Centenary United Methodist Church: Sanctuary
Winston-Salem, NC
Images
Unknown - Console (Photograph by Famer Pipe Organs, submitted by Jeff Scofield/Jeff Scofield)
Unknown - Church exterior (Photograph by freefood.org, submitted by Jeff Scofield/Jeff Scofield)
2022-06-27 - En-Chamade (Photograph by Josh Sobel, submitted by Jeff Scofield/Jeff Scofield)
2022-06-27 - Church interior to rear and Antiphonal (Photograph by Josh Sobel, submitted by Jeff Scofield/Jeff Scofield)
2022-06-27 - Church interior to front (Photograph by Josh Sobel, submitted by Jeff Scofield/Jeff Scofield)
2022-06-27 - Console (Photograph by Josh Sobel, submitted by Jeff Scofield/Jeff Scofield)
Consoles
Main
- Organ type: Traditional With Roll Top
- 4 manuals
- Stop layout Type: Stop Keys Above Top Manual
- Manual compass: 61 notes
- Pedal compass: 32 notes
- Pedal Type: Concave Radiating (Meeting AGO Standards)
- Expression Type: Balanced Expression Shoes/Pedals (Meeting AGO Standards)
- Has sequencer
- Has combination thumb pistons
- Has coupler toe pistons
- Has tutti thumb pistons
- Has tutti toe pistons
Notes
2011-01-17 - Identified through information from Stephan Reavis: -- Modification to existing highly rebuilt Austin organ of 1931: Console gutted and refinished; Movable Console; Original Ivory Manuals cleaned and reused; New wiring and tabs installed; addition of an 8' Doppelflote found by J. Allen Farmer. -Database Manager
2011-01-23 - Updated through on-line information from Stephan Reavis. -Database Manager
2012-06-22 - Updated through online information from Stephan M. Reavis. -- Please remove the part about the Dopple Flute being from a practice organ at Union Theological Seminary. I was told by John Farmer of J. Allen Farmer, Inc. that was untrue. He found the rank of pipes and installed them. -Database Manager
Stoplist
Stoplist from Organist Emeritus Ray Ebert Source: Source not recorded Date not recorded
GREAT
1. 16’ Double Principal
2. 16’ Gemshorn Bass (to G3)
3. 8’ First Open Diapason
4. 8’ Second Open Diapason
5. 8’ Dopple Flute
6. 8’ Bourdon
7. 8’ Gemshorn
8. 4’ Octave
9. 4’ Nachthorn
10. 2 2/3’ Twelfth
11. 2’ Fifteenth
12. IV Fourniture
13. Chimes (in Solo)
SWELL
14. 16’ Gedeckt
15. 8’ Rohr Flute
16. 8’ Viola
17. 8’ Viola Celeste
18. 4’ Principal
19. 4’ Harmonic Flute
20. 2’ Flautino
21. III Plein Jeu
22. 16’ Contra Fagotto
23. 8’ Trompette
24. 8’ Fagotto
25. 4’ Clarion
26. Tremulant
27. 8’ Vox Humana
28. Vox Tremulant
CHOIR
29. 8’ Nason Flute
30. 8’ Dulciana
31. 8’ Unda Maris
32. 4’ Kopple Flute
33. 2’ Octave
34. 1 1/3’ Larigot
35. II Sesquialtera
36. 8’ Krummhorn
37. Tremulant
38. 4’ Harp
39. 8’ Trumpet en Chamade
SOLO
40. 8’ Orchestral Flute
41. 8’ Violincello
42. 8’ Cello Celeste
43. VI Grand Mixture
44. 16’ Bombarde Bass (to 3G)
45. 8’ Trumpet Harmonique
46. 8’ French Horn
47. Tremulant
ANTIPHONAL
48. 8’ Gedeckt
49. 4’ Octave
50. III Mixture
51. 8’ Petite Trumpet
PEDAL
52. 32’ Resultant Diapason
53. 32’ Resultant Bourdon
54. 16’ Open Diapason
55. 16’ Double Principal-Gt
56. 16’ Bourdon
57. 16’ Gemshorn
58. 16’ Gedeckt-Sw
59. 8’ Principal-Gt
60. 8’ Spitz Flute
61. 8’ Gedeckt-Sw
62. 4’ Principal-Gt
63. 4’ Spitz Flute
64. III Mixture
65. 32’ Contra Bombarde
66. 16’ Bombarde
67. 16’ Fagotto-Sw
68. 8’ Trompette-So
69. 4’ Krummhorn-Ch
COUPLERS
70. Gt to Gt 16, 4
71. Sw to Gt 16, 8, 4
72. Ch to Gt 16, 8, 4
73. So to Gt 16, 8, 4
74. Gt unison off
75. Sw to Sw 16, 4
76. So to Sw 16, 8, 4
77. Sw unison off
78. Ch to Ch 16, 4
79. Sw to Ch 16, 8, 4
80. Gt to Ch 16, 8, 4
81. Choir unison off
82. So to So 16, 4
83. Solo unison off
84. Ant on So
85. Ant on Ch
86. Gt to Ped 8, 4
87. Sw to Ped 8, 4
88. Ch to Ped 8, 4
89. So to Ped 8, 4
[Received from Stephan Reavis January 17, 2011]
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