2009-01-04 - New double choir organ in antiphonal placement (Opus 35) and renovation/modification of existing McManis organ of 1982 (Opus 35R), both played from a new three-manual console -Database Manager
Stoplist from builder's website Source: Source not recorded Date not recorded
Chicago, Illinois Saint Peter's Episcopal Church Buzard Organ, Opus 35, 2007 III/48 (Enlargement and rebuild of 1982 McManis two manual) GREAT 16' Gemshorn 61 8' Open Diapason 61 8' Chimney Flute 61 8' Gemshorn 12 4' Principal 61 4' Spire Flute 61 4' Gemshorn 12 2 2/3'Nazard 61 2' Doublette 61 1 3/5'Tierce 49 1 1/3'Mixture III-IV 232 8' Trumpet -- Swell Chimes 25 notes 8' Major Tuba -- prepared SWELL 16' Leiblich Gedeckt 61 8' Open Flute 61 8' Spitz Gamba 61 8' Gamba Celeste 49 from Tenor C 4' Principal 61 4' Koppel Flute 61 2' Principal 61 1' Mixture III 183 16' Bassoon 12 new ext 8' Trompette 61 new, replacement of original 8' Oboe 61 new, replacement of original 4' Clarion 12 Tremulant 8' Major Tuba -- prepared PEDAL 32' Subbass -- 1-12 electronic 32' Lieblich Gedeckt (Sw) -- 1-12 electronic 16' Open Diapason 32 wood 16' Bourdon 32 16' Gemshorn -- Great 16' Lieblich Gedeckt -- Swell 8' Principal 32 8' Bourdon 12 8' Gedeckt Flute -- Swell 4' Choral Bass 32 4' Gedeckt Flute -- Swell 2 2/3'Mixture IV 128 16' Trombone 12 Swell ext, new 16' Bassoon -- Swell 8' Trompette -- Swell 4' Clarion -- Swell 8' Major Tuba -- prepared CHOIR A 8' English Open Diapason 61 facade 8' Salicional 61 8' Voix Celeste 49 from Tenor C 4' Principal 61 2' Full Mixture IV 244 16' English Horn 61 8' Cornopean 61 Tremulant CHOIR B 8' Stopped Diapason 61 8' Flute Coelestis II 61 open wood pipes, double flues 4' Harmonic Flute 61 2' Recorder 61 1 1/3'Larigot 61 8' Clarinet 61 Tremulant 8' Major Tuba -- prepared PEDAL 16' Choir Gedeckt 12 All Choir stops are by Buzard- new divided division in twin cases on either side of rear window in the nave (Antiphonal position). Scope of Renovations to the McManis Organ All the pipes above 8' pitch were brought to the shop for repair, cleaning, and regulation of their voicing. All the zinc basses were replaced with tin/lead metal pipes. The original McManis voicing was respected and restored wherever possible. The two ranks of reed stops were also replaced with new pipes of lead and tin pipe metal for darker, fuller, and more consistent tone. We added a full-length Pedal 16' Trombone, and a full-compass Swell 16' Fagotto [Bassoon], which was not originally installed. [Received from Stephen Hall 2011-12-20.]
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