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Abbott & Sieker Opus 96 (1980ca.)

First Presbyterian Church
838 N Euclid Street
Fullerton, CA

Consoles

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Notes

2012-12-07 - This entry describes an original installation of a new pipe organ. Identified by Rick England, using information from this web site: fpc-fullerton.org. -- -Database Manager


Stoplist

From Church Source: Source not recorded Date not recorded

ABBOT & SIEKER OPUS 96, 34 RANKS, 1976 PIPES

 Great (Abbot & Sieker chest, 3” pressure)

  	Pipes: 	 
Nason Gedeckt 	16 	(choir)
Prinicpal 	8 	61
Gedeckt 	8 	61
Octave 	        4 	61
Harmonic Flute 	4 	61
Fifteenth 	2 	61
Mixture (1 1/3)	2 	61
Trumpet 	IV 	255
Tierce   	1 3/5 	61
Mixture (1') 	III 	183
Trompette 	8 	61
Oboe 	        8 	61
Clarion 	4 	12
Temulant 	  	 

Choir (Wicks Chests, 3 ¾” pressure)

Nason Gedeckt 	8 	61
Dolcan 	        8 	61
Celeste ten.C 	8 	49
Spitzflöte 	4 	61
Nazard  	2 2/3 	61
Principal 	2 	61
Spitzflöte 	2 	12
Quint 	        1 1/3 	 
Krumhorn 	8 	61
Chimes 	  	 

Swell (Wicks Chests, 3 ¾” pressure)
Rohrflöte 	8 	61
Gambe 	        8 	61
Celeste ten.C 	8 	49
Principal 	4 	61
Rohrflöte 	4 	12
Nazard  	2 2/3 	61
Blockflöte 	2 	61
Tremulant 	  	 

 

Pedal (Wicks Chests, 3 ¾” pressure)
Principal 	16 	32
Bourdon 	16 	32
Nason Gedekt 	16 	12
Principal 	8 	12
Bourdon 	8 	12
Spitzflöte 	8 	12
Principal 	4 	12
Bourdon 	4 	12
Mixture (2') 	II 	64
Cornet  	32 	 
Trumpet 	16 	32
Trumpet 	8 	12
Trumpet 	4 	12

Additional Information from Church:

The organ installation utilizes as its nucleus the 1958 Wicks pipe organ originally installed in the balcony.  Three additions were made through the years to bring the number of pipe ranks to 22.

In redesigning the instrument for its new location, a completely different layout of component pats was used.  A golden opportunity existed to make a more complete tonal scheme, so that a greater variety of music could be more effectively presented.  With Richard Unfried, the builders worked out a specification that aimed for a well-rounded design in the American-Classic tradition.  Almost all the old pipes were retained; each of these received some kind of re-voicing treatment.  Thirteen new ranks were provided, many of them on a new Great slider chest.  Much time was spent adjusting and regulating all the pipes for balance with one another and with the new acoustical environment surrounding them.

The quality of the instrument was further enhanced by a new case design, witch displayed Pedal and Great Principal pipes (the longest of which is a 16 foot low D), better access for tuning and maintenance, improved lighting, a moveable console with new keyboards and two compact blowers, one for each side.

Two features made possible by modern electronics were incorporated.  First, is a solid-state system which performs all coupling and extensions and improves the windchest action for attack, repetition and release.  Instantaneous in response, this circuitry replaces bulky and somewhat sluggish conventional relays and multi-contact switches with their maintenance problems.

Second, is the circuitry used in the “combination action,” by which the organist can record any combination of stops and couplers, to be recalled at the push of the desired picton button.  The system provides eight levels, or programs, of complete piston settings.  

The builders hope the organ will be a joy and an inspiration in the worship of God for the congregation and friends of First Presbyterian Church.

 [Received from Matthew Morrison 2014-07-08.]

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