Better Pipe Organ Database


George Bozeman Jr., & Co., Organbuilders Opus 55 (1993)

Marylhurst University: St. Anne's Chapel
17600 Pacific Highway, Hwy 43
Marylhurst (Lake Oswego), OR

OHS convention: 1997


Images


2009-11-27 - Front of chapel with organ (Photograph by James R. Stettner/Database Manager)

2009-11-27 - Organ case (Photograph by James R. Stettner/Database Manager)

2009-11-27 - Keydesk (Photograph by James R. Stettner/Database Manager)

2009-11-27 - Left stopjamb (Photograph by James R. Stettner/Database Manager)

2009-11-27 - Right stopjamb (Photograph by James R. Stettner/Database Manager)

2009-11-27 - Pedalboard, toe studs, expression (Photograph by James R. Stettner/Database Manager)

2009-11-27 - Builder's nameplate (Photograph by James R. Stettner/Database Manager)

Consoles

Main


Notes

2004-10-30 - The original builder was Hutchings-Votey (1901, Opus 554). -Database Manager

2004-10-30 - Status Note: There 1995. -Database Manager

2004-10-30 - Casework and much pipework from the 1901 Hutchings-Votey Op. 554 from Old South Congregational, Brockton, Massachusetts. New mechanical slider chests and key action. Manual I is coupling manual (temporary). Hutchings case and most pipework retained. -Database Manager

2005-04-05 - Marylhurst College became Marylhurst University in 1998. -Database Manager

2007-06-12 - Updated through on-line information from James R. Stettner. -- The First Inaugural Concert was given March 20, 1994 by Nancy LeRoi Nickel, Director, Sacred Music and Organ Studies. With preparations, the organ will be 32 registers, 45 speaking stops, 46 ranks, and 2613 pipes. Source: extant organ, documented March, 1994. -Database Manager


Stoplist

Source: Stoplist copied from the keydesk March 21, 1994

Marylhurst (Lake Oswego), Oregon
Marylhurst University - St. Anne's Chapel

George Bozeman, Jr. & Company, Organbuilders, Inc., Opus 55, 1994
   (Incorporating Hutchings-Votey Opus 554, 1901)

The Fred & Maybelle Clark MacDonald Pipe Organ

GRAND-ORGUE, Manual II
   16'    Montre                61   Orig. H-V; en facade.
   8'     Montre                61   Orig. H-V; en facade.
   8'     Flûte harmonique      61   Orig. H-V Choir 8' Concert Flute.
   8'     Bourdon               61   Orig. H-V Swell 8' Stopped Diapason.
   8'     Gambe                 61   Orig. H-V Echo 8' Salicional.
   4'     Prestant              61   Orig. H-V Great 2-2/3' Twelfth.
   4'     Flûte douce           61   Orig. H-V Choir 4' Flute d'Amour.
   2-2/3' Quinte                61   Orig. H-V Choir 4' Fugara.
   2'     Doublette             61   Orig. H-V Great 2'.
   1-3/5' Tierce                61   New.
   IV     Fourniture [1-1/3']  244   Orig. H-V Choir 2' Fifteenth + new.
   8'     Trompette             61   New.
   4'     Clarion               61   New.
          blank

RÉCIT (expressif), Manual III
   8'     Diapason              61   Orig. H-V Choir 8' Open Diapason.
   8'     Viole de Orchestre    61   Orig. H-V.
   8'     Voix céleste          49   Orig. H-V. Tenor C.
   8'     Flûte traversière     61   New.
   4'     Violine               61   Orig. H-V Swell 8' Aeoline.
   4'     Flûte octaviante      61   Orig. H-V.
   2'     Octavin               61   Orig. H-V Choir 2' Harmonic Piccolo.
   III    Plein Jeu   [1']     183   New.
   16'    Basson                61   New.
   8'     Trompette             61   Orig. H-V. Great 8' Trumpet.
   8'     Hautbois              61   Orig. H-V.
   8'     Voix humaine          61   Orig. H-V.
          Tremblant                  Affects all manuals.

POSITIF, Manual I (prepared for; presently usable as a coupling manual)
   8'     Diapason Conique      61   Orig. H-V Great 8' Gemshorn.
   8'     Dulciane              61   Orig. H-V.
   8'     Cor de Nuit           61   Orig. H-V Echo 8' Stopped Diapason.
   4'     Flûte à cheminée      61   Orig. H-V Great Chimney Flute.
   2-2/3' Nasard                61   New.
   2'     Doublette             61   New.
   1-3/5' Tierce                61   New.
   1'     Piccolo               61   New.
   8'     Clarinette            61   Orig. H-V Choir 8' Clarinet.

PÉDALE: 30 notes
   16'    Contrebasse           30   Orig. H-V.
   16'    Bourdon               30   Orig. H-V.
   16'    Gedeckt               30   Orig. H-V Swell 16' Bourdon.
  10-2/3' Quinte                --   From the 16' Gedeckt.
   8'     Montre                30   Orig. H-V Swell 8' Open Diapason.
   8'     Violoncello           30   New.
   8'     Flûte                 12   Orig. H-V. Extension of the 16' Contrebasse.
   8'     Gedeckt               12   Orig. H-V. Extension of the 16' Gedeckt.
   4'     Choralebasse          30   Orig. H-V Great 4' Octave.
   16'    Bombarde              30   Orig. H-V.
   8'     Bombarde              12   Orig. H-V. Extension of the 16' Bombarde.
          blank

ACCOUPLEMENTS
   Récit / Pédale
   G.O. / Pédale
   Positif / Pédale  (prepared)
   Récit / G.O.      (prepared)
   Positif / G.O.    (prepared)
   Récit / Positif   (prepared)
   Manual I Coupling Manual (temporary)

FINGER PISTONS
   General                   1 - 8
   Récit                     1 - 6
     Réc/Péd                 (rev)
   Grand Orgue               1 - 6
     GO/Péd                  (rev)
   Positif       [prep]      1 - 6
     Pos/Péd     [prep]      (rev)
   GO                        (rev)
   Réc                       (rev)
   Pos           [prep]      (rev)
   Péd                       (rev)
   I            [Tutti]      (rev)
   II           [Tutti]      (rev)
   Blind
   Set
   0

TIRASSES (as Toe Spoons)
   G.O.
   Réc.
   Pos.          [prep]

APPELS (as Toe Spoons)
   G.O.
   Réc.
   Pos.          [prep]
   Péd.

TOE STUDS
   General                   1 - 8
   Pédale                    1 - 6
   I            [Tutti]      (rev)
   II           [Tutti]      (rev)

PEDAL MOVEMENTS
   Récit Expression         (bal.)

MEMORY
   8-levels

ACTION: Mechanical Key; Electric Stop
VOICES: 32  (41 w/Pos.)
STOPS: 36  (45 w/Pos.)
RANKS: 37  (46 w/Pos.)
PIPES: 2,064  (2,613 w/Pos.)

NOTES
The case is from the Hutchings-Votey, Opus 554, 1901 - originally built
for a Congregational church in Brockton, MA. It is made of Australian
lacewood. The H-V had been an electro-pneumatic instrument, but the
chests of all the manual divisions and their note channels (and thus,
their toeboards) were on a common grid. This enabled the original H-V
toeboards to be used with new slider chests, and saved on re-racking of
original pipework.

 [Received on line from James R. Stettner April 15, 2009.]

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