2007-02-19 - Identified through online information from James R. Stettner. -- Housed in/behind two mirror-image cases facing each other at a slight angle at the front of the room behind the choir seating. -Database Manager
2011-03-05 - Updated through online information from Jeremy Horth. -Database Manager
2018-08-14 - Updated by Michael Clabough, who has heard or played the organ.<br>\r\nTonal design was by Professor Robert Town (Wichita State University). The Positiv division was designed as a contrapuntal foil to the Great and originally included a wonderfully bright and assertive 1 1/3\' Quint and 4-rank Scharffmixtur. Sometime in the early 1990s these two stops were removed (for unknown reasons) and an electronic flute and flute celeste were inserted in their place. The resulting discontinuity in the tonal design is quite glaring to one who remembers the organ as it was before. -Database Manager
Stoplist taken from the console December 24, 2013 Source: Source not recorded Date not recorded
Great 16 Pommer 8 Prinzipal 8 Spillflote 4 Octav 4 Hohlflote 2 Klein Octav IV Mixture 8 Trompete Chimes Swell 8 Rohrflote 8 Salicional 8 Voix Celeste 4 Spitzflote 2 2/3 Nazat 2 Weit Principal 1 3/5 Terz III Zimbel 16 Dulzian 8 Schalmei Tremulant Positiv 8 Holzgedackt 8 Dulzian Flote 8 Flote Celeste 4 Prinzipal 4 Koppel Flote 2 Block Flote 8 Krummhorn Tremulant Pedal 32 Gemshorn 16 Prinzipal 16 Gemshorn 16 Subbass 8 Octav 8 Metal Gedackt 4 Choral Bass II Auszug IV Mixture 16 Posaune 4 Schalmei [Received from Jeremy Horth 2013-12-27.]
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