OHS convention: 2010
2009-08-16 - Identified through research conducted by Sand Lawn, courtesy of David Scribner. -Database Manager
2013-01-15 - Updated through online information from Paul Dessau. -- date taken from Holtcamp website ----http://www.holtkamporgan.com/Chart/Default.aspx -Database Manager
2016-02-01 - Updated through online information from James Stark. <br>Setterboard replaced by Syndyne solid state combination action 2014. Console visually unaltered. -Database Manager
Stoplist provided by James Stark Source: Source not recorded Date not recorded
Pittsburgh, Pennsylvania
Pleasant Hills Presbyterian Church
Holtkamp 1970
GREAT (61 notes)
16 Quintadena
23 zinc, 38 spotted metal, scale 43, capped, un-nicked
8 Principal
12 zinc, 49 spotted metal, scale 46, ¼ mouth cut-up 2/9,
ears to f3#
8 Gedackt
5 zinc, 44 spotted metal, capped;
12 open spotted metal
4 Octave
61 spotted metal, scale 58, ¼ mouth cut-up 2/9
4 Rohrflöte
49 capped spotted metal with chimneys;
12 open spotted metal
2 Doublette
61 tin, scale 73, 2/9 mouth cut-up ¼
Mixture IV
Unison = scale 51 @ 8’ CC, mouth ¼ cut-up ¼
Quints = scale 51 @ 8’ CC, mouth ¼ cut-up ¼
CC 19.22.26.29
c0 15.19.22.26
c1 12.15.19.22
c2 8.12.15.19
c3 8.12.15.15
8 Trumpet
3” scale; 12 copper, 44 spotted metal resonators,
harmonic at c#3; 5 open spotted metal flues
Swell to Great
SWELL (61 notes, enclosed)
8 Gamba
10 zinc, 51 spotted metal, beards to c0, scale 50,
18 halving, 2/9 mouth cut-up 2/7
8 Voix Celeste (56 notes from FF)
7 zinc, 49 spotted metal, beards to g0, scale 54,
20 halving, 1/5 mouth cut-up 1/3;
FF-BB zinc, c0 first spotted pipe, marked "56"
8 Copula
49 stopped wood (white oak); 12 open spotted metal
4 Spitzflöte
61 spotted metal, scale 56 with 1/3 taper to c3,
1/5 mouth cut-up 2/7
2 2/3 Nazard
61 common metal, tapered to f1
1/5 mouth cut-up ¼
2 Octave
61 tin, scale 75, ¼ mouth cut-up ¼
Scharff III
183 pipes, tin
Unison = 53 scale @ 8’ CC, 1/4 mouth cut-up 2/9
Quints = 53 scale @8’ CC, 1/4 mouth cut-up 1/3
CC 29.33.36
GG 26.29.33
d0# 22.26.29
b0 19.22.26
g1 15.19.22
d2# 12.15.19
f3 12.15.15
8 Cromorne
1½” scale; 56 spotted metal resonators, capped to d3#;
5 open spotted metal flues
Swell to Swell 16
PEDAL (32 notes)
16 Subbass
32 stopped wood (pine)
16 Quintadena (Gt.)
8 Octave
12 zinc, 20 spotted metal, scale 48, ¼ mouth cut-up ¼
8 Flute
32 stopped wood (mahogany with maple caps), 114 mm x 86 mm,
cut-up 1/3
4 Choralbass
32 spotted metal, scale 57, ¼ taper, ¼ mouth cut-up ¼
Rauschquint III
96 pipes, tin
2’ = 53 scale @ 8’ CC, ¼ mouth cut-up 2/9
1 1/3’ = 53 scale @ 8’ CC, ¼ mouth cut-up ¼
1’ = 52 scale @ 8’ CC, ¼ mouth cut-up ¼
16 Posaune
5½” scale; 32 copper resonators
4 Schalmei
2 5/8” scale; 32 capped reeds, spotted metal resonators
Great to Pedal
Swell to Pedal
Combination Action:
Originally adjustable by setterboard (now Syndyne Solid-State, 2014)
Great – 1,2,3,4
Swell – 1,2,3,4
Pedal – 1,2,3,4
General – 1,2,3,4,5,6 (duplicated by toe studs)
General Cancel - 0
Action: electro-pneumatic
Wind Pressure: 73 mm
Pitch: A440, Equal temperament
Documentation: Joseph G. Zamberlan, James M. StarkRegrettably, it is not possible to display the information about the sponsor of this pipeorgandatabase entry or if there is a sponsor. Please see About Sponsors on Pipe Organ Database.