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Casavant Brothers, Ltd. Opus 390 (1910)

St. Andrew's Presbyterian Church: Sanctuary
694 Richards Street
Vancouver, BC, CA

Note: Not extant. Not playable. (in this location)


Images


ca. 1934 - Church exterior (City of Vancouver Archives/Jim Stettner)

Consoles

Main


Notes

2011-07-08 - Identified through on-line information from Jeff Scofield. -- Merged into St. Andrew's-Wesley United Church in 1925; organ relocated to new sanctuary in 1927 as Casavant Op. 1475 with additions and new console. -Database Manager

2025-03-10 - Both St. Andrew's Presbyterian and Wesley Methodist were razed in the 1930's after the merger. -Jim Stettner


Stoplist

Stoplist copied from the factory specifications Source: Source not recorded Date not recorded

     Vancouver, British Columbia
     St. Andrew's Presbyterian Church

     Casavant   Op. 390   1910   4/47
     ____________________________________________________

     Courtesy of the Casavant Frères Archives
     St. Hyacinthe, Québec, Canada

     Specification notes below stoplist

     GREAT                           SWELL
 16' Double Open Diapason 65     16' Bourdon           65
  8' Open Diapason        65      8' Open Diapason     65
  8' Doppelflöte          65      8' Stopped Diapason  65
  8' Violin Diapason      65      8' Cello             65
  8' Dolcissimo           65      8' Viola di Gamba    65
  4' Principal            65      8' Voix Céleste      53
  4' Harmonic Flute       65      8' Aeoline           65
  2' Fifteenth            61      4' Flauto Traverso   65
III  Mixture             195      2' Flautino          61
  8' Trumpet              65    III  Dolce Cornet     195
     Octaves                      8' Saxophone         65
     Chimes               EC      8' Oboe              65
                                     Tremulant
     CHOIR                           Sub
  8' Open Diapason        65         Octaves
  8' Melodia              65         Chimes            EC
  8' Dulciana             65
  4' Dolce Flute          65         SOLO
  2' Harmonic Piccolo     61     16' Contra Gamba      65
  8' Clarinet             65      8' Viole d'Orchestre 65
     Tremulant                    8' Concert Flute     65
     Sub                          8' Quintadena        65
     Octaves                      8' Viole d'Amour     pf
     Chimes               EC      4' Octave            pf
                                  8' Tuba              65
     ECHO                            Tremulant
  8' Lieblich Gedeckt     65         Sub
  8' Violin               65         Octaves
  8' Violes Célestes II  122         Chimes            EC
  4' Flauto Amabile       65
  8' Vox Humana           65         PEDAL
     Tremulant                   32' Sub Bass          30
                                 16' Open Diapason     12
                                 16' Open Diapason     GT
                                 16' Bourdon           30
                                 16' Violone           30
                                 16' Gedeckt           SW
                                  8' Bass Flute        12 (Open Diap)
                                  8' Bourdon           12
                                  8' Violoncello       12
                                 16' Trombone          30
                                     Chimes (Neveille tubes)

Make the 32 on the Pedal very heavy so it will not be lost in
     full organ playing.
Make the Swell Boxes very thick and practically sound proof.
The Metal for all Diapasons and Principal to be heavy.
Echo Vox Humana is enclosed in a wood box inside the Echo swell box.
Make the Pedalboard similar [to] St. John's in this city.
The chimes to be placed in the Echo. The echo organ to be located in
     a tower at the west end of the church, in a suitable chamber,
     all work pertaining to preparation to be done by the church.
Put in a really good Clarinet and Saxophone. Imitate the Cello 
     instrument as nearly as possible with the Cello set.  make the
     tone of the Cello powerful and very stringy and unlike the Viole
     d'Orchestre, Gamba, Violin or other strings, voicing as much
     variety as possible. This also applied to the Reed and Flutes -
     voice all the variety you can. Put the Solo on heavier pressure.

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