Better Pipe Organ Database


Balcom and Vaughan Pipe Organs, Inc. Opus 730A (1981)

St. Edward Catholic Church: Sanctuary; rear gallery
4205 S Orcas St.
Seattle, WA

Images


2018-10-24 - Church Exterior (Photograph by James R. Stettner/Database Manager)

2014-12-22 - Consultant and builder nameplates (Photograph by James R. Stettner/Database Manager)

2007-05-14 - Console (Photograph by James R. Stettner/Database Manager)

2007-05-14 - Pipe display (Photograph by James R. Stettner/Database Manager)

2007-05-14 - Pipe display (Photograph by James R. Stettner/Database Manager)

Consoles

Main


Notes

2006-10-25 - Identified through online information from James R. Stettner. -- This was tonal revisions and additions to the existing 1965 B and V organ. -Database Manager

2012-08-15 - Updated through online information from James R. Stettner. -- The organ is in need of attention. Most of the 16' and 8' open basses have sagging languids. The mitres of the Great 16' Gemshorn are poorly supported and are collapsing on themselves. -Database Manager


Stoplist

Stoplist copied from the console April 12, 1991 Source: Source not recorded Date not recorded

Seattle, Washington
St. Edward Parish

BALCOM and VAUGHAN PIPE ORGANS, INC., Opus 730, 1964
Balcom and Vaughan Pipe Organs, Inc., Opus 730 A, 1981 - Tonal Revision and Enlargement


GREAT                                        POSITIV (Expressive *)
   16    Contra Gemshorn            12          8     Gedeckt               (*)  61
   8     Principal                  61          8     Spitz Gamba           (*)  61
   8     Gedeckt                    61          4     Principal                  61
   8     Gemshorn                   61          4     Gemsrohrpommer        (*)  61
   4     Octave                     61          2     Octave                     61
   4     Quintade                   61          2     Spill Flöte           (*)  61
   2     Octave                     61          1-1/3 Quinte                     61
   IV-V  Fourniture 1⅓'            293          1     Sifflöte                   61
   8     Trompette-en-Chamade       61          IV    Mixture ½'                244
   4     Trompette-en-Chamade       12          8     Cromorne              (*)  61
                                                      Tremulant
   Great to Great 16'                           8     Trompette-en-Chamade (Gt)  --
   Great Unison Off 8'
   Great to Great 4'                            Positiv to Positiv 16'
                                                Positiv Unison Off 8'
   2     blank stoptablets                      Positiv to Positiv 4'

                                                2     blank stoptablets
SWELL (Expressive)
   16    Rohr Flöte                 12
   8     Viola                      61       PEDAL
   8     Viola Celeste        (tc)  49          32    Resultant                  --
   8     Rohr Flöte                 61          16    Contra Bass          (Gt)  12
   4     Principal                  61          16    Gemshorn             (Gt)  --
   4     Koppel Flöte               61          16    Sub Bass             (Gt)  12
   2-2/3 Nasat                      61          8     Octave                     32
   2     Block Flöte                61          8     Gemshorn             (Gt)  --
   1-3/5 Terz                       61          8     Rohr Flöte           (Sw)  --
   1-1/3 Nasat                      --          4     Octave                     32
   IV    Plein Jeu 1'              244          4     Koppel Flöte         (Sw)  --
   16    Basson                     12          2     Block Flöte          (Sw)  --
   8     Trompette                  61          IV    Mixture 2'                128
   8     Hautbois                   61          16    Bombarde                   32
   4     Clairon                    61          16    Basson               (Sw)  --
         Tremulant                              8     Bombarde                   12
                                                8     Trompette            (Sw)  --
   Swell to Swell 16'                           4     Clairon              (Sw)  --
   Swell Unison Off 8'                          4     Cromorne            (Pos)  --
   Swell to Swell 4'

   2     blank stoptablets


COUPLERS                                     FINGER PISTONS
   Swell to Pedal                  8,4          General                      1 – 10
   Great to Pedal                  8,4          Swell                         1 – 6
   Positiv to Pedal                8,4            Sw. to Ped.                 (rev)
                                                  Sw. to Gt.                  (rev)
   Swell to Great               16,8,4            Sw. to Pos.                 (rev)
   Positiv to Great             16,8,4          Great                         1 – 6
                                                  Gt. to Ped.                 (rev)
   Swell to Positiv             16,8,4          Positiv                       1 – 6
   Great to Positiv                8              Pos. to Ped.                (rev)
                                                  Pos. to Gt.                 (rev)
   Positiv to Swell                8            Pedal                         1 – 6
                                                Sforz.                        (rev)
                                                Set
TOE STUDS                                       Canc.
   General                       1 – 8
   Pedal                         1 – 5
   Gt. to Ped.                   (rev)       PEDAL MOVEMENTS
   Sw. to Ped.                   (rev)          Swell Expression             (bal.)
   Pos. to Ped.                  (rev)          Positiv Expression           (bal.)
   Cymbelstern                   (rev)          Crescendo                    (bal.)


ACTION E-P unit       VOICES: 34       STOPS: 53       RANKS: 47       PIPES: 2,724


NOTES
The Great Gemshorn was revoiced as was the Trompette-en-Chamade, which also had a 12-pipe
extension added to it. The 2' Octave replaced the original 2' Schweizer Pfeife. The Mixture
was enlarged.

In the Swell, the 8' Viola & Celeste, 1-3/5' Terz, and 8' Hautbois were all revoiced. The
2-2/3' Nasat was revised. The 1-1/3' Nasat was added in 1974 from the  2-2/3' Nasat. The
top octave repeats. The IV Plein Jeu was entirely new.

In the Positiv, the 2' Spill Flöte was moved to the expressive section – replacing the 8'
Spitz Gamba Celeste. The 2' Octave is from the original 1' Klein Prinzipal. The 1' Sifflöte
is the original Great 2' Schweizer Pfeife. The IV Mixture is the former Swell III Plein Jeu
with one rank added.

In the Pedal, the former 16' Rohr Bordun was eliminated. The 32' Resultant was wired-in in
1981. The Pedal 8' Trompette borrow from the Swell was added in 1974. The IV Mixture is the
original II Rauschquint enlarged by II-ranks.

The Cymbelstern operated by a toestud was added in 1974. The Great to Positiv 8' coupler was
also added in 1974. The Swell to Positiv 16' coupler has been disconnected, although the
stoptablet is still present.

Sources: Balcom and Vaughan opus list & files; extant organ.

 [Received from James R. Stettner 2012-08-12.]

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