2014-02-25 - This entry describes an original installation of a new pipe organ. Identified by Michael Olson, based on personal knowledge of the organ. -- The organ is on the central axis of the room. The key action and stop action are electric. The console has an adjustable bench. -Database Manager
2014-04-15 - Updated through online information from James R. Stettner. -Database Manager
Stoplist taken from the console January 2014 Source: Source not recorded Date not recorded
Pedal: 0 ranks, 24 pipes, split C-C# sides 16’ Sub Bass* (12 pipes common with Lieblich Gedeckt - variable pressure) 16’ Lieblich* Gedeckt 8’ Principal (Gt.) 8’ Rohr Flöte (Sw.) 4’ Choral Bass (Gt.) 2’ Copula (Sw. Koppel) 16’ Trompette 12 pipes F/L outside swell box (Ext. Sw.) 4’ Trompette (Sw.) 8’ Great to Pedal 4’ Great to Pedal 8’ Swell to Pedal 4’ Swell to Pedal Swell: 8’ Rohr Flöte 61 8’ Salicional 49 TC (1-12= 8’ Rohr Flöte) 8’ Voix Celeste 49 TC – (tuned as a relatively slow celeste) 4’ Koppel Flöte 61 2-2/3’ Quinte 20 (ext. 8’ Rohr) 2’ Block Flöte 6 (ext. 8’ Rohr) 1’ Sifflöte 12 (ext. 4’ Koppel, top octave doubles back to same pipes) 8’ Trompette 61 Tremulant 16’ Swell to Swell Unison Off 4’ Swell to Swell Great: 6 ranks, 378 pipes, C-C# sides, mostly on the top of the swell box with 8 offset principal basses. 8’ Principal 61 pipes 8’ Gedeckt 61 pipes 8’ Salicional (Sw.) 4’ Prestant 12 pipes (ext. 8’) 4’ Rohr Flöte (ext. 8’ Rohr) 2’ Principal 61 pipes (independent of 8') III Mixture 183 pipes 8’ Trompette (Sw.) 16’ Great to Great 4’ Great to Great 16’ Swell to Great 8’ Swell to Great 4’ Swell to Great [Received from Michael Olson 2014-04-04.]
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