Source: Stoplist copied from the console 1988
Boston, Massachusetts St. Cecilia Catholic Church HUTCHINGS-VOTEY ORGAN COMPANY, Opus 1465, 1902 Rostron Kershaw, 1954 - 'New organ incorporating about half of the pipework' Roy E. H. Carlson, Tonal Design GREAT CHOIR (Expressive) 16 Spitz Flute 12 ⌂ 8 Chimney Flute 73 8 Principal 61 8 Dulciana 73 8 Melodia 61 8 Unda Maris (tc) 61 8 Spitz Flute 61 ⌂ 4 Flute d'Amour 73 4 Octave 73 2 2/3 Nazard 73 4 Spitz Flute 12 ⌂ 2 Piccolo 73 2 2/3 Twelfth 61 1 3/5 Tierce 73 2 Fifteenth 61 8 Rohr Schalmei 73 IV Fourniture 244 4 Clarinet 73 16 Posaune 12 ◘ Tremulant 8 Trumpet 61 ◘ 4 Clarion 12 ◘ Choir to Choir 16' Chimes (__) Choir Unison Off Choir to Choir 4' Great Unison [Off] Great to Great 4' PEDAL 32 Resultant –- ● SWELL (Expressive) 16 Open Wood Bass 32 16 Lieblich Gedeckt 61 ▼ 16 Bourdon 32 ● 8 Geigen 68 16 Spitz Flute (Gt) –- ⌂ 8 Gedeckt 68 16 Lieblich Gedeckt (Sw) –- ▼ 8 Viola d'Gamba 68 8 Octave 32 ∞ 8 Voix Celeste 68 8 Bourdon 12 ● 4 Fugara 68 8 Spitz Flute (Gt) –- ⌂ 4 Flauto Traverso 68 8 Gedeckt (Sw) –- ▼ 2 Flautino 61 5 1/3 Quint [Sp. Fl.] (Gt) –- ⌂ III Plein Jeu 183 4 Choral Bass 12 ∞ 8 Trumpet 68 4 Spitz Flute (Gt) –- ⌂ 4 Oboe Clarion 68 II Mixture (Ped) –- ∞ Tremulant 16 Posaune (Gt) –- ◘ 8 Trumpet (Gt) –- ◘ Swell to Swell 16' 4 Clarion (Gt) –- ◘ Swell Unison Off Swell to Swell 4' COUPLERS FINGER PISTONS Swell to Pedal 8,4 General 1 - 10 Great to Pedal 8,4 Swell 1 - 5 Choir to Pedal 8,4 Sw – Ped (rev) Great 1 - 5 Swell to Great 16,8,4 Gt – Ped (rev) Choir to Great 16,8,4 Choir 1 - 5 Pedal 1 - 5 Swell to Choir 16,8,4 Couplers 1 & 2 SFZ (rev) Cancel TOE STUDS General 1 – 10 Pedal 1 – 5 PEDAL MOVEMENTS Sw - Ped (rev) Swell Expression (bal.) Gt – Ped (rev) Choir Expression (bal.) Sforz (rev) Crescendo (bal.) ACTION: E-P VOICES: 32 STOPS: 49 RANKS: 37 PIPES: 2,377 NOTES According to the “Our History” page of the parish website, “The original organ of 24 stops was built in 1902 by the Hutchings-Votey Organ Company, Opus 1465, and was rebuilt in 1954 with 32 stops.” The Boston Organ Studio website states, “In 1902 the Hutchings-Votey Organ Co. of Boston installed a three-manual organ in St. Cecilia Church, opus 1465. The instrument of twenty-four speaking stops had electric action, and stood in the very center of the rear gallery in one case. The organ builders were George S. Hutchings (1835-1913), who started business in 1869, and Edwin Scott Votey (1856-1931), pioneer in the perfection of the player piano, who was Hutchings’ partner from 1901 to 1907. In 1902, the factory was on 23-37 Irvington Street in Boston (and in 1905-1908 at Albany Street in Cambridge near Massachusetts Avenue, before moving to Waltham, MA.)” It goes-on to say, “St. Cecilia Church was first renovated in 1954. Part of the project included installation of the Assumption window in the rear gallery, right behind the Hutchings organ. In order to accommodate the window, and to overcome growing mechanical difficulties with the organ, Rostron Kershaw of Lowell was hired to construct a new three manual organ. Roy Carlson of Magnolia, Massachusetts developed the tonal design for the new thirty-two stop instrument. About half of the organ’s pipework was recycled from the Hutchings, but redistributed to conform to the new scheme. By 1995 the Kershaw organ’s mechanical reliability was in question. The Kershaw installation left various components inaccessible for maintenance. Also, the tonal design had proved to limit the organist’s flexibility in playing a smooth service or in faithfully rendering various styles of organ literature. In addi- tion, the organ’s pitch was A=427, not the standard A=440 set in the 1920’s for orchestral instruments.” The Great Spitz Flute and Trumpet units are unaffected by either inter- or intra- manual couplers. Sources: Hutchings-Votey opus list; parish website; Boston Organ Studio website; JRS; extant organ. St. Cecelia's Catholic Church 18 Belvidere Street Boston, MA. 02115 (617) 546-4548 Documented: 1988
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