2006-10-21 - Identified through online information from James R. Stettner. -- This was a tonal revision of the existing 3/16 Balcom and Vaughan, Op. 623, 1956. A few of these tonal changes were altered around 1993 by then B and V employee Jim Stettner as a gift to the organist, Ivy Reed. The congregation has since disbanded and the building has been privately purchased for use as a single-family residence. The owner wishes to keep the organ and use the former auditorium as a concert venue for both organ and other musical presentations. -Database Manager
2012-08-30 - Updated through online information from Jim Ludden. -- Founder of Olympic Organ Builders. The work, formerly attributed to Olympic Organ Builders, was probably by Glenn D White Jr, one of the partners of OOB, which wasn't founded until 1966. -Database Manager
2018-07-06 - Updated by James R. Stettner, who maintains the organ.<br> -Database Manager
Original document from James R. Stettner. Source: Stoplist copied from the console stops and registrational aids 1993-03-11
Unsupported filetype pdf, view here.
Original document from James R. Stettner. Source: Stoplist taken from the altered stop controls; console junction; and from Balcom and Vaughan files 2018-07-05
Seattle, Washington Sixth Church of Christ, Scientist BALCOM and VAUGHAN, Opus 486, 1969 - 2-8 Balcom and Vaughan, Opus 623, 1956 - Enlargement to 3-16 Glenn D. White, 1964 - Tonal Changes GREAT (Expressive) SWELL (Expressive) 8 Spitz Principal 61 16 Bourdon 12 4 Octave 61 8 Flute 61 2 Fifteenth 61 8 Salicional 73 1-1/3 Quint 49 8 Voix Celeste (tc) 61 1 Twenty Second 49 4 Principal 61 8 Clarinet (Ch) –- 4 Flute d'Amour 12 Tremolo 2-2/3 Nazard 7 Chimes (Maas; A 22-f 42) (21) 2 Flautina 5 8 Trumpet 73 Great to Great 16' 8 Vox Humana 73 Great Unison Off 4 Clarion 61 Great to Great 4' Tremolo Swell to Swell 16' CHOIR (Expressive) Swell Unison Off 8 Melodia 61 Swell to Swell 4' 8 Dulciana 61 8 Unda Maris (tc) 49 4 Flute 12 PEDAL (Expressive) 4 Dulcet 12 16 Open Diapason (Gt) 12 blank 16 Bourdon (Sw) –- 8 Clarinet 73 10-2/3 Sub Quint (Sw) –- Tremolo 8 Flute (Sw) –- Choir to Choir 16' Choir Unison Off Choir to Choir 4' COUPLERS FINGER PISTONS Swell to Pedal 8,4 General 1 – 5 Great to Pedal 8,4 Swell 1 – 5 Choir to Pedal 8,4 Great 1 – 5 Choir 1 – 5 Swell to Great 16,8,4 Pedal 1 – 5 Choir to Great 16,8,4 Swell to Choir 16,8,4 PEDAL MOVEMENTS Choir Expression (bal.) Great Expression (bal.) TOE STUDS Swell Expression (bal.) Gr. to Pedal (rev) Crescendo (bal.) ACTION: E-P unit STOPS: 16 REGISTERS: 28 RANKS: 16 PIPES: 1,060 (inc. chimes) NOTES This organ began life as a 2-manual, 8-rank organ built by Balcom and Vaughan in 1949 as their Opus 486. In 1956, they enlarged it to 3-manuals and 16-ranks as their opus 623. It survived in this form for a scant eight years before it was tonally altered. In 1964, Glenn White proposed tonal changes to the organ – assisted by David Dahl. These changes did not make use of any new pipework, but rather of rearranging the existing pipework. On the Great, the original 8' Open Diapason was removed. Notes 1-12 of the Swell 8' Open Diapason took their place partially, and the former 8' Gemshorn from 4' C and up became the balance of a new 8' Spitz Principal. The other original ranks were variously mixed-together to create the remaining four stops. Much of the 1-1/3' Quint is the original 8' Open Diapason. Sometime later, the 49-pipe Quint was wired-in a a 2/3' Twenty-Sixth utilizing the Great Unison Off tablet. It only plays for 37 notes. On the Swell, the remainder of the 8' Open Diapason became a 'new' 4' Principal. And the original 8' Oboe was moved down 12 notes on its chest to become a 4' Clarion. The Choir was left untouched, but the 8' Clarinet was wired to the Great utilizing a blank stoptablet. On the Pedal, the original 16' Lieblich Gedeckt – which was the same as the 16' Bourdon but on soft wind – was rewired as a 10-2/3' Sub Quint. Around 1992, Jim Stettner who was a Balcom and Vaughan employee, made a slight change in the sound as a gift to then organist Ivy Reed. She had complained that the Great had an insufficient 8' foundation tone. So the Great Spitz Principal from tenor C (the original Gemshorn) was swapped with the Swell 4' Principal (the original Swell 8' Open Diapason) to give the Great more weight, and the Swell a more transparent and brighter 4' register. The church closed its doors around 2002, and the building was sold in 2003 to a private buyer who has converted it into a rent-able facility with a full kitchen, the piano, the pipe organ, mixing booth, etc. It is used for parties, musical performances, silent movies with organ accompaniment, private gatherings, weddings, etc. SOURCES Balcom and Vaughan opus list & files; extant organ; James R. Stettner Sixth Church of Christ, Scientist 2656 42nd SW Seattle, WA. 98116 Documented: March 11, 1993 (206) Verified & Updated: Sept. 9, 2010
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