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Charles W. McManis Co. Opus 62 (1963+)

Redeemer Episcopal Church
Sarasota, FL

Note: Not extant. Not playable. (in this location)


Images


2016-06-14 - Church exterior (Photograph from an archival source: yourobserver.com, submitted by Jeff Scofield/Jeff Scofield)

Consoles

Main


Notes

2007-09-13 - Updated through online information from Stephen Hall. -- Rebuild and enlargement of Aeolian-Skinner rebuild of Möller organ. At this time, several original Möller and A-S Ranks were replaced with "Neo-Baroque" European Pipework. Later moved to Lewisville, Texas. -Database Manager

2008-06-28 - Identified through information adapted from <i>E. M. Skinner/Aeolian-Skinner Opus List</i>, by Sand Lawn and Allen Kinzey (Organ Historical Society, 1997), and included here through the kind permission of Sand Lawn: <br><i> Rebuild of 1958 Aeolian-Skinner organ that was a rebuild of 1950s Möller Opus 8089.</i> -Database Manager

2012-07-19 - Updated through online information from Carl S Zimmerman. -- Three contracts to McManis, beginning in 1963: (1) revoice 27 ranks of Möller/Aeolian-Skinner pipes; (2) provide new console (and bench); (3) rebuild and enlarge. Subsequently sold to Church of the Annunciation, Lewisville, TX; significantly redesigned for that installation. -Database Manager

2021-10-29 - From the November 1966 issue of THE DIAPASON: "Jerome W. Meachen, organist-choirmaster, Church of the Redeemer (Episcopal), Sarasota, Fla., played the first public recital, Oct. 7, on the 59-rank instrument in whose design he collaborated. It was completed in July by the McManis Company, Kansas City, Kansas. The program appears on the recital pages . Resources of the organ include exposed great and positiv divisions installed on opposite sides of the chancel after removal of existing pseudo-Gothic organ grilles, a pedal division partly enclosed but with principal chorus unenclosed, antiphonal at rear of gallery with trompette-en-chamade chest projecting from antiphonal box. For want of sufficient height or space above the ambulatory, basses of the Gemshorn 16 ft. are exposed on the right chancel wall. The stopkey console is located on the left side of the chancel with organist facing congregation. Retained from an earlier installation the antiphonal consists of a great division and one pedal rank previously housed in a chancel chamber, its removal and reinstallation negotiated by the church under separate contract. The existing swe1i division, dating in part from 1950 and the remainder from 1959, was kept in its enlarged chancel chamber but modified and increased in size through additions and replacements of flutes, strings, reed and mixture ranks. Retained for use in the chancel pedal is the principal 16 ft. whose low octave lies horizonta1iy on the floor above the ambulatory under the chest of the new great division. Pedal subbass and posaune are enclosed with the swell. Pedal mixture is with the pedal principal pipes. In anticipation of the new installation the church removed almost-new wall-to-wall carpet substituting slate floor in nave, chancel and chapels to improve acoustical conditions. The cymbelstern was built and installed by Jack Murphy of St. Petersburg, Florida. Factory installation crew included Michael Combs, Gene Bedient and Philip McManis, voicing and tonal regulation by Charles McManis. Organ bench design by Philip McManis." -Jeff Scofield

2021-10-29 - New console by Guzowski & Steppe in the 1990's; relocated to Lewisville, Texas, by Patrick J. Murphy and replaced by 3/64 Nichols & Simpson in 2004. -Jeff Scofield


Stoplist

Source: From THE DIAPASON November 1966

        Sarasota, Florida
        Church of the Redeemer, Episcopal

        McManis   Op. 62   1963-66   3/59
        _______________________________________________

        GREAT                   SWELL
    16' Gemshorn    61      16' Quintaton            61
     8' Principal   61       8' Geigen               73
     8' Rohrflöte   61       8' Gedeckt              73
     8' Gemshorn    12       8' Spitzviol            73
     4' Octave      61       8' Viol Celeste         73
     4' Spitzflòte  61       8' Flute Celeste II    146
 2 2/3' Nazard      61       4' Principal            73
     2' Blockflöte  61       4' Flute                73
 1 3/5' Tierce      61       2' Gedeckt              12
    IV  Mixture    244      IV  Small Mixture       227
     8' Trumpet  PD 17     III  Scharf              183
        Tremolo             16' Fagot                61
                             8' Trumpet              73
        PEDAL                4' Clarion              61
    32' Resultant   --          Tremolo
    16' Principal   32       8' Trompette-en-Chamade AN
    16' Subbass     32
    16' Gemshorn    GT          POSITIV
    16' Quintaton   SW       8' Gedeckt              61
10 2/3' Quint       --       4' Prestant             61
     8' Principal   12       4' Koppelflöte          61
     8' Gedeckt     12       2' Principal            61
     4' Octave      12   1 1/3' Quinte               61
     4' Spitzflöte  GT       1' Octave               61
     2' Gedeckt     --     III  Cymbel              183
   III  Mixture     96       8' Krummhorn            61
    16' Posaune     32          Tremolo
    16' Fagot       SW
     8' Trumpet     12          ANTIPHONAL
     8' Fagot       SW       8' Bourdon              61
     4' Clarion     12       8' Salicional           61
     4' Fagot       SW       8' Vox Celeste          49
                             4' Principal            61
        ANTIPH. PEDAL        4' Rohrflöte            61
    16' Bourdon     32   2 2/3' Twelfth              61
     8' Bourdon     12       2' Octave               61
                            IV  Fourniture          244
                             8' Trompette-en-Chamade 61

        [Received from Jeff Scofield October 28, 2021]

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