All Saints Episcopal Church
1322 Kimball Avenue
Richland, WA
Images
1973-08-09 - Chancel and exposed Great pipework (Photograph from Balcom and Vaughan Scrapbook; submitted by James R. Stettner/Database Manager)
2021-04-11 - Church exterior (Michel Wutzke/Jim Stettner)
1971-06-29 - First Balcom and Vaughan concept drawing (William J. Bunch; digital image by James R. Stettner/Jim Stettner)
1971-12-21 - Second Balcom and Vaughan concept drawing (William J. Bunch; digital image by James R. Stettner/Jim Stettner)
1972-01-16 - Third Balcom and Vaughan concept drawing (William J. Bunch; digital image by James R. Stettner/Jim Stettner)
Consoles
Main
- Organ type: Traditional With Roll Top
- Console position: Console in Fixed Position, Right
- 2 manuals
- 8 stops
- 28 registers
- 2 divisions
- Key action Type: Electrical
- Stop action Type: Electrical
- Stop layout Type: Stop Keys Above Top Manual
- Manual compass: 61 notes
- Pedal compass: 32 notes
- Pedal Type: Concave Radiating (Meeting AGO Standards)
- Expression Type: Balanced Expression Shoes/Pedals (Meeting AGO Standards)
- Has crescendo
- Combination action: Adjustable Combination Pistons
- Has combination thumb pistons
- Has combination toe pistons
- Has coupler thumb pistons
- Has coupler toe pistons
Notes
2006-11-28 - This entry represents the first installation of a new organ. Identified through on-line information from James R. Stettner. Sources: Balcom & Vaughan opus list & files; extant, altered organ. -Database Manager
Stoplist
FINGER PISTONS: General 1-6, Swell 1-4, Sw. to Ped (reversible), Great 1-4, Gt. to Ped. (reversible), Pedal 1-4, Cancel; TOE STUDS: General 1-4, Pedal 1-4, Gt. to Ped. (reversible); PEDAL MOVEMENTS: Swell Expression (balanced), Crescendo (balanced); NOTES: the Pedal III Mixture is derived from the Great 4' Octave. Source: Copied from the console
Pedal Gedackt Bass 16, Principal 8, Gedackt 8, Spitz Gamba 8, Choral Bass 4, Rohr Flöte 4, Mixture III, Octavin 2, Basson 16, Hautbois 8, Hautbois 4, blank
Great Principal 8 (facade), Rohr Flöte 8, Spitz Gamba 8, Octave 4, Rohr Flöte 4, Italian Principal 2, Quint Flöte 1⅓, Mixture III (beginning composition: 19-22-26), Hautbois 8, blank
Swell Gedackt 8, Spitz Gamba 8, blank, Italian Principal 4, Nasat 2⅔, Gedackt 2, Sifflöte 1, Hautbois 8, blank, blank, Tremulant
Swell to Pedal 8, Swell to Pedal 4, Great to Pedal 8, Great to Great 4, Swell to Great 8, Swell to Swell 16, Swell to Great 4, Swell to Swell 8, Swell to Swell 16, Swell to Swell 4
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