2010-05-15 - Church Exterior (Photograph by Rick Zentmeyer/Database Manager)
2010-10-17 - Sanctuary Interior and Chancel (Photograph by Rick Zentmeyer/Database Manager)
2010-10-06 - Console (Photograph by Rick Zentmeyer/Database Manager)
2011-04-02 - The organ was originally built by M. P. Möller in 1937. It was expanded in 1973 by Möller. This work by Allen included a new console and the addition of many digital voices. -Database Manager
From the church web-site. Source: Source not recorded Date not recorded
Harrisburg, Pennsylvania USA
St. Stephen’s Episcopal Cathedral
Allen Renaissance™ R-330 interfaced with 1937/1973 M.P. Möller Pipe Organ
STOPLIST
* Indicates Digital Stop or Control
Great (unenclosed)
16’ Violone
8’ Principal
8’ Diapason
8’ Metal Gedackt*
8’ Harmonic Flute
4’ Octave
4’ Geigen
4’ Koppelflöte*
4’ Spitzflöte
2’ Fifteenth*
2’ Waldflöte
III-IV Mixture
IV Fourniture
II Sesquialtera*
8’ State Trumpet (swell)
8’ Trompete
Chimes (choir)
Tremolo*
Swell
16’ Lieblichgedeckt
8’ Viola Pomposa
8’ Viola Celeste
8’ Salicional
8’ Vox Celeste
8’ Rohrflöte
4’ Principal
4’ Octave Geigen
4’ Traverseflöte
2 2/3’ Nazard
2’ Flageolet
2’ Piccolo
1 3/5’ Tierce
IV Fourniture
III Scharf
16’ Waldhorn
8’ Trompette
8’ Trumpet
8’ Hautbois
8’ Vox Humana
Tremolo
Choir
16’ Erzähler
8’ Diapason*
8’ Holtzgedackt
8’ Flute Conique*
8’ Flute Celeste*
8’ Erzähler
8’ Erzähler Celeste
4’ Prinzipal
4’ Spillflöte
4’ Flûte Triangulaire Δ*
4’ Erzähler Celeste II
2 2/3’ Nazard*
2’ Oktav
1 1/3’ Quintflöte
III Zimbel
8’ Festival Trumpet
8’ Krummhorn
8’ Clarinet*
Tremolo
8’ State Trumpet (swell)
Chimes
Antiphonal
16’ Bourdon
8’ Diapason
8’ Gedeckt
8’ Viole Sordine
8’ Viole Celeste
8’ Vox Angelica
4’ Vox Angelica
4’ Flute d’Amour
2 2/3’ Nazard
2’ Piccolo
Tremolo
8’ State Trumpet (swell)
Chimes (choir)
Pedal
32’ Contre Violone
32’ Bourdon
16’ Diapason
16’ Contrebasse
16’ Subbass
16’ Violone
16’ Bourdon
16’ Flute Conique (choir)
16’ Lieblichgedackt (swell)
8’ Principal
8’ Octave
8’ Rohrflöte (swell)
8’ Bourdon
8’ Gedackt (swell)
4’ Octave
4’ Choralbass
4’ Flûte
III Mixture
32’ Contre Bombarde
16’ Posaune
16’ Bombarde
8’ State Trumpet (swell)
8’ Trompette (swell)
8’ Trompete
4’ Clarion
4’ Basson
Chimes (choir)
Antiphonal Pedal
16’ Bourdon
16’ Vox Angelica
8’ Gedeckt
Great Second Voices
8’ Prinzipal
8’ Holtzgedackt
4’ Oktav Swell Second Voices
8’ Orchestral Flute
8’ Clarinet
8’ French Horn
8’ Cor Anglais Choir Percussions
Handbells
Celesta
Harpsichord
Pedal Second Voices
16’ Prinzipal
16’ Subbass
8’ Oktav
32’ Kontra Posaune
16’ Posaune
Couplers
8’ Great to Pedal
8’ Swell to Pedal
4’ Swell to Pedal
8’ Choir to Pedal
4’ Choir to Pedal*
8’ Antiphonal to Pedal
4’ Antiphonal to Pedal
16’ Swell to Great
8’ Swell to Great
4’ Swell to Great
16’ Choir to Great*
8’ Choir to Great
4’ Choir to Great*
16’ Antiphonal to Great
8’ Antiphonal to Great
4’ Antiphonal to Great
Pedal to Great
16’ Swell to Choir
8’ Swell to Choir
4’ Swell to Choir
16’ Antiphonal to Choir
8’ Antiphonal to Choir
4’ Antiphonal to Choir
16’ Antiphonal to Swell
8’ Antiphonal to Swell
4’ Antiphonal to Swell
8’ Great to Antiphonal
Console Monitor Off
Expressions
Antiphonal
Choir
Swell
Crescendo
Key Cheek Pistons
(with LEDs)
16’ Antiphonal to Antiphonal
Antiphonal Unison Off
4’ Antiphonal to Antiphonal
MIDI on Pedal
MIDI on Swell
MIDI on Antiphonal
MIDI on Great
MIDI on Choir
Great Cornet/Choir Division Transfer*
Signal to Narthex
Signal to Sacristy
Tower Bells
Choir Chimes
Chime Dampers
Choir Percussions Combinations
(16 levels of memory)
Generals: 1-2-3-4-5-6-7-8-9-10-11-
12-13-14-15 (toe studs 1-10)
Great: 1-2-3-4-5-6
Swell: 1-2-3-4-5-6
Choir: 1-2-3-4-5-6
Antiphonal: 1-2-3-4-5-6
Pedal: 1-2-3-4-5-6 (toe studs only)
Reversibles: 8’ Great to Pedal
8’ Swell to Pedal
8’ Choir to Pedal
8’ Antiphonal to Pedal
8’ Swell to Great
8’ Choir to Great
8’ Antiphonal to Great
8’ Swell to Choir
8’ Antiphonal to Choir
32’ Contre Violone
32’ Bourdon
32’ Contre Bombarde
Tutti I
Tutti II
All Swells to Swell
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