Better Pipe Organ Database


Glenn D. White (1964)

Sixth Church of Christ, Scientist / Sanctuary at Admiral
2656 42nd Avenue SW
Seattle, WA

Images


2010-09-08 - Console: manuals and stops (Photograph by James R. Stettner/Jim Stettner)

2010-09-08 - Console (Photograph by James R. Stettner/Jim Stettner)

2010-09-08 - "Great pipework (l-r): 4' Octave, 2' Fifteenth, 8' Diapason, 1-1/3' Ninteenth, 1' Twenty Second" (Photograph by Michael Way/Database Manager)

2010-09-08 - "Swell pipework (l-r): 4' Clarion (orig. 8' Oboe Horn), 8' Salicional, 8' Voix Celeste, 8' Gedeckt" (Photograph by Michael Way/Database Manager)

2010-09-08 - "Swell pipework (l-r): 4' Spitz Principal (orig. Gt. 8' Gemshorn), 8' Trumpet" (Photograph by Michael Way/Database Manager)

Consoles

Main


Notes

2006-10-21 - Identified through online information from James R. Stettner. -- This was a tonal revision of the existing 3/16 Balcom and Vaughan, Op. 623, 1956. A few of these tonal changes were altered around 1993 by then B and V employee Jim Stettner as a gift to the organist, Ivy Reed. The congregation has since disbanded and the building has been privately purchased for use as a single-family residence. The owner wishes to keep the organ and use the former auditorium as a concert venue for both organ and other musical presentations. -Database Manager

2012-08-30 - Updated through online information from Jim Ludden. -- Founder of Olympic Organ Builders. The work, formerly attributed to Olympic Organ Builders, was probably by Glenn D White Jr, one of the partners of OOB, which wasn't founded until 1966. -Database Manager

2018-07-06 - Updated by James R. Stettner, who maintains the organ.<br> -Database Manager


Stoplist

Original document from James R. Stettner. Source: Stoplist copied from the console stops and registrational aids 1993-03-11

Unsupported filetype pdf, view here.

Original document from James R. Stettner. Source: Stoplist taken from the altered stop controls; console junction; and from Balcom and Vaughan files 2018-07-05

Seattle, Washington
Sixth Church of Christ, Scientist

BALCOM and VAUGHAN, Opus 486, 1969 - 2-8 
Balcom and Vaughan, Opus 623, 1956 - Enlargement to 3-16
Glenn D. White, 1964 - Tonal Changes

GREAT (Expressive)                           SWELL (Expressive)
   8     Spitz Principal            61          16    Bourdon                    12
   4     Octave                     61          8     Flute                      61
   2     Fifteenth                  61          8     Salicional                 73
   1-1/3 Quint                      49          8     Voix Celeste         (tc)  61
   1     Twenty Second              49          4     Principal                  61
   8     Clarinet             (Ch)  –-          4     Flute d'Amour              12
         Tremolo                                2-2/3 Nazard                      7
         Chimes  (Maas; A 22-f 42) (21)         2     Flautina                    5
                                                8     Trumpet                    73
   Great to Great 16'                           8     Vox Humana                 73
   Great Unison Off                             4     Clarion                    61
   Great to Great 4'                                  Tremolo

                                                Swell to Swell 16'
CHOIR (Expressive)                              Swell Unison Off
   8     Melodia                    61          Swell to Swell 4'
   8     Dulciana                   61
   8     Unda Maris           (tc)  49
   4     Flute                      12       PEDAL (Expressive)
   4     Dulcet                     12          16    Open Diapason        (Gt)  12
         blank                                  16    Bourdon              (Sw)  –-
   8     Clarinet                   73         10-2/3 Sub Quint            (Sw)  –-
         Tremolo                                8     Flute                (Sw)  –-

   Choir to Choir 16'
   Choir Unison Off
   Choir to Choir 4'


COUPLERS                                     FINGER PISTONS
   Swell to Pedal                  8,4          General                       1 – 5
   Great to Pedal                  8,4          Swell                         1 – 5
   Choir to Pedal                  8,4          Great                         1 – 5
                                                Choir                         1 – 5
   Swell to Great               16,8,4          Pedal                         1 – 5
   Choir to Great               16,8,4

   Swell to Choir               16,8,4       PEDAL MOVEMENTS
                                                Choir Expression             (bal.)
                                                Great Expression             (bal.)
TOE STUDS                                       Swell Expression             (bal.)
   Gr. to Pedal                  (rev)          Crescendo                    (bal.)



ACTION: E-P unit      STOPS: 16      REGISTERS: 28      RANKS: 16      PIPES: 1,060
                                     (inc. chimes)





NOTES
This organ began life as a 2-manual, 8-rank organ built by Balcom and Vaughan in 1949
as their Opus 486.  In 1956, they enlarged it to 3-manuals and 16-ranks as their opus
623.  It survived in this form for a scant eight years before it was tonally altered.

In 1964, Glenn White proposed tonal changes to the organ – assisted by David Dahl.
These changes did not make use of any new pipework, but rather of rearranging the
existing pipework.

On the Great, the original 8' Open Diapason was removed. Notes 1-12 of the Swell 8'
Open Diapason took their place partially, and the former 8' Gemshorn from 4' C and
up became the balance of a new 8' Spitz Principal. The other original ranks were
variously mixed-together to create the remaining four stops. Much of the 1-1/3'
Quint is the original 8' Open Diapason.  Sometime later, the 49-pipe Quint was
wired-in a a 2/3' Twenty-Sixth utilizing the Great Unison Off tablet. It only plays
for 37 notes.

On the Swell, the remainder of the 8' Open Diapason became a 'new' 4' Principal.
And the original 8' Oboe was moved down 12 notes on its chest to become a 4' Clarion.

The Choir was left untouched, but the 8' Clarinet was wired to the Great utilizing
a blank stoptablet.

On the Pedal, the original 16' Lieblich Gedeckt – which was the same as the 16' 
Bourdon but on soft wind – was rewired as a 10-2/3' Sub Quint.

Around 1992, Jim Stettner who was a Balcom and Vaughan employee, made a slight change
in the sound as a gift to then organist Ivy Reed.  She had complained that the Great
had an insufficient 8' foundation tone.  So the Great Spitz Principal from tenor C
(the original Gemshorn) was swapped with the Swell 4' Principal (the original Swell
8' Open Diapason) to give the Great more weight, and the Swell a more transparent and
brighter 4' register.

The church closed its doors around 2002, and the building was sold in 2003 to a private
buyer who has converted it into a rent-able facility with a full kitchen, the piano,
the pipe organ, mixing booth, etc.  It is used for parties, musical performances,
silent movies with organ accompaniment, private gatherings, weddings, etc.

SOURCES
Balcom and Vaughan opus list & files; extant organ; James R. Stettner


Sixth Church of Christ, Scientist
2656 42nd SW
Seattle,  WA.  98116                         Documented: March 11, 1993
(206)                                        Verified & Updated: Sept. 9, 2010

		

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