Trinity Episcopal Cathedral
147 N.W. 19th Ave.
Portland, OR
Images
2021-10-18 - Console (Photograph by Eric Plutz, via Facebook, submitted by Jeff Scofield/Jeff Scofield)
2021-10-18 - Organ case detail (Photograph by Eric Plutz, via Facebook, submitted by Jeff Scofield/Jeff Scofield)
2021-10-18 - Altar and organ case (Photograph by Eric Plutz, via Facebook, submitted by Jeff Scofield/Jeff Scofield)
2021-10-18 - Organ case (Photograph by Eric Plutz, via Facebook, submitted by Jeff Scofield/Jeff Scofield)
Unknown - Organ case and keydesk (Builder's promotional brochure photo in the collection of James R. Stettner, courtesy of James R. Stettner (1987)/Database Manager)
1988-12-28 - Keydesk (Archival source not identified by contributor: James R. Stettner/Database Manager)
Consoles
Main
- Organ type: Traditional Without Cover
- Console position: Keydesk Attached
- 3 manuals
- 58 stops
- 58 registers
- 4 divisions
- Key action Type: Mechanical (Suspended Tracker)
- Stop action Type: Electrical
- Stop layout Type: Drawknobs in Horizontal Rows on Terraced/Stepped Jambs
- Manual compass: 61 notes
- Pedal compass: 32 notes
- Pedal Type: Concave Radiating (Meeting AGO Standards)
- Expression Type: Balanced Expression Shoes/Pedals (Meeting AGO Standards)
- Has crescendo
- Combination action: Computerized/Digital
- Has combination thumb pistons
- Has coupler toe pistons
- Has tutti thumb pistons
- Has tutti toe pistons
Notes
2004-10-30 - Status Note: There 1997 -Database Manager
2004-10-30 - SS Combination, 8 levels of memory. Compass 61/32. Suspended key action. 7 stops from the 1948 Möller were used. -Database Manager
2007-03-08 - Updated through online information from James R. Stettner. -Database Manager
2009-01-29 - The front pipes are of 75% tin with 23 carat gold leaf applied to the mouths. The casework is of white oak with walnut burl, bocote, and rift sawn white oak. Stopknobs are of ebony, rosewood, and boxwood. Manual keys are of basswood covered with cow bone and ebony. Pedal keys are of beech covered with maple and rosewood. The oak panels on either side of the music rack conceal video monitors, telephone, combination systems controls and music storage. -Database Manager
2009-06-08 - Updated through online information from Jude Fritts. -Database Manager
Stoplist
Stoplist copied from the console December 28, 1988 Source: Source not recorded Date not recorded
Portland, Oregon
Trinity Episcopal Cathedral
Rosales Organ Builders, Opus 11, 1987
GREAT
16' Prestant 61 Façade; 75% tin.
8' Principal 61 Façade; 75% tin.
8' Bourdon 61 Bass of wood; trebles of 50% tin with chimneys.
8' Flûte Harmonique 49 1-12 from Bourdon; 50% tin.
8' Gamba 61 75% tin.
4' Octave 61 75% tin.
4' Spite Flute 61 28% tin; tapered.
2-2/3' Quint 61 75% tin.
2' Super Octave 61 75% tin.
V Cornet (mc) 181 Mounted; 28% tin; 1-8-12-15-17.
XI Mixture 435 28% tin; 19-22-26-26-29-29.
16' Bombarde 61 50% tin.
8' Trumpet 61 75% tin.
4' Clarion 61 75% tin.
SWELL (Expressive)
16' Bourdon 61 Zinc & 50% tin.
8' Geigen Principal 61 Zinc & 505 tin.
8' Bourdon 61 Bass of wood; trebles of 28% tin with chimneys.
8' Flûte Harmonique 49 1-12 from Bourdon; 50% tin.
8' Viola da Gamba 61 Zinc & 50% tin; slotted.
8' Celeste (tc) 49 Zinc & 50% tin; slotted.
4' Octave 61 50% tin.
4' Flûte Octaviante 61 50% tin.
2' Octavin 61 50% tin.
IV Cornet (tg) 161 Mounted; 28% tin; 8-12-15-17.
IV Mixture 232 28% tin; 15-19-22-26.
16' Bassoon 61 50% tin; full-length.
8' Trumpet 61 75% tin.
8' Hautbois 61 75% tin.
8' Vox Humana 61 75% tin.
4' Clarion 61 75% tin.
Man. Tremolo
POSITIV
16' Bourdon 61 Wood & 28% tin; 1-12 from Pedal.
8' Principal 61 75% tin.
8' Bourdon 61 Bass of wood; treble of 50% tin.
4' Octave 61 75% tin.
4' Rohr Pipe 61 15% tin; with chimneys.
3-1/5' Grosse Tierce 61 28% tin.
2-2/3' Nazard 61 28% tin. Stopped and open pipes.
2' Doublet 61 50% tin.
1-3/5' Tierce 61 28% tin.
1-1/3' Larigot 61 28% tin.
VII Mixture 315 28% tin; 22-26-29-33.
8' Trumpet 61 50% tin.
8' Cromorne 61 75% tin.
4' Clarion 61 50% tin.
Man. Tremolo
PEDAL
32' Bourdon 32 Stopped pine.
16' Open Wood 32 Open poplar.
16' Prestant 20 Façade; 1-12 from Great.
16' Bourdon 32 Stopped pine.
8' Octave 32 75% tin and 50% tin.
8' Flute 32 Open poplar.
8' Bourdon 32 Stopped pine.
4' Super Octave 32 50% tin.
VII Mixture 224 50% tin.
32' Contra Trombone 32 Zinc; full-length.
16' Bombarde 20 50% tin; 1-12 from Great.
16' Trombone 32 Zinc & 505 tin.
8' Trumpet 32 75% tin.
4' Clarion 32 75% tin.
Pedal Tremolo
COUPLERS (Drawknob)
Swell to Pedal
Great to Pedal
Positiv to Pedal
Swell to Great
Positiv to Great
Great 16' Discant Silences bottom 2 8ves of Prestant & Bombarde.
Swell to Positiv
FINGER PISTONS
General 1 - 15
Swell 1 - 5
Sw-Ped (rev)
Great 1 - 5
Gt-Ped (rev)
Positiv 1 - 5
Pos-Ped (rev)
Fonds (rev)
Plein Jeu (rev)
Grand Jeu (rev)
Sfz (rev)
Can
Set
TOE STUDS
General 1 - 15
Pedal 1 - 5
Gt - Ped (rev)
Etoile (rev) 6 bells
32' Bourdon (rev)
Sforzando (rev)
Rossignol (rev) 2 pipes in water
Gr. Ventil (rev)
PEDAL MOVEMENTS
Swell Expression (bal.)
Positiv Expression (bal.)
Crescendo (bal.)
ACTION: Mechanical key; Electric stop; S-S comb. action
VOICES: 58
STOPS: 58
RANKS: 92
PIPES: 4,194
[Received on line from James R. Stettner April 19, 2009.]
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