2010-04-21 - Identified through online information from Chad Boorsma. -- The organ was originally built by Austin in 1950 as their Opus 2169. In 2006, Austin rebuilt the console to solid-state and added 19 digital stops. Several stops now have different names from the original stoplist. -Database Manager
2010-04-22 - Updated through online information from Chad Boorsma. -Database Manager
2012-04-29 - Updated through online information from Timothy Tikker. -- The Great chest is located an the opening of the right sideways-facing chancel chamber. The principal chorus is exposed, that portion of the chest projecting out from the chamber; the remainder of the Great is within the chamber, the Swell and Pedal behind it. The Positiv is on an exposed chest in front of the left chamber, the Choir in the chamber behind it. The Great Mixture IV is composed: C 19 22 26 29; c#º 15 19 22 26; c#' 12 15 19 22; c#'' 8 12 15 19; c#''' 1 8 12 15. The Swell Mixture is III (not IV as indicated on the stop tab); it appears to date from 2006, yet is composed in typical Austin 1950s style: C 15 19 22; bº 12 15 19; e'' 8 12 15. The Pedal mixture is 3-1/5' 2-2/3' 2' without breaks (again, a typical 1950s composition for this firm). The Pedal also has 8' Tuba and 4' Tuba Clarion described from the Choir 8' Tuba. The Chimes appear to be prepared for. General pistons 13 through 20 are located above the Swell manual as "cash register" style buttons. There are two tutti reversibles. The console is in fact moveable: it was moved for use in my concert. -Database Manager
2016-06-12 - Updated through online information from Timothy Flynn. <br>The "portable" keyboard/organ in the chapel is no longer there. I am told it became a "fire hazard" and it was removed. -Database Manager
2021-08-20 - Console renovated 2021 by Fowler Hebert Organ Co. -Jeff Scofield
Stoplist taken from the console (April 20, 2010). Source: Source not recorded Date not recorded
Lansing, Michigan ST. PAUL'S EPISCOPAL CHURCH Austin Organ Company 1950 & 2006 Opus 2169 47 ranks _______________________________________________________________ GREAT: POSITIV: 16' Rohrbourdon 61 8' Bourdon 61 8' Diapason 61 4' Hohlflute 61 8' Spitzprincipal 61 2 2/3' Nazard 61 8' Rohrflute 12 2' Flautino 61 4' Octave 61 II Mixture 128 4' Spitzflute 61 8' Gemshorn * 2 2/3' Twelfth 61 8' Gemshorn Celeste * 2' Super Octave 61 IV Cornet * IV Mixture 244 16' Cornopean * 8' Trompette 61 8' Clarinet * Chimes 8' Orchestral Oboe * 8' Gamba * 8' French Horn * 8' Harmonic Flute * 8' Cor Anglais * 4' Concert Flute * 8' Tuba Mirabilis * 2 2/3' Quintflute * 4' Clairon * 2' Piccolo * 8' Corno de Bassetto * PEDAL: 32' Soubasse * SWELL: 32' Sanftbasse * 8' Geigen Diapason 73 16' Diapason 32 8' Melodia 73 16' Soubass 32 8' Salicional 73 16' Rohrbourdon [GT] 8' Voix Celeste [TC] 61 16' Dolce [CH] 4' Geigen Octave 73 8' Octave 32 4' Chimney Flute 73 8' Gedecktbass 12 2' Fifteenth 61 4' Choralbass 32 IV Mixture 244 III Mixture 96 16' Fagott 73 32' Contrabombard * 8' Trumpet 73 16' Trombone 12 8' Fagott 12 16' Fagott [SW] 8' Vox Humana 61 8' Fagott [SW] 4' Clarion 73 16' Tuba 32 Tremulant CHOIR: 16' Dolce 61 8' Viola Da Gamba 73 * Digital Stop 8' Concert Flute 73 8' Dolce 12 8' Unda Maris [TC] 61 4' Koppelflote 61 8' Cromorne 73 16' Tuba [PD] 29 Tremulant [Received on line from Chad Boorsma April 22, 2010.]
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