OHS convention: 1966
Note: Not playable. (in this location)
2004-10-30 - Status Note: There 1980. -Database Manager
2004-10-30 - Altered by Andover 1967/68, #R-101, 2-22. -Database Manager
2007-09-22 - Updated through online information from James R. Stettner. -- The facade with mostly speaking tin facade pipes located on the right side of the chancel with the impost over-hanging the keydesk. According to the 1966 OHS Handbook, the case/facade was designed by Henry Vaughn. The Swell is behind the Great with the Pedal at the very rear. The 12 pipes of the Swell 16' Bourdon Bass are unexpressive. The organ has four foot trundle combinations: Piano Great, Forte Great, Piano Swell, Forte Swell. The Swell to Great 8va coupler is hitch-down. -Database Manager
Stoplist and comments from The Eleventh Annual National Convention of the Organ Historical Society, Incorporated: Cape Cod and N Source: Source not recorded Date not recorded
Falmouth, Massachusetts Saint Barnabas Memorial Church, Episcopal George S. Hutchings, Boston, Massachusetts, Opus 205, 1890. GREAT 8′ Open Diapason 61 8′ Dulciana (TC) 49 8′ Melodia (TC) 49 8′ Unison Bass 12 4′ Octave 61 4′ Flute D’Amour 61 2′ Fifteenth 61 SWELL 16′ Bourdon Treble (TC) 49 16′ Bourdon Bass 12 8′ Open Diapason 61 8′ Salicional 61 8′ Stopped Diapason Treble (TC) 49 8′ Stopped Diapason Bass 12 4′ Violina 61 4′ Flute Harmonique 61 2′ Flautino 61 8′ Oboe (TC) 49 Tremolo (hitch-down pedal) PEDAL 16′ Bourdon 27 Blowers Signal Swell to Great Swell to Great 8va. (hitch-down pedal) Great to Pedal Swell to Pedal Piano Great Forte Great Piano Swell Forte Swell Manual compass: CC–c4, 61 notes Pedal compass: CCC–D, 27 notes The church was built in 1890 and the organ is chambered, the handsome Gothic overhanging oak case facing into the chancel. Nearly all of the tin front pipes are speaking Open Diapason basses. The manual chests are placed quite high, at the level of the case pipe feet. The stop action is attached to the sliders at the bass ends, and thus the Great stop action passes under the horizontal Swell trackers and through the Swell stop action. The Swell is behind the Great and the Pedal Bourdon is at the rear. The Flute D’Amour is of stopped wood with 24 open metal trebles; the Bourdon Bass is unenclosed; the Swell Open Diapason has 12 stopped wood basses; the Salicional has 12 capped zinc basses; the Flute Harmonique is of metal, harmonic for two octaves above Middle C; the Stopped Diapason and Oboe each have 12 open metal trebles. [Received from Charles Eberline 2015-06-14.]
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