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Balcom and Vaughan Pipe Organs, Inc. Opus 817 (1976)

First United Methodist Church
1838 SW Jefferson St.
Portland, OR

Consoles

Main


Notes

2009-02-20 - Identified through online information from James R. Stettner. -- This was a rebuild and enlargement of the existing Wicks with some existing ranks switched between divisions or transposed by an octave. Other new ranks were added. A 4th manual was added to the existing console. Much of the manual unification was replaced by independent registers on new chests. The 4th manual was prepared for a Bombarde division of 2 independent registers, 4 speaking stops, and 5 ranks: IV Grand Jeu & 16' Bombarde/8' Trompette Harmonique/4' Clarion Harmonique. -Database Manager


Stoplist

Typed stoplist from James R. Stettner Source: Stoplist copied from Balcom and Vaughan files and the existing original specification Date not recorded

Portland, Oregon
First United Methodist Church

WICKS ORGAN CO., Opus 3622, 1955 
Wicks Organ Co., Opus 3622, 1969 - Antiphonal Division
Balcom and Vaughan Pipe Organs, Inc., Opus 817, 1976 - Rebuild & Tonal Changes


GREAT                                        CHOIR (Expressive)
   16    Violone                    12 ◘        8     Geigen                     68
   8     Principal                  68          8     Gedeckt                    68 ●
   8     Viola                      68 ◘        8     Dolce                      68 ֍
   8     Doppel Gedeckt             68          8     Dolce Celeste        (GG)  61
   4     Octave                     68          4     Principal                  68
   4     Wald Flöte                 68          4     Zauber Flute               68
   2-2/3 Twelfth                    61          2-2/3 Rohr Nazard                61
   2     Fifteenth                  61          2     Block Flöte                61
   IV-V  Fourniture [19-22-26-29]  293          1-3/5 Tierce                     61
   III   Scharf        [26-29-33]  183          III   Cymbal        [36-39-43]  183
         Tremulant                              16    Corno d'Bassetto           68
         Chimes      (tc - c2)     (25)         8     Tuba                       68  
         Carillon                               8     Clarinet                   61
                                                4     Schalmei                   68
   Great to Great 16'                                 Tremulant
   Great Unison Silent                          [2]   Celesta     (CC – c 49)   (49)
   Great to Great 4'
                                                Choir to Choir 16'
                                                Choir Unison Silent
SWELL (Expressive)                              Choir to Choir 4'
   16    Gemshorn                   12 *
   8     Viola Pomposa              68
   8     Viola Celeste              68       PEDAL
   8     Rohr Flute                 68          32    Untersatz    [1-12 elec.]  –-
   8     Gemshorn                   68 *        16    Diapason                   32 ≈
   8     Gemshorn Celeste     (tc)  61          16    Violone              (Gt)  –- ◘
   4     Prestant                   68          16    Bourdon                    32 ◊
   4     Harmonic Flute             68          16    Gemshorn             (Sw)  –- *
   2     Octavin                    61          16    Lieblich Gedeckt     (Ch)  12 ●
   1-1/3 Larigot                    61          16    Dolce                (Ch)  12 ֍
   IV    Plein Jeu  [22-26-29-33]  244          8     Octave                     12 ≈
   III   Sesquialtera     [12-17]  122          8     Major Flute                12 ◊
   16    Contra Fagot               12 ▼        8     Gemshorn             (Sw)  –- *
   8     Trompette                  68 ♠        8     Gedeckt              (Ch)  –- ●
   8     Fagot                      68 ▼        4     Choral Bass                32
   8     Vox Humana           (tc)  49          4     Flute             (Gt 8')  –-
   4     Clarion                    12 ♠        IV    Full Mixture [2']         128 
         Tremulant                              32    Contra Bombarde            –- □
                                                16    Ophicleide                 32 □
   Swell to Swell 16'                           16    Contra Fagot         (Sw)  –- ▼
   Swell Unison Silent                          8     Tromba                     12 □
   Swell to Swell 4'                            4     Clarion                    12 □
                                                4     Chalumeau            (Ch)  –-     

BOMBARDE (IV)
   IV    Grand Jeu   [15-19-22-16]  –-
   16    Bombarde                   –-
   8     Trompette Harmonique       –-
   4     Clarion Harmonique         –-


GREAT ANTIPHONAL                ANTIPHONAL                      ANTIPHONAL PEDAL
   16    Gemshorn                  8     Rohr Flöte                16    Gemshorn
   8     Principal                 8     Gemshorn                  16    Rohr Bourdon
   8     Rohr Flöte                4     Principal                 8     Octave
   8     Gemshorn                  4     Spill Flöte               8     Rohr Gedeckt
   4     Octave                    2-2/3 Nazat                     4     Choral Bass
   4     Spill Flöte               2     Gemshorn
   2     Hohl Flöte                1     Sifflöte
   III   Mixture                   8     Trumpet
   8     Trumpet                         Tremulant
         blank
                                   Antiphonal On
   Great Ant. On                   Antiphonal 4'
   Great Ant 4'


STOP / RANK / PIPE ANALYSIS
   16    Gemshorn               (GA/AP)  12   Extension of the 8' Gemshorn.
   16    Rohr Bourdon              (AP)  12   Extension of the 8' Rohr Flöte.
   8     Principal                 (GA)  61
   8     Octave                    (AP)  –-   Same as the 8' Principal.
   8     Rohrflöte               (A/GA)  61
   8     Rohr Gedeckt              (AP)  –-   Same as the 8' Rohr Flöte.
   8     Gemshorn                (A/GA)  61
   4     Octave                    (GA)  12   Extension of the 8' Principal.
   4     Choral Bass               (AP)  –-   Same as the 4' Octave.
   4     Principal                  (A)  61
   4     Spill Flöte             (A/GA)  61
   2-2/3 Nazat                      (A)  –-   Derived from the Rohr Flöte unit.
   2     Hohl Flöte                (GA)  61
   2     Gemshorn                   (A)  24   Extension of the 8' Gemshorn.
   1     Sifflöte                   (A)  24   Extension of the 8' Rohr Flöte. Top
                                                 octave repeats.
   III   Mixture                   (GA) 183
   8     Trumpet                 (A/GA)  61


PIPE SUMMARY

   Principal                Rohr Flöte               Gemshorn                 Principal
   73 pipes                 97 pipes                 97 pipes                 61 pipes

   Spill Pfeife             Hohl Flöte               Mixture                  Trumpet
   61 pipes                 61 pipes                 183 pipes                61 pipes


COUPLERS                                     FINGER PISTONS
   Swell to Pedal                  8,4          Undocumented
   Great to Pedal                  8,4
   Choir to Pedal                  8,4
   G.A.  to Pedal                  8         TOE STUDS
   Ant.  to Pedal                  8            Undocumented

   Swell to Great               16,8,4
   Choir to Great               16,8,4       PISTON COUPLERS
   Manual IV to Great              8            Undocumented

   Swell to Choir               16,8,4
                                             PEDAL MOVEMENTS
                                                Swell Expression             (bal.)
                                                Great Expression             (bal.)
                                                Choir Expression             (bal.)
                                                Crescendo                    (bal.)


ACTION: E-P & D-E ™      VOICES: 49      STOPS: 86      RANKS: 67      PIPES: 4,173


NOTES
The church's previous two instruments in the previous edifice were: (1) a III-manual,
26-rank tracker-action instrument built by Geo. H. Ryder of Boston, Mass. in 1899 as
his opus 151. The disposition of the Ryder is not known. (2) a III-manual, 29-rank,
electro-pneumatic Estey built in 1943 as that firm's opus 3147. When the new [present]
church was built in the 1950's, the Estey was sold to Millwood Presbyterian Church in
Spokane, Washington and installed there by Balcom and Vaughan.

The new church was provided with a new, III-manual Wicks pipe organ installed in three
expressive chambers across the front of the church. The organ was dedicated by Lauren
B. Sykes who thereafter was invited by the church to become their organist. The Chimes
and Celesta were added after the original installation.

The Swell 8' Vox Humana was installed inside its own enclosure within the Swell chamber.
It had its own Tremulant – called vibrato. The Vox Humana enclosure was also fitted with
a lid that was normally in the open position, but which could be closed by drawing on
the Swell stop labeled Vox Humana Softer which allowed a pneumatic to exhaust -  closing
the lid.

In 1968, the unified 8-rank, unenclosed Antiphonal division was installed at the rear of
the sanctuary – cantilevered off of the back wall. It was named in memory of former pastor,
Dr. Laurence E. Nye. A permanent bronze plaque mointed to the west side of the Antiphonal
Division cabinet reads:

                                   Antiphonal Division
                                      In Memory of

                                         The Rev.
                                   Laurence E. Nye, D.D.

                                    Minister, 1945 – 63


The contract for the construction of the Antiphonal organ was signed on September 16, 1966.
The cost was $21,342.00 which covered its construction and installation. Local carpentry and
electrical preparations cost another $3,500.00. It was installed by regional Wicks represent-
ative Mr. Charles W. Allen of Seattle. Installation began in the spring and was completed in
September.  The wind pressure was 2½”. It was dedicated in worship on Sunday, November 24,
1968, and with a dedicatory recital that afternoon at 4:00 p.m. Three organists and one
soloist participated in the dedication.

A new IV-manual console was also provided as part of this project.

In 1976, Balcom and Vaughan Pipe Organs, Inc. of Seattle Washington was contracted to make
tonal changes and additions to the existing Wicks instrument. Some ranks were swapped between
divisions. Some ranks were transposed an octave in pitch – from 8' to 4'. The Bombarde divi-
sion was prepared for and to have played from the 4th manual.

In subsequent years, the organ was rebuilt, modified, and enlarged yet again.

Sources: Wicks opus list; Antiphonal Division Dedicatory Concert program; Balcom
         and Vaughan opus list and files; JRS


First United Methodist Church
1838 SW Jefferson
Portland, OR. 97201
(503) 228-3195

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