint 61
2' Super Octave 61
IV Fourniture 244
Great to Great 16'
blank [Great Unison Release]
Great to Great 4'
SWELL (Expressive)
8' Geigen 73
8' Bourdon 73
8' Viole de Gambe 73
8' Viole Celeste 73
4' Octave Geigen 73
4' Flauto Traverso 73
III Cymbel 183
16' Fagott 73
8' Trompette 73
8' Vox Humana 73
4' Clarion 73
Tremolo
Swell to Swell 16'
blank [Swell Unison Release]
Swell to Swell 4'
CHOIR (Expressive)
8' Concert Flute 61
8' Dolcan 61
4' Spitz Flöte 61
8' Krummhorn 61
Tremolo
Choir to Choir 16'
blank [Choir Unison Release]
Choir to Choir 4'
POSITIV
8' Nason Flute 61
4' Rohr Flöte 61
2 2/3' Nasat 61
2' Principal 61
1 3/5' Terz 61
1' Sifflöte 61
blank [Positiv Unison Release]
PEDAL
16' Resultant --
16' Principal 32
16' Bourdon 32
16' Quintade (Gt) --
8' Spitz Principal 32
8' Quintade (Gt) --
4' Choral Bass __ from Mixture IV
4' Koppel Flöte 32
2' Block Flöte 32
IV Mixture 96
16' Posaune 32
8' Trompette 12
4' Clarion 12
SUMMARY: Stops Ranks Pipes
GREAT 7 10 610
SWELL 11 13 913
CHOIR 4 4 244
POSITIV 6 6 366
PEDAL 7 10 344
TOTALS 35 43 2477
Console Mechanicals
COUPLERS
Swell to Pedal 8,4
Great to Pedal 8
Choir to Pedal 8,4
Positiv to Pedal 8
Swell to Great 16,8,4
Choir to Great 8
Positiv to Great 8
Swell to Positiv 16,8,4
Positiv to Swell 8
REVERSIBLES Great to Pedal 8; Swell to Pedal 8; Choir to Pedal 8;
Positiv to Pedal 8; Swell to Great 8; Choir to Great 8;
Positiv to Great 8; Swell to Positiv 8
8 MEMORY LEVELS – capture system
SOLID STATE Combination Pistons
Swell – 7; Great – 7; Choir/Positiv – 9; Pedal – 7; General - 10
PISTON COUPLING
A. Pedal to Manual
B. Sw., Gt., Ch/Pos, to Pedal
C. Pedal to Pedal (on/off)
MISCELLANEOUS
Set; General Cancel (2); Adjustable Tutti (2); Ventil
NOTES
Trinity Church is grateful to have the stewardship of this fine instrument.
Bequests have endowed the organ’s maintenance and also provide for occasional
organ recitals. The organ is a central element in the church’s worship and
the congregation invites you to hear it both at services and in recitals.
T.H.H. Outerbridge and M.T. Crapsey, II (1991)
[Received from Will Dunklin 2012-05-18.]
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