Pilgrim Lutheran Church
5650 SW Hall Blvd.
Beaverton, OR
Images
1990-01-22 - Upper case, facade pipes (Photograph by James R. Stettner/Database Manager)
1990-01-22 - Keydesk with manuals and stops (Photograph by James R. Stettner/Database Manager)
1990-01-22 - Left stopjamb (Photograph by James R. Stettner/Database Manager)
1990-01-22 - Right stopjamb (Photograph by James R. Stettner/Database Manager)
1990-01-22 - 16' Subbass pipes, behind the pedestal (Photograph by James R. Stettner/Database Manager)
1990-01-22 - Single wedge bellows (Photograph by James R. Stettner/Database Manager)
2007-06-06 - Keydesk (Photograph by James R. Stettner/Database Manager)
2007-06-06 - Organ (Photograph by James R. Stettner/Database Manager)
Consoles
Main
- Organ type: Traditional Without Cover
- Console position: Keydesk Attached
- 2 manuals
- 14 stops
- 12 registers
- 3 divisions
- Key action Type: Mechanical (Suspended Tracker)
- Stop action Type: Mechanical
- Stop layout Type: Drawknobs in Vertical Rows on Flat Jambs
- Manual compass: 56 notes
- Pedal compass: 30 notes
- Pedal Type: Flat Straight
- Expression Type: No Enclosed Divisions
- Combination action: None
Notes
2004-10-30 - Status Note: There 1998. -Database Manager
2004-10-30 - Six of the 12 voices are duplexed and available on either keyboard. -Database Manager
2007-03-22 - Updated through online information from James R. Stettner. -- Free-standing and encased. 3-sectional facade with 37 pipes arranged: 15-7-15. Pipes painted blue-green with gold mouths. Case detailed in red, gold, and blue-green painted highlights and trim. Manual I has four indigenous registers. Manual II has one indigenous register. The other six manual registers are available on both manuals, but not simultaneously. The stop shanks are notched. In this position, the stop is off. When fully drawn, it plays from Manual I. When fully pushed-in, it plays from Manual II. This is an "exchange slider" configuration. The Pedal has one indigenous register, and two additional stops borrowed from Manual I by transmission. -Database Manager
Stoplist
Source: Stoplist taken from the keydesk June 6, 2007
Beaverton, Oregon
Pilgrim Evangelical Lutheran Church (LCMS)
John Brombaugh & Assoc., Opus 30, 1987
MANUAL I
8' Praestant I
8' Holpijp I
8' Viola da Gamba I or II
4' Octave I or II
4' Spitzflote I or II
2 2/3' Nasard I or II
2' Octave I or II
1 3/5' Tierce I or II
IVr Mixture I
8' Trumpet I
MANUAL II
8' Oak Gedackt II
8' Viola da Gamba I or II
4' Octave I or II
4' Spitzflote I or II
2 2/3' Nasard I or II
2' Octave I or II
1 3/5' Tierce I or II
Tremulant (all)
PEDAL
16' Subbass
8' Praestant Man. I
8' Trumpet Man. I
PIPE ANALYSIS
16' Subbass 30
8' Praestant 56
8' Holpijp 56
8' Oak Gedackt 56
8' Viola da Gamba 51
4' Octave 56
4' Spitzflote 56
2 2/3' Nasard 56
2' Octave 56
1 3/5' Tierce (mc) 32
IVr Mixture 224
8' Trumpet 56
COUPLERS (Drawknob)
Coupler I/P
ACTION: Mech. key (susp.) and stop
VOICES: 12
STOPS: 14 (counting shared stops once)
RANKS: 15
PIPES: 785
NOTES
The organ is free-standing and encased in the rear gallery of the church.
It speaks down the central axis of the A-frame room. The 3-sectional case
is a single, central tower flanked by two flats, containing 37 pipes
arranged: 15-7-15. The keydesk is attached and projecting, the music rack
is recessed.
The six (6) shared ranks are notched. In this notched position the stop
is off. When fully drawn the stop plays on Man. I. When fully pushed-in,
it plays on Man. II. This works by means of an "exchange slider" config-
uration.
The 8' Viola da Gamba borrows its first 5 notes from the Manual II 8'
Oak Gedackt.
[Received on line from James R. Stettner October 19, 2009.]
Documents
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