Holtkamp Organ Co. Opus 2036 (1992)

Images

2008-06-28 - Sanctuary Interior, Chancel, and Organ Case (Photograph by William T. Van Pelt/Database Manager)

2008-06-28 - Choir Loft, Console, and Organ Case (Photograph by William T. Van Pelt/Database Manager)

2008-06-28 - Pipe Façade and Stencil Detail (Photograph by William T. Van Pelt/Database Manager)

2008-06-28 - Angel on Top of Organ Case (Photograph by William T. Van Pelt/Database Manager)

2008-06-28 - Memorial Plaque & Organ Case Detail (Photograph by William T. Van Pelt/Database Manager)

2008-06-28 - Console (Photograph by William T. Van Pelt/Database Manager)

2008-06-28 - Left Stopkeys (Photograph by William T. Van Pelt/Database Manager)

2008-06-28 - Console Nameplate and Coupler Stopkeys (Photograph by William T. Van Pelt/Database Manager)

2008-06-28 - Right Stopkeys (Photograph by William T. Van Pelt/Database Manager)

2008-06-28 - Church Exterior (Photograph by William T. Van Pelt/Database Manager)

2008-06-28 - Church Entrance (Photograph by William T. Van Pelt/Database Manager)

Consoles

Main

Notes

2004-10-30 - Rebuild of 1894 Farrand & Votey Op. 719 (3-37). Altered & new console by Moller 1926. Repairs 1968 by Joseph Nagel. Electropnuematic chest mechanism replaced with all-electric valves in mid 1970's. Reconstructed on new slider chests with electric pulldowns by Holtkamp in 1992. Moller tonal changes reversed. -Database Manager

2011-11-21 - Updated through online information from Stephen Hall. -Database Manager

Stoplist

From The Stopt Diapason Spring 2009 Source: Source not recorded Date not recorded

Cleveland, Ohio Pilgrim Congregational Church 1894 Farrand and Votey opus 719 (Present specification) Rebuilt in 1992 as Holtkamp Op. 2036 Great (Manual II, formerly enclosed with Choir): 16' Open Diapason (stamped 719, 20 zinc basses in façade, 9 zinc on chest, remainder common metal, scrolled with tuning sleeves, 61 pipes) 8' Open Diapason (17 zinc basses, remainder common metal, 24 trebles without scrolls, all now with tuning slides, 61 pipes) 8' Gamba (bearded through D4, 12 zinc basses, remainder spotted metal with high tin content, 61 pipes) 8' Doppel Floete (double stopped wood, arched mouths, 61 pipes) 4' Octave (spotted metal, 18 slotted basses, now tuning slides throughout, 61 pipes) 4' Hohl Flote [sic] (48 basses open wood, 13 open slotted metal trebles with tuning slides, 61 pipes) 2-2/3' Twelfth (spotted metal, arched mouths, 21 basses slotted, all with tuning slides, 61 pipes) 2' Fifteenth (low C stamped "Sp Oct.", spotted metal, 18 slotted basses, now tuning slides throughout, 61 pipes) III-IV Mixture (spotted metal with tuning slides, 229 pipes) 8' Tuba (spotted metal above zinc resonators, scroll tuned, 13 open spotted metal flue trebles with tuning slides, 61 pipes) Tremolo Harp Great 16' Great 4' III-IV Mixture composition: C1 15-19-12 D#2 12-15-19-22 G3 8-12-15-19 B4 5-8-12-15 Swell (Manual III, enclosed): 16' Bourdon (stopped wood, 61 pipes) 8' Open Diapason (17 zinc basses, remainder spotted metal, slotted through F5, now tuning slides throughout, 61 pipes) 8' Stopped Diapason (stopped wood, arched mouths, 61 pipes) 8' Viol d'Orchestre (12 zinc basses, remainder common metal, high tin content, slotted, now with tuning slides, 61 pipes) 8' Celeste (draws 8' Viol d'Orchestre, Celeste from tenor C, spotted metal throughout, arched mouths, high tin content, bearded through F3, slotted, now with tuning slides, 49 pipes) 8' Aeoline (12 zinc basses, remainder spotted metal, bearded through G2, ears throughout, slotted, now with tuning slides, 61 pipes) 4' Gemshorn (open, not tapered, 5 zinc basses, remainder common metal, 24 basses slotted, all with tuning slides, 61 pipes) 4' Flute Harmonic (harmonic from tenor A, common metal, slotted through G4, now with tuning slides throughout, 61 pipes) 2' Flageolet (tapered, arched mouths, common metal, 61 pipes) III Cornet (actually III-V, common metal, largely slotted, now tuning slides throughout, 245 pipes) 8' Cornopean (zinc resonators with spotted metal above, 12 open spotted metal flue trebles, slotted, now with tuning slides, 61 pipes) 8' Oboe (marked "Contra Fagotto", spotted metal above zinc resonators, scroll tuned, 12 open spotted metal flue trebles, slotted, with tuning slides, 61 pipes) 8' Vox Humana (added 1917, on seperate elevated chest, marked "3-1/2' wp", 12 basses with short boots, 13 open common metal flue trebles, slotted, now with slide tuners, 61 pipes) Tremolo Swell 16' Swell Unison Off Swell 4' III-V Cornet composition: C1 12-15-17 C3 8-12-15-17 C4 1-8-12-15-17 Choir (Manual I, enclosed): 8' Geigen Principal (17 zinc basses, remainder spotted metal, 20 basses with rollers, slotted to top, now tuning slides throughout, 61 pipes) 8' Concert Flute (12 stopped wood basses, 17 open wood, 32 harmonic open wood trebles, 61 pipes) 8' Quintadena (capped common metal, 61 pipes) 8' Dolce (12 zinc basses, remainder spotted metal, 20 basses with beards, 36 basses scroll tuned, now all with tuning slides, 61 pipes) 4' Fugara (spotted metal, 37 slotted basses, now with tuning slides throughout, 61 pipes) 4' Flute d'Amour (44 basses spotted metal chimneyed with red felt lined caps, 17 trebles without chimneys, 61 pipes) 2' Piccolo (harmonic from tenor C, common metal, slotted through F#3, now tuning slides throughout, 61 pipes) 8' Clarinet (flared bells, spotted metal resonators, 12 open spotted metal flute trebles, originally cone tuned, now with tuning slides, 61 pipes) Tremolo Harp Vibrato Chimes (located in Swell, plays on Great, tab with Choir, 24 tubes) Choir 16' Choir 4' Pedal: 16' Open Diapason (open wood, 30 pipes) 16' Great Diapason (from Great, 16' Open Diapason) 16' Bourdon (stopped wood, 30 pipes) 16' Violone (open wood, slotted, 30 pipes) 8' Violoncello (17 zinc basses, remainder spotted metal, bearded, 30 pipes) Inter-Divisional Couplers (by tablets above Manual III): Great to Pedal Great to Pedal 4' Swell to Pedal Choir to Pedal Swell to Great 16' Swell to Great Swell to Great 4' Choir to Great 16' Choir to Great Choir to Great 4' Echo to Great Swell to Choir 16' Swell to Choir Swell to Choir 4' Echo to Choir [Received from Connor Annable 2012-06-05.]

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