OHS convention: 1993
2004-10-30 - Status Note: There 1993. -Database Manager
2004-10-30 - To be renovated 1996, with tonal egress reopened. Heard at 1993 OHS Convention. -Database Manager
2009-03-12 - Updated through on-line information from Rev. Dennis A. Steckley. -- The instrument was still there in 2001 and somewhat playable. A small local foundation was trying to raise funds for restoration and preservation. I believe it was called the Timothy Baker Foundation, but I am no longer certain. -Database Manager
2011-03-09 - Updated through on-line information from Stephen Hall. -- Restoration by Samuel Bowerman begun in early 2011, funding by William H. Bauer Foundation (Tim Baker, president). Information from on-line article from NBC affiliate WAVE Channel 3, accessed March 2011. -Database Manager
2015-12-04 - Updated through online information from David C. Schroth Jr,. <br>Organ fitted with digital relay in 2011, initiated by Samuel Bowerman, continued posthumously through the William Bauer Foundation, overseen by Tim Baker, by Gottfried Reck, Bob Martin, and David Schroth, on a volunteer basis. With new relay, organ is now 80% functional. Solo stop-actions re-built. Orchestral division sustained severe water damage in February 2015 and is now non-functioning. Observed most chest leather still in good condition. Currently cleaning and addressing spurious problems. Plans to begin giving recitals on organ early in 2016. -Database Manager
Stoplist from the 1993 OHS Convention Organ Handbook Source: Source not recorded Date not recorded
Louisville, Kentucky Louisville Memorial Auditorium Pilcher Op. 1454 1929 4/80 _____________________________________________________ GREAT 7" *15" SWELL 7" 16' Open Diapason 61 16' Quintaton GT 16' Bourdon 29 PD 8' Diapason Phonon 73 8' 1st Diapason 61 8' Tibia Clausa 73 8' 2nd Diapason 61 8' Rohr Flute 73 8' 3rd Diapason 61 8' Gamba 83 8' Claribel Flute 61 8' Vox Celeste II 146 8' Gemshorn 61 8' Echo Salicional 73 4' Octave 61 8' Flute Dolce 73 4' Principal 61 8' Flute Celeste 61 4' Flute 61 4' Flute Harmonic 73 2 2/3' Twelfth 61 4' Gemshorn 73 2' Fifteenth 61 2' Flautina 61 V Mixture 305 V Cornet Mixture 305 16' Trombone 61 * 16' Posaune 10" 73 8' Tromba 61 * 8' Cornopean 10" 73 4' Clarion 61 * 8' Oboe 73 Cathedral Chimes EC 8' Vox Humana 73 Celestial Harp OR 4' Octave Oboe 73 Orchestral Bells Tremolo Xylophone SOLO 10" *15" ORCHESTRAL 8' Stentorphone 73 8' Gross Flute 73 16' Contra Gamba 73 8' Violincello 73 8' English Diapason 73 8' Gross Gamba 73 8' Concert Flute 73 8' Gamba Celeste 73 8' Quintadena 73 4' Forest Flute 73 8' Viol d'Orchestra 73 8' Tuba Mirabilis 73 * 8' Dulciana 73 8' French Horn 73 8' Unda Maris 61 4' Clarion 73 4' Flute Traverso 73 Tremolo 2 2/3' Nazard 61 2' Piccolo 61 PEDAL 1 3/5' Tierce 61 8' Cor Anglais 73 32' Contra Bourdon 10 8' Clarinet 73 32' Resultant -- Tremolo 16' 1st Open Diapason 32 Cathedral Chimes EC 16' 2nd Open Diapason GT 8' Celestial Harp 61 16' Major Bass 12 4' Celestial Harp 16' Bourdon 32 Harp Damps 16' Violone 32 16' Quintaton SW ECHO 16' Contra Gamba OR 8' Octave 12 8' Cor d'Nuit 73 8' Flute (MajorBass) 12 8' Vox Angelica 73 8' Gedeckt 12 8' Vox Aetheria 73 8' Violoncello 12 8' Vox Seraphique 73 4' Super Octave 12 4' Fern Flute 73 4' Flute 12 8' Vox Humana 73 V Mixture 160 Tremolo 32' Bombarde 15" 32 Cathedral Chimes 25 16' Ophecleide 12 16' Trombone GT PERCUSSION 16' Posaune SW 8' Tromba 12 Bass Drum - Pedal Keys 4' Clarion 12 Tympani - Pedal Keys Cathedral Chimes EC Snare Drum Roll - Great Snare Drum Tap - Great Cymbal Crash - Pedal Hand Cymbal - Pedal Triangle - Toe Piston Combinations(thumb pistons) Great 1-2-3-4-5-6 Orchestral 1-2-3-4-5-6 Swell 1-2-3-4-5-6 Solo 1-2-3-4-5-6 Echo 1-2-3-4-5-6 Pedal 1-2-3-4-5-6 General 1-2-3-4-5-6(dupl. by toe pistons) Master(setter button) Reversibles (thumb pistons, dupl. by toe pistons) Great to Pedal Orchestral to Pedal Swell to Pedal Solo to Pedal Swell to Great Orchestral to Great Solo to Great Swell to Orchestral Couplers Great to Pedal - 8' Swell to Pedal - 8' Orchestral to Pedal - 8' Solo to Pedal - 8', 4' Solo to Swell - 8' Swell to Swell - 16', 4' Swell to Great - 16', 8', 4' Swell Unison Off Orchestral to Great - 16', 8', 4' Solo to Great - 16', 8', 4' Swell to Orchestral - 16', 8', 4' Solo to Orchestral - 16', 8', 4' Orchestral to Orchestral - 16', 4' Orchestral Unison Off Great to Solo - 8' Swell to Solo - 8' Solo to Solo - 16', 4' Solo Unison Off Great Separation Orchestral Separation Swell Separation Solo Separation Echo to Solo(Echo on Solo) My thanks to Memorial Auditorium and Timothy L. Baker for their help.
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