St. Paul's Episcopal Church: Sanctuary; front
261 South 900 East
Salt Lake City, UT
Images
2022-11-06 - Console: pedalboard, toe studs, & pedal movements (Photograph by Halden Toy, submitted by Jim Stettner/Jim Stettner)
2022-11-06 - Console: Left stopjamb (Photograph by Halden Toy, submitted by Jim Stettner/Jim Stettner)
2022-11-06 - Console: Right stopjamb (Photograph by Halden Toy, submitted by Jim Stettner/Jim Stettner)
2022-11-06 - Console: Manuals (Photograph by Halden Toy, submitted by Jim Stettner/Jim Stettner)
2022-11-06 - Chancel chamber facade (Photograph by Halden Toy, submitted by Jim Stettner/Jim Stettner)
2022-11-06 - Looking toward chancel facades (Photograph by Halden Toy, submitted by Jim Stettner/Jim Stettner)
2022-11-06 - Sanctuary interior from rear gallery (Photograph by Halden Toy, submitted by Jim Stettner/Jim Stettner)
2016-12-25 - Church campus exterior (Photograph from an archival source: Church Facebook page, submitted by Jim Stettner/Jim Stettner)
Consoles
Main
- Organ type: Traditional With Roll Top
- Console position: Console in Fixed Position, Left
- 3 manuals
- 4 divisions
- Key action Type: Electrical
- Stop action Type: Electrical
- Stop layout Type: Drawknobs in Vertical Rows on Angled Jambs
- Manual compass: 61 notes
- Pedal compass: 32 notes
- Pedal Type: Concave Radiating (Meeting AGO Standards)
- Expression Type: Balanced Expression Shoes/Pedals (Meeting AGO Standards)
- Has crescendo
- Combination action: Computerized/Digital
- SSLS
- Has combination thumb pistons
- Has combination toe pistons
- Has coupler thumb pistons
- Has coupler toe pistons
- Has tutti thumb pistons
- Has tutti toe pistons
Notes
2007-02-01 - Identified through information from Richard Elliott. -- Includes chimes from Austin Opus 1745 (1930s). -Database Manager
Stoplist
Source: Stoplist copied from console photos November 7, 2022
Salt Lake City, Utah
St. Paul's Episcopal Church
H. Ronald Poll & Associates, Inc., Opus 29, 2002
GREAT CHOIR (Expressive)
16' Gemshorn 12 8' Geigen Principal 61
8' Prinzipal 61 8' Koppel Flöte 61
8' Rohr Flöte 61 4' Prestant 61
8' Gemshorn 61 4' Nachthorn 61
4' Oktave 61 2 2/3' Nazard 61
2 2/3' Twelfth 61 2' Prinzipal 61
2' Fifteenth 61 1 3/5' Tierce 61
IV Fourniture 1⅓' 244 1 1/3' Larigot 61
8' Trumpet (Sw) -- 8' Krummhorn 61
Chimes Tremulant
MIDI
SWELL (Expressive) Choir 16'
16' Gedackt 12 Choir Unison Off
8' Viola da Gamba 61 Choir 4'
8' Viola Celeste (tc) 49
8' Gedackt 61
4' Prinzipal 61 PEDAL
4' Harmonic Flöte 61 32' Resultant Bass --
2' Octavin 61 16' Subbass 32
1 1/3' Quint 61 16' Bourdon 32
III Mixture 2' 183 8' Oktave 32
16' Contra Trumpet 12 8' Rohr Flöte (Gt) --
8' Trumpet 61 4' Choral Bass 32
4' Oboe 4' Nacht Horn (Ch) --
Tremulant II Mixture 2⅔' 64
Chimes 16' Contra Trumpet (Sw) --
MIDI 8' Trumpet (Sw) --
Chimes
Swell 16' MIDI
Swell Unison Off
Swell 4'
COUPLERS FINGER PISTONS
Swell to Pedal 8,4 General 1 - 20
Great to Pedal 8,4 Sw to Ped (rev)
Choir to Pedal 8,4 Gt to Ped (rev)
Ch to Ped (rev)
Swell to Great 16,8,4 Chime (Sw) (rev)
Choir to Great 16,8,4 Chimes (Gt) (rev)
MIDI (Sw) (rev)
Swell to Choir 8,4 MIDI (Ch) (rev)
Gt/Ch Transfer (rev)
Sforz (rev)
TOE SPOONS Set
Ped Chime (rev) GC
Ped MIDI (rev)
TOE STUDS
PEDAL MOVEMENTS General 1 - 6
Choir Expression (bal.) Sw to Ped (rev)
Swell Expression (bal.) Gt to Ped (rev)
Crescendo (bal.) Ch to Ped (rev)
Sforz (rev)
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