2004-10-30 - Status Note: There 1998 -Database Manager
2004-10-30 - From a Presbyterian Church in Pittburgh, PA. Relocated here 1872. Blower added 1938. Dudley Jardine 1864 inside. Stops labeled on jambs above the stopknobs. Restored K. C. Marrin 1991-1992. -Database Manager
2016-05-16 - Updated through online information from James R. Stettner. -Database Manager
2017-05-04 - Updated by Nils Halker, listing conversations with this person as the source of the information: Bob Vickery and Randy Bourne inspected it in February, 2016. -Database Manager
Source: Typed stoplist from the OHS PC Database. Date not recorded
Hudson, Wisconsin First Baptist Church Geo. Jardine & Son, 1863 Unknown Builder, 1872 - Reinstallation here. GREAT (56 notes) 8' Open Diapason 56 pipes 8' Melodia 44 8' St. Diapason Bass 12 4' Principal 56 4' Flute 44 2 2/3' Twelfth 56 2' Fifteenth 56 SWELL (Expressive) 8' Open Diapason 44 8' Clariana 44 8' St. Diapason Treble 44 8' St. Diapason Bass 12 4' Principal 56 8' Hautbois 44 PEDAL 16' Pedal Pipes 25 Pedal Lock COUPLERS Pedal and Swell Pedal and Great Pedal Octaves (restored by Lurth c. 1970. Plays low 12 pedal notes one octave higher.) Great and Swell PEDAL MOVEMENTS Swell Expression Hitch-down ACCESSORIES Bellows NOTES Onginally built for a Presbytenan Church in Pittsburgh, Pennsylvania, the organ was relocated in 1872 to its current home. While there was discus- sion in 1957 of replacing the organ with an electronic instrument, nothing occured. The Lurth company performed "Emergency measures...taken to stabil- ize the instrument against further deterioration". The organ remains essen- tially as built; the only concessions are the retention of the electric blower installed in 1938, and the construction of a new organ bench, which allows the organist to sit much closer to the keyboards than the original bench would allow; the old bench is still available for anyone who would care to try it. The organ is installed in an alcove on the left side of the front chancel wall, and it speaks quite readily into the room. The 44-note stops drop out below tenor c, while the two 12 note stops operate only for the bottom octave. The Clariana is a mild but still stringy bell-gamba. The Pedal Pipes, Melodia, and St. Diapason Bass stops are of wood, as presumably is part or most of the St. Diapason Treble. The Pedal Octaves coupler couples the upper octave of the pedals to the lower octave of the pedal board. Facade and some of the action may have been modified in 1872 to accomodate new space restrictions.
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