OHS convention: 1997
2004-10-30 - The original builder was Hutchings-Votey (1901, Opus 554). -Database Manager
2004-10-30 - Status Note: There 1995. -Database Manager
2004-10-30 - Casework and much pipework from the 1901 Hutchings-Votey Op. 554 from Old South Congregational, Brockton, Massachusetts. New mechanical slider chests and key action. Manual I is coupling manual (temporary). Hutchings case and most pipework retained. -Database Manager
2005-04-05 - Marylhurst College became Marylhurst University in 1998. -Database Manager
2007-06-12 - Updated through on-line information from James R. Stettner. -- The First Inaugural Concert was given March 20, 1994 by Nancy LeRoi Nickel, Director, Sacred Music and Organ Studies. With preparations, the organ will be 32 registers, 45 speaking stops, 46 ranks, and 2613 pipes. Source: extant organ, documented March, 1994. -Database Manager
Source: Stoplist copied from the keydesk March 21, 1994
Marylhurst (Lake Oswego), Oregon Marylhurst University - St. Anne's Chapel George Bozeman, Jr. & Company, Organbuilders, Inc., Opus 55, 1994 (Incorporating Hutchings-Votey Opus 554, 1901) The Fred & Maybelle Clark MacDonald Pipe Organ GRAND-ORGUE, Manual II 16' Montre 61 Orig. H-V; en facade. 8' Montre 61 Orig. H-V; en facade. 8' Flûte harmonique 61 Orig. H-V Choir 8' Concert Flute. 8' Bourdon 61 Orig. H-V Swell 8' Stopped Diapason. 8' Gambe 61 Orig. H-V Echo 8' Salicional. 4' Prestant 61 Orig. H-V Great 2-2/3' Twelfth. 4' Flûte douce 61 Orig. H-V Choir 4' Flute d'Amour. 2-2/3' Quinte 61 Orig. H-V Choir 4' Fugara. 2' Doublette 61 Orig. H-V Great 2'. 1-3/5' Tierce 61 New. IV Fourniture [1-1/3'] 244 Orig. H-V Choir 2' Fifteenth + new. 8' Trompette 61 New. 4' Clarion 61 New. blank RÉCIT (expressif), Manual III 8' Diapason 61 Orig. H-V Choir 8' Open Diapason. 8' Viole de Orchestre 61 Orig. H-V. 8' Voix céleste 49 Orig. H-V. Tenor C. 8' Flûte traversière 61 New. 4' Violine 61 Orig. H-V Swell 8' Aeoline. 4' Flûte octaviante 61 Orig. H-V. 2' Octavin 61 Orig. H-V Choir 2' Harmonic Piccolo. III Plein Jeu [1'] 183 New. 16' Basson 61 New. 8' Trompette 61 Orig. H-V. Great 8' Trumpet. 8' Hautbois 61 Orig. H-V. 8' Voix humaine 61 Orig. H-V. Tremblant Affects all manuals. POSITIF, Manual I (prepared for; presently usable as a coupling manual) 8' Diapason Conique 61 Orig. H-V Great 8' Gemshorn. 8' Dulciane 61 Orig. H-V. 8' Cor de Nuit 61 Orig. H-V Echo 8' Stopped Diapason. 4' Flûte à cheminée 61 Orig. H-V Great Chimney Flute. 2-2/3' Nasard 61 New. 2' Doublette 61 New. 1-3/5' Tierce 61 New. 1' Piccolo 61 New. 8' Clarinette 61 Orig. H-V Choir 8' Clarinet. PÉDALE: 30 notes 16' Contrebasse 30 Orig. H-V. 16' Bourdon 30 Orig. H-V. 16' Gedeckt 30 Orig. H-V Swell 16' Bourdon. 10-2/3' Quinte -- From the 16' Gedeckt. 8' Montre 30 Orig. H-V Swell 8' Open Diapason. 8' Violoncello 30 New. 8' Flûte 12 Orig. H-V. Extension of the 16' Contrebasse. 8' Gedeckt 12 Orig. H-V. Extension of the 16' Gedeckt. 4' Choralebasse 30 Orig. H-V Great 4' Octave. 16' Bombarde 30 Orig. H-V. 8' Bombarde 12 Orig. H-V. Extension of the 16' Bombarde. blank ACCOUPLEMENTS Récit / Pédale G.O. / Pédale Positif / Pédale (prepared) Récit / G.O. (prepared) Positif / G.O. (prepared) Récit / Positif (prepared) Manual I Coupling Manual (temporary) FINGER PISTONS General 1 - 8 Récit 1 - 6 Réc/Péd (rev) Grand Orgue 1 - 6 GO/Péd (rev) Positif [prep] 1 - 6 Pos/Péd [prep] (rev) GO (rev) Réc (rev) Pos [prep] (rev) Péd (rev) I [Tutti] (rev) II [Tutti] (rev) Blind Set 0 TIRASSES (as Toe Spoons) G.O. Réc. Pos. [prep] APPELS (as Toe Spoons) G.O. Réc. Pos. [prep] Péd. TOE STUDS General 1 - 8 Pédale 1 - 6 I [Tutti] (rev) II [Tutti] (rev) PEDAL MOVEMENTS Récit Expression (bal.) MEMORY 8-levels ACTION: Mechanical Key; Electric Stop VOICES: 32 (41 w/Pos.) STOPS: 36 (45 w/Pos.) RANKS: 37 (46 w/Pos.) PIPES: 2,064 (2,613 w/Pos.) NOTES The case is from the Hutchings-Votey, Opus 554, 1901 - originally built for a Congregational church in Brockton, MA. It is made of Australian lacewood. The H-V had been an electro-pneumatic instrument, but the chests of all the manual divisions and their note channels (and thus, their toeboards) were on a common grid. This enabled the original H-V toeboards to be used with new slider chests, and saved on re-racking of original pipework. [Received on line from James R. Stettner April 15, 2009.]
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