Austin Organs, Inc. Opus 1594-R2 (1975)

Images

2022 - Choir loft, console and exposed pipework (Photograph by Benjamin Sommer/Benjamin Sommer)

2022 - Left stop jamb (Photograph by Benjamin Sommer/Benjamin Sommer)

2022 - Right stop jamb (Photograph by Benjamin Sommer/Benjamin Sommer)

2022 - View of the sanctuary from the choir loft (Photograph by Benjamin Sommer/Benjamin Sommer)

2015-12-24 - Church exterior, front façade (Photograph by Church Facebook, submitted by Jeff Scofield/Jeff Scofield)

2011-10-31 - Church exterior, side view (Photograph by Church Facebook, submitted by Jeff Scofield/Jeff Scofield)

2019-10-25 - Church interior (Photograph by Church Facebook, submitted by Jeff Scofield/Jeff Scofield)

2017-06-19 - Console side view (Photograph by Muller Pipe Organ Co., via Facebook, submitted by Jeff Scofield/Jeff Scofield)

2017-06-19 - Console (Photograph by Muller Pipe Organ Co., via Facebook, submitted by Jeff Scofield/Jeff Scofield)

Unknown - Console (Photograph from <i>The Diapason</i>; image courtesy of Jeff Scofield/Database Manager)

Consoles

Main

Notes

2014-05-08 - This entry describes alterations to an existing organ. Identified by Jeff Scofield, using information found in <i>The Diapason</i>. -- -Database Manager

2022-08-06 - The entire antiphonal organ and the flutes at 8' and 4' in the Positiv are currently disconnected due to the pending restoration. The 32' digital additions in the pedal are also disconnected. The Positiv is located in the center of the chancel in a chamber below the rose window. The Great and Choir are situated in the chamber to the right of the console and the Swell is in the left-hand chamber. The Pedal division is split among both sides of the chancel with much borrowing from other divisions. -Benjamin Sommer

Stoplist

Stoplist taken from console on August 5, 2022 Source: Source not recorded Date not recorded

PITTSBURGH, PA MT. LEBANON EVANGELICAL PRESBYTERIAN CHURCH AUSTIN ORGANS, INC., OPUS 1594-R2, 1975 Great (Manual II) 16’ Quintaten * 8’ Principal 8’ Flute Harmonique 8’ Gemshorn * 8’ Gemshorn Celeste * 4’ Octave 4’ Quintaten * 2-2/3 Twelfth 2’ Fifteenth IV Fourniture 8’ Trompette * Tremulant Great 16 Great Unison Off Great 4 Chimes Harp Swell (Manual III) 16’ Gedeckt 8’ Principal 8’ Gedeckt 8’ Flauto Dolce 8’ Salicional 8’ Voix Celeste 4’ Principal 4’ Flauto Traverso 2-2/3 Nasard 2’ Flautino III Plein Jeu 16’ Contra Fagott 8’ Trompette 8’ Oboe 8’ Vox Humana 4’ Clarion Tremulant Swell 16 Swell Unison Off Swell 4 Choir (Manual I) 8’ Principal 8’ Concert Flute 8’ Dulciana 8’ Flute Celeste 8’ Unda Maris 4’ Rohr Flöte 2’ Piccolo II Tertian 8’ Clarinet Tremulant Choir 16 Choir Unison Off Choir 4 Positiv (Manual IV) 8’ Holz Gedeckt 4’ Prestant 4’ Koppel Flöte 2’ Oktav 1-1/3 Quint Flöte II Sesquialtera III Cymbale 8’ Krummhorn Tremulant Antiphonal (Manual IV) 8’ Geigen Principal 8’ Melodia 8’ Viole d’Amour 8’ Vox Angelica 4’ Octave 4’ Wald Flöte 2’ Fifteenth 8’ Trumpet Tremulant Antiphonal 16 Antiphonal Unison Off Aniphonal 4 Antiphonal Pedal 16’ Bourdon 8’ Bourdon Pedal 32’ Bourdon (electronic) 16’ Principal 16’ Subbass 16’ Gedeckt (Sw.) 16’ Quintaten (Gt) 8’ Octave 8’ Principal 8’ Bourdon 8’ Quintaten (Gt.) 8’ Gedeckt (Sw.) 4’ Choral Bass 4’ Quintaten (Gt.) III Mixture 32’ Bombarde (electronic) 16’ Trombone (Gt.) * 16’ Fagott (Sw.) 8’ Trompette (Gt.) * 8’ Fagott (Sw.) 4’ Fagott (Sw.) Couplers Swell to Great 16-8-4 Choir to Great 16-8-4 Antiphonal to Great 8-4 Positiv to Great 8 Antiphonal to Swell 8-4 Positiv to Swell 8 Swell to Choir 16-8-4 Antiphonal to Choir 8-4 Positiv to Choir 8 Swell to Antiphonal 8-4 Positiv to Antiphonal 8 Great to Pedal 8-4 Swell to Pedal 8-4 Choir to Pedal 8-4 Antiphonal to Pedal 8-4 Positiv to Pedal 8 Pistons 12 General 8 Divisional (Gt, Sw, Ch) 4 Divisional (Pos, Ant) Tutti Great-Choir Transfer * = enclosed in Choir [Received from Joseph Tuttle 2015-07-29.]

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