Better Pipe Organ Database


Lewis & Hitchcock, Inc. (1999)

St. Margaret's Episcopal Church: Church
1820 Connecticut Ave. NW
Washington, DC

Consoles

Main


Stoplist

Stoplist provided by Adam Graham Source: Source not recorded Date not recorded

St. Margaret's Episcopal DC
1830 Connecticut Ave NW
Washington, DC 20009

1904 - Original organ by MP Moller  
1947 - Relocated and Enlarged by MP Moller 
1979 - Enlarged by Newcomer
1999 - Rebuilt and Enlarged by Lewis & Hitchcock 
       
        GREAT II                            SWELL III
       16' Gedackt                   6.    16' Rohrbordun
1.      8' Principal 	             7.     8' Diapason            
2.      8' Hohlflöte 	                    8' Rohrflote                 
        8' Gedeckt (PO)              8.     8' Salicional               
        8' Voix Celeste II (SW)      9.     8' Voix Celeste tc               
3.      4' Octave 	            10.     8' Unda Maris II                 
        4' Flöte   	                    4' Octave            
        4' Voix Celeste II (SW)     11.     4' Flute Triangulaire           
    2 2/3' Nasat (PO)                       2' Super Octave      
        2' Fifteenth                        2' Flute   
        2' Waldflöte                12. 2 2/3' Sesquialtera II tc     
4.      2' Fourniture II-III        13.     2' Plein Jeu IV       
        1' Cymbale III (PO)                16' Bassoon   
5.      8' English Trumpet          14.     8' Trumpet                 
        8' Trumpet (SW)             15.     8' Oboe          
           Carillon (SW)            16.     8' Vox Humana              
           Chimes                           4' Clarion        
           Zimbelstern                      4' Swell to Swell


        POSITIV I                           PEDAL
17.     8' Gedackt                         32' Resultant (SW)
        8' Unda Maris II (SW)       24.    16' Open Diapason
        4' Octave (GT)              25.    16' Bourdon (SW)
18.     4' Koppelflote                     16' Rohrbordun (SW)
        4' Unda Maris II (SW)               8' Diapason
    2 2/3' Nasat                            8' Bordun (SW)
19.     2' Prinzipal                        8' Rohrflote (SW)
20. 1 3/5' Terz                             4' Octave
21. 1 1/3' Quinte                           4' Koppelflote
22.     1' Cymbale III                      4' Rohrflote (SW)
23.     8' Krummhorn                    2 2/3' Rauschquint II 
        8' English Trumpet              1 1/3' Mixture II
           Harp (SW)                       16' Trombone (SW)
                                           16' Bassoon (SW) 
                                            8' English Trumpet
                                            4' Krummhorn

COUPLERS                             Pistons
8' Great to Pedal                    10 General Pistons
8' Swell to Pedal                     5 Divisionals/Division
4' Swell to Pedal                       Nave Shades Closed
8' Positiv to Pedal                     Zimbelstern
8' Swell to Great                       Sforzando
4' Swell to Great                      
8' Positiv to Great                  Accessory
8' Swell to Positiv                  99 Memory Levels 
4' Swell to Positiv                     Crescendo 1-4
   Great/Positiv Transfer               Chimes Volume 1-5
   Nave Shades Closed                   Transposer +/- 6 half steps
   Swell Tremolo                        Adjustable Bench   
   Great Tremolo
   Positiv Tremolo

In 1999, Lewis & Hitchcock rebuilt the organ to produce a versatile design. 
The new console has keyboards and pedalboard featuring Maple naturals and 
Walnut sharps. The interior woodwork is Eucalyptus Burl, and the exterior 
is Oak, finished to match the chancel furniture. The console has an integral 
dolly system and multiplex action that enables it to be located anywhere 
within the chancel area. There are 99 levels of memory with the ability to 
lock each individual set of 25 levels. New mixtures and reeds, as well as 
rebuilt Vox Humana, Harp and Chimes, enable the organ to perform music of 
all periods, but especially the anthems in the Anglican Tradition.

 [Received from Adam Graham 2016-09-02.]

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