2008-12-20 - Identified through information published in John Ferguson's <i>Walter Holtkamp: American Organ Builder</i> (DMA treatise, Eastman School of Music, 1976). Although neither Votteler-Holtkamp-Sparling nor their successor Holtkamp Organ Co. assigned Opus numbers to their instruments, this organ was identified in factory documents as Job number 1620. That number appears here as the Opus number of this instrument. An additional note in Ferguson's list identifies this as a rebuild of an earlier instrument. -Database Manager
2012-06-17 - Updated through online information from Ron Yeater. -- The temple moved to the suburbs (1960s?) and the building on Euclid Ave. is now a Baptist church. Organ's status unknown. -Database Manager
2015-04-23 - Updated through online information from Lawrence Hill. -Database Manager
2015-04-24 - Updated through online information from Lawrence Hill. -- The [pipes] in the rear of the sanctuary are located only in one room off the balcony, at the left side of the balcony, as one faces the balcony. The chamber on the other side of the balcony is empty. The chamber which contains pipes is in very bad shape, with fallen plaster and water damage to the walls. It is observable that several of the small pipes are not "seated" correctly in their position. One pipe began cyphering today while I visited. The console was altered to match the choir pews and woodwork surrounding the front of the choir stands. The original console was a cherry or mahogany tone, which is evident inside the console once the cover is rolled up. It also appears that repairs were made in 1961 by J. E. Nagel (Joseph?). the plate on the interior of the console has Moller 1912 and below that, J.E. Nagel 1961. -Database Manager
2021-02-07 - As of October 2020, the organ is in usable condition, but needs attention. The organ was out of tune, and some pipes did not speak. -Solomon Wickline
Source: Stoplist taken from the console April 23, 2015
Cleveland, Ohio Euclid Avenue Temple / now Liberty Hill Baptist Church M.P. Moller, Opus ____, 1912 Holtkamp, Job No. 1620, 1944 - Rebuild with Tonal Changes J.E. Nagel, 1961 - Moving, Reinstallation, and Tonal Changes (?) GREAT SWELL (Expressive) 8 Open Dipason 16 Bourdon 8 Rohr Flute 8 Gedeckt 8 Gemshorn 8 Nachthorn 4 Octave 8 Salicional 4 Harmonic Flute 8 Voix Celeste 2 2/3 Twelfth 8 Aeoline 2 Fifteenth 4 Principal Mixture 4 Spitz Flute 16 Posaune 4 Ludwigtone Tremolo 2 2/3 Quint Chimes 2 Flautina 1 1/3 Larigot Great to Great 16 Sesquialtera Great to Great 4 Plein Jeu 8 Cornopean Tremolo ECHO (Expressive) 8 Salicional Swell to Swell 16 8 Flauto Dolce Swell to Swell 4 8 Dolcissimo 8 Unda Maris 8 Vox Humana CHOIR (Expressive) Tremolo 8 Geigen Chimes 8 Flute D'Amour 8 Dulciana Echo to Echo 16 8 Unda Maris Echo to Echo 4 4 Principal 4 Concert Flute 2 Piccolo PEDAL 1 3/5 Tierce 32 Contra Bass 8 Oboe 16 Flute Tremolo 16 Violone Harp 16 Gedackt 16 Contra Viole 16 Choir to Choir 8 Octave 4 Choir to Choir 5 1/3 Quint 4 Choral Bass 4 Doppel Flute 2 Nacht Horn 16 Bombarde 16 Posaune 8 Shofar 8 Clarinet COUPLERS FINGER PISTONS Swell to Pedal 8,4 General 1 - 5 Great to Pedal 8,4 Echo 1 - 4 Choir to Pedal 8,4 Swell 1 - 6 Great 1 - 6 Swell to Great 16,8,4 Choir 1 - 6 Choir to Great 16,8,4 Pedal 1 - 6 Echo to Great 8 Gen Can Swell to Choir 8 Echo to Choir 16,8,4 TOE STUDS General 1 - 5 Echo to Swell 16,8,4 Pedal 1 - 6 Gr. to Ped. (rev) Sw. to Ped. (rev) PEDAL MOVEMENTS Echo Expression (bal.) Swell Expression (bal.) Choir Expression (bal.) Crescendo (bal.) [Received from Lawrence Hill 2015-04-24.]
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