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Holtkamp Organ Co. Opus 1809 (1967)

Ascension Episcopal Church: Church
36 Fifth Avenue at 10th Street
New York City: Manhattan, NY

Note: Not extant. Not playable. (in this location)


Images


2009-09-09 - Console (Photograph by Steven E. Lawson/Database Manager)

2009-09-09 - Console (Photograph by Steven E. Lawson/Database Manager)

2009-09-09 - Holtkamp setter boards (Photograph by Steven E. Lawson/Database Manager)

Unknown - Chancel and exposed pipes (Photograph by Steven E. Lawson/Database Manager)

2009-09-09 - Chancel and exposed pipes (Photograph by Steven E. Lawson/Database Manager)

Consoles

Main


Notes

2009-08-16 - Identified through research conducted by Sand Lawn, courtesy of David Scribner. -Database Manager

2009-11-07 - Updated through online information from Jeff Scofield. -Database Manager

2010-10-29 - Updated through online information from Steven E. Lawson. -Database Manager

2011-01-18 - Updated through online information from Connor Annable. -Database Manager

2011-03-30 - Updated through online information from Stephen Hall. -- Holtkamp organ was used for the last time on Sunday, December 27, 2009. The organ was sold to a family for their Oregon residence. (NYC AGO Web site) -Database Manager

2019-12-11 - From the NYC AGO NYC Organ Project: Under the leadership of Vernon de Tar, Organist and Choirmaster from 1939-1981, a new organ was built in 1967 by the Holtkamp Organ Company of Cleveland, Ohio. At Mr. de Tar's insistence, Holtkamp provided a fourth manual for a Solo division that incorporated selected ranks from the previous Ernest M. Skinner Organ, Opus 860 (1931), although the Skinner reeds were revoiced to play on lower pressure. The retained Skinner ranks were from the Solo (Flauto Dolce, Flute Celeste, English Horn, French Horn and Orchestral Oboe), Swell (Vox Humana) and Choir: (Clarinet). Holtkamp installed the organ on both sides of the chancel. To the left of the chancel were exposed pipes of the Great, Positiv and Pedal divisions, behind which was the enclosed Swell division. On the opposite side of the chancel was a chamber for the enclosed Solo division, the tonal opening of which was masked by a façade. The detached four-manual stop-key console was on a raised platform between the choir stalls and pulpit, allowing the organist to direct and hear the divided choir. The organ was dedicated at the 11am Morning Prayer service on Sunday, January 15, 1967. In lieu of the usual sermon, Vernon de Tar played a "sermon in music" – organ works from many centuries and nationalities – and the choir sang grand anthems. One week later, Mr. de Tar played the dedicatory concert. In the next months several great organists were heard in recitals, including Robert Baker, André Marchal, Charles Krigbaum, Jack Hennigan, Marilyn Mason and Leonard Raver. After 43 years of service, the Holtkamp organ was used for the last time on Sunday, December 27, 2009. The organ was sold to a family for their Oregon residence. -Database Manager

2024-01-31 - Updated through online information from Samuel Baker: It’s a shame the couplers are not listed. Holtkamp would not duplex the clarinet stop from the Skinner Solo division onto the Positiv but agreed to include a Clarinet to Positiv coupler. Surely unique. -Jim Stettner


Stoplist

Stoplist courtesy of the NYC Organ Project http://nycago.org/Organs/NYC/index.html Source: Source not recorded Date not recorded

       New York, New York
       Church of the Ascension, Episcopal

       Holtkamp   Job 1809   1967   4/81
       ________________________________________________

       GREAT                         SOLO (*)

   16' Quintadena       61        8' Flauto Dolce    61
    8' Principal        61        8' Flute Celeste   49
    8' Gemshorn         61        4' Principal       61
    8' Gedackt          61       16' English Horn    61
    4' Octave           61        8' Trompette       61
    4' Spitzflöte       61        8' French Horn     61
    2' Superoctave      61        8' Orchestral Oboe 61
    2' Hohlflöte        61        8' Clarinet        61
1 1/3' Quinte           61        8' Vox Humana      61
   IV  Mixture         244           Tremolo
  III  Scharf          183           Sub
   16' Dulzian          61           Unison Off
    8' Trumpet          61           Super

       SWELL                         PEDAL

   16' Bourdon          61       32' Untersatz       12
    8' Geigen Principal 61       16' Principal       32
    8' Rohrflöte        61       16' Subbass         32
    8' Gamba            61       16' Quintadena      GT
    8' Voix Céleste     61       16' Bourdon         SW
    8' Dolce            61        8' Octave          32
    4' Gemshorn         61        8' Flauto          32
    4' Bourdon          61        4' Choralbass      32
    2' Doublette        61        4' Flute           32
    1' Octavin          61        2' Nachthorn       32
   II  Sesquialtera    122       II  Rauschquinte    64
    V  Plein Jeu       305       IV  Mixture        128
   16' Fagott           61       32' Basun           32
    8' Trumpet          61       16' Posaune         32
    8' Oboe             61       16' Dulzian         GT
    4' Clairon          61        8' Trumpet         32
       Tremolo                    4' Schalmey        32

       POSITIV

    8' Spitzflöte       61
    8' Copula           61
    4' Praestant        61
    4' Rohrflöte        61
2 2/3' Nazard           61
    2' Octave           61
    2' Blockflöte       61
1 3/5' Tierce           61
1 1/3' Quinte           61
  III  Fourniture      183
  III  Cymbal          183
    8' Cromorne         61       

    *  Retained from 4/69 1931 E M Skinner Op. 860

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