Better Pipe Organ Database


Kajkowski Family Organs (1982)

St. Leo's Catholic Church
102 W. Broadway
Lewistown, MT

Images


1996-10-05 - Church exterior (Photograph by James R. Stettner/Database Manager)

1996-10-05 - Added, exposed Principal unit (Photograph by James R. Stettner/Database Manager)

1996-10-05 - Console (Photograph by James R. Stettner/Database Manager)

1996-10-05 - Drawknobs added to console (Photograph by James R. Stettner/Database Manager)

Consoles

Main


Notes

2009-02-15 - Identified through on-line information from James R. Stettner. -- This was the addition of an 85-pipe Principal unit to the Great. It was unexpressive, on its own chest, and had its own regulator. The stops played at six pitches on the Great: 8, 4, 2-2/3, 2, 1-1/3, and 1; and at two pitches on the Pedal: 8 & 4. The Great stops are controlled by added drawknobs to the right of the original Möller stop tablets. The drawknobs are only labeled with the pitch of the stop, and are above a large label engraved "Unenclosed Open Diapason." In 1992, John R. Mitchell of Salt Lake City was hired to move the organ from the rear gallery to the main floor. It is housed in a small chamber at the front with the original case removed. The Kajokowski Unenclosed Open Diapason is located atop the chamber. Documented October 5, 1996. -Database Manager


Stoplist

Stoplist copied from the console October 5, 1996 Source: Source not recorded Date not recorded

Lewistown, Montana
St. Leo's Parish

M.P. Möller, Opus 7871, 1948 - "Portable"
Kajkowski Family Organs, 1982 - Additions


GREAT (Expressive)               SWELL (Expressive)               PEDAL (Expressive)
16    Lieblich Gedeckt           8     Lieblich Gedeckt           16  Bourdon
8     [Unenc. Open Diap.]        8     Salicional                 8   [Unenc. Open Diap.]
8     Diapason Conique           8     Quintadena (Syn.)          8   Lieblich Gedeckt
8     Lieblich Gedeckt           4     Lieblich Flute             4   [Unenc. Open Diap.]
8     Salicional                 4     Salicet                    2   Super Octave
4     [Unenc. Open Diap.]        2-2/3 Nazard
4     Octave Conique             2     Piccolo
2-2/3 [Unenc. Open Diap.]        8     Oboe (Syn.)
2-2/3 Quint                            Tremolo
2     [Unenc. Open Diap.]
2     Super Octave
1-1/3 [Unenc. Open Diap.]
1     [Unenc. Open Diap.]
      Chimes

STOP / RANK / PIPE ANALYSIS
   16    Bourdon                 (Ped)  12   Extension of the 8' Lieblich Gedeckt.
   16    Lieblich Gedeckt         (Gt)  --   Smae as the 16' Bourdon.
   8     [Unenc. Open Diap.]      (Gt)  61
   8     Diapason Conique         (Gt)  --   From the 4' Octave Conique.
                                             1-12 from the 8' Lieblich Gedeckt.
   8     Lieblich Gedeckt  (Gt/Sw/Ped)  61
   8     Salicional            (Gt/Sw)  --   From the 4' Salicet. 1-12 from
                                             the 8' Lieblich Gedeckt.
   8     Quintadena (Syn.)        (Sw)  --   Synthetic. Draws the 8' Salicional
                                             and 2-2/3' Nazard.
   4     [Unenc. Open Diap.]            12   Extension of the 8' Unenc. Open Diapason.
   4     Octave Conique           (Gt)  49   Top octave from the Lieblich Gedeckt unit.
   4     Lieblich Flute           (Sw)  12   Extension of the 8' Lieblich Gedeckt.
                                             Top 5 pipes break back to 8' pitch.
   4     Salicet                  (Sw)  61
   2-2/3 [Unenc. Open Diap.]      (Gt)  --   From the Unenc. Open Diapason unit.
   2-2/3 Nazard                   (Sw)  --   From the Lieblich Gedeckt unit.
                                             Breaks back to 4' pitch at c# 50.
   2-2/3 Quint                    (Gt)  --   From the Salicet unit. Top 5 notes repeat.
   2     [Unenc. Open Diap.]            12   Extension of the 8' Unenc. Open Diapason.
   2     Super Octave            (Ped)  --   From the 4' Octave Conique.
   2     Super Octave             (Gt)  --   From the 4' Salicet. Top octave repeats.
   2     Piccolo                  (Sw)  --   From the Lieblich Gedeckt unit. Top octave repeats.
   1-1/3 [Unenc. Open Diap.]      (Gt)  --   From the Unenc. Open Diap.
                                             Top 7 notes repeat.
   1     [Unenc. Open Diap.]      (Gt)       From the Unenc. Open Diap. unit.
                                             Top octave repeats
   8     Oboe (Syn.)              (Sw)  --   Synthetic. Draws the 8' Salicional,
                                             4' Lieblich Flute, and 2-2/3' Nazard.
         Tremolo                  (Sw)       Affects the entire instrument.
         Chimes                   (Gt) (21)  Deagan. Compass: Tenor A thru f 42.  

PIPE SUMMARY
   16' Bourdon/Lieblich Gedeckt.........85 pipes
   8'  [Unenc. Open Diapason]...........85 pipes
   4'  Octave Conique...................49 pipes
   4'  Salicet..........................61 pipes

COUPLERS
   Swell to Great                      [8]

TOE STUDS
   Unenclosed Open Diapason Unit         1
   Unenclosed Open Diapason unit         2
   Unenclosed Open Diapason unit         C

PEDAL MOVEMENTS
   Expression                       (bal.)
   Crescendo                        (bal.)

ACTION: E-P unit
VOICES: 4
STOPS: 27; inc. chimes
RANKS: 4
PIPES: 280

NOTES
This Möller "Portable" was originally installed in the rear gallery of the
church.

In 1982, Kajkowski Family Organs of [then] Great Falls, MT. was contracted
to add an 85-pipe unit of Open Diapason pipes on a new chest with their
own regulator. The pipes were painted gold. Some of the 8' bass pipes are
of aluminum.

The unit plays on the Great at six pitches and on the Pedal at two pitches.
The original Möller Great 8' Lieblich Gedeckt stop slide was blocked-on as
a feed for an added relay which controlls both the added Unenclosed Open
Diapason and the 8' Lieblich Gedeckt. As a result of this and other changes,
the Swell 8' Quintadena, 8' Oboe, 2-2/3' Nazard, and 2' Piccolo can no
longer be coupled to the Great.

The Unenclosed Open Diapason and the 16' Lieblich Gedeckt are controlled
by drawknobs placed in the right end of the stop rail. These seven stops
can be registered by hand or by means of two added combination action toe
studs and a cancel toe stud.

In 1992, John R. Mitchell of Salt Lake City, UT. was hired to move the
organ to the front of the church. The original Möller case was removed
and the chassis placed in an expressive chamber with the Kajkowski addi-
tions and regulator on top. The console resides on the right side of the
church (when facing forward) with the organist facing the congregation.

 [Received on line from James R. Stettner June 15, 2009.]

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