2006-06-11 - Chancel, Console, Pipe Display, and Chambers (Photograph by Ray Stubblebine/Database Manager)
2009-12-24 - Sanctuary Interior, Chancel, Console, and Pipe Display (Photograph by Ray Stubblebine/Database Manager)
2014-06-06 - This entry describes an original installation of a new pipe organ. Identified by Ray Stubblebine, based on personal knowledge of the organ. -- In 2012 a Solid State Logic Ltd. Digital Interface was installed to accommodate electronic voices. -Database Manager
2014-07-02 - Updated through online information from Ray Stubblebine. -- Though a small organ, the two-manual, 12-rank, 9-voice instrument has a great deal of performance flexibility. There are two separate chambers. The Reed and string toned pipes are located in one chamber and the flute and principal toned pipes are in another. Separate console controls are provided for shutters, which regulate the volume of these two chambers separately or in unison. This allows the organ, in many ways, to function like a much larger instrument. In addition to the ranks of pipes in the chambers, a rank of 8- Principal pipes is located in front of the two chambers and surrounds a large cross. The console is connected by Ethernet cord to the pipe chamber. The organ was built with both new and used pipes, but not from any single previous organ. Combination pistons (32 memories): Swell - 8, Great - 8, Pedal - 6 and General – 12. -Database Manager
Stoplist provided by James Konzelman for church website Source: Source not recorded Date not recorded
River Edge, New Jersey, USA Grace Evangelical Lutheran Church James A. Konzelman, Opus ?, 2006 Two manuals and pedal 12 ranks 787 pipes 9 voices Great 1. 16’ Viola 73 pipes 2. 8’ Principal 61 pipes 3. 8’ Rohrflöte 80 pipes 4. 8’ Waldflöte from no. 3 and 8 5. 8’ Viola from no. 1 6. 8’ Viola Celeste t.c. 49 pipes 7. 4’ Octave 73 pipes 8. 4’ Waldflöte 73 pipes 9. 2-2/3’ Nasat from no. 3 10. 2’ Super Octave from no.7. 11. 2’ Waldflöte from no. 4. 12 IV Mixture 244 pipes, 1-1/3’ 13. 8’ Trompette 73 pipes 14. 8’ Hautbois 61 pipes 15. 4’ Clairon from no. 13 16. Great to Great 4’ 17. Swell to Great 16’ 18. Swell to Great 8’ 19. Swell to Great 4’ Swell 20. 16’ Viola from no. 1 21. 8’ Principal from no. 2 22. 8’ Rohrflöte from no. 3 23. 8’ Waldflöte from no. 3 and 8 24. 8’ Viola from no. 1 25. 8’ Viola Celeste t.c. from no. 6 26. 4’ Octave from no. 7 27. 4’ Waldflöte from no. 8 28. 2-2/3’ Nasat from no. 3 29. 2’ Super Octave from no.7. 30. 2’ Waldflöte from no. 8. 31. IV Mixture from no. 12 32. Blank for 16’ Basson 33. 8’ Trompette from no 13 34. 8’ Hautbois from no. 14 35. 4’ Clairon from no. 13 36. Tremulant 37. Great to Swell 8’ 38. Swell to Swell 16’ 39. Swell to Swell 4’ 40. Swell Unison Off Pedal 41. 32’ Resultant from no. 38 42. 16’ Subbass 12 pipes, extend no. 3 43. 16’ Viola from no. 1 44. 8’ Principal from no. 2 45. 8’ Rohrflöte from no. 3 46. 8’ Viola from no. 1. 47. 4’ Choral Bass from no. 7 48. 4’ Waldflöte from no. 8. 49. 16’ Bombarde Prepared for extension of no. 13. 50. 8’ Trompette from no. 13. 51. 8’ Hautbois from no. 14 52. 4’ Clairon from no. 13. 53 4’ Hautbois from no. 14 54. Great to Pedal 8’ 55. Swell to Pedal 8’ Combination pistons (32 memories) Swell - 8 Great - 8 Pedal - 6 General – 12 Reversbles Swell to Great Great to Swell Swell to Pedal Great to Pedal All swells Tutti [Received from Ray Stubblebine 2014-07-02.]
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