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Hutchings-Votey Organ Co. Opus 2075 (1907)

First Congregational Church (Unitarian)
71 Eighth Street
New Bedford, MA

Note: Not extant. Not playable. (in this location)


Images


Unknown - Balcony and Organ Case (Archival Photograph courtesy of William T. Van Pelt/Database Manager)

Unknown - Balcony and Organ Case (with added casework) (Archival Photograph courtesy of William T. Van Pelt/Database Manager)

Consoles

Main


Notes

2007-03-10 - Identified through online information from Bruce Gardzina. -- New organ incorporating 1891 Hutchings, itself a rebuild of E. &. G. G. Hook organ of 1862. Replaced by 1966 Flentrop. Destroyed/dispersed (Laws Jr.) -Database Manager

2022-05-25 - In 1907, the church was given another new organ, a three-manual electropneumatic instrument by Hutchings-Votey Organ Co. of Boston (Op. 2075). It incorporated pipework from the previous Hutchings instrument. Placed in the rear gallery, it had an ornate Gothic case. In 1914, Frank Foss, who soon thereafter moved his firm from Newton, MA, to New Bedford, enlarged the Pedal division. He added a Contra Bourdon 32' outside the tower chamber, on either side of the facade casework, and built new matching casework to house it. Once again, the church had the biggest and best organ in the city. According to the dedication program (Allan W. Swan, organist) of Thursday, April 25, 1907: Compass of Manuals: C to c'"' 61 notes Compass of Pedals: CC to f 30 notes Pedals concaved and radiating A.G.O. pattern International Pitch Electro-pneumatic action -- *2005 OHS Handbook* [see also stoplist tab -- ed.] -Paul R. Marchesano


Stoplist

OHS Handbook quoting the original dedication program Source: 2005 OHS Handbook Thursday, April 25, 1907

GREAT ORGAN (61 notes) Open Diapason 16, First Open Diapason 8, Second Open Diapason 8, Gamba 8, Clatabella 8, Gemshorn 8, Hohlflute 4, Octave 4, Twelfth 2⅔, Fifteenth 2, Mixture IV, Trumpet 8

SWELL ORGAN (61 notes, enclosed) Bourdon 16, Open Diapason 8, Horn Diapason 8, Viole d'Orchestre 8, Salicional 8, Aeoline 8, Bourdon 8, Viole Celeste 8, Quintadena 8, Octave 4, Violina 4, Flute Harmonique 4, Flautina 2, Mixture III, Contra Fagotto 16, Cornopean 8, Oboe 8, Vox Humana 8, Tremolo

CHOIR ORGAN (61 notes, enclosed) Contra Dulciana 16, Open Diapason 8, Viol d' amour 8, Dulciana 8, Melodia 8, Gedackt 8, Unda Maris 8, Flute a cheminée 4, Celestina 4, Piccolo 2, Clarinet 8, Tremolo

PEDAL ORGAN (30 notes) Open Diapason 16, Violone 16, Dulciana 16, Bourdon 16, Quinte 10⅔, Violoncello 8, Great Flute 8, Dolce Flute 8, Trombone 16

COUPLERS (Operated by Oscillating Tablets) Swell to Pedal, Choir to Pedal, Great to Pedal, Swell to Great, Choir to Great, Swell to Choir, Great to Swell, Choir to Great 16, Swell to Swell 16, Swell to Swell 4

COMBINATIONS (Push Knobs Adjustable) Five and Release (operating on Swell with suitable Pedal stops [sic - Great?]), Four and Release (operating on Swell with suitable Pedal stops), Three and Release (operating on Choir with suitable Pedal stops), General Release, Pedal Release

COMPOSITION PEDALS (Fixed Locking Down) Three operating on Great with suitable Pedal stops, Three operating on Swell with suitable Pedal stops, Three operating on choir with suitable Pedal stops, Sforzando (Full Organ)

OTHER PEDAL MOVEMENTS Great to Pedal, Swell Tremolo, Balanced Swell Pedal, Reversible, Balanced Choir Pedal, Balanced Crescendo Pedal


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