2004-10-30 - Relocation of organ originally built for E. T. Gerry residence (1877, Opus 34), previously enlarged in 1886. Relocation here [without changes?] by an undocumented individual or firm. -Database Manager
2004-10-30 - Relocated from E. T. Gerry residence, Lake Delaware, NY (3m, 27rk). [Listed for St. James Episcopal in 1967. Was this bldg St. James Episcopal or was organ moved from St. James Episcopal?] [Old OHS list says 2-14 which seems to be an error.] Rebuilt by Roosevelt 1886 [for St. James Ep?], 3-26. Hand pumped. -Database Manager
2009-09-22 - Updated through on-line information from Austin Goss. -- The Organ was never located at St. James Episcopal Church for any length of time. 3 stops are used for pumpers' signals. -Database Manager
2012-05-16 - Updated through online information from Geoffrey Dunham. -- The organ has not been electrified so is operated manually by turning a large wheel to push air into the bellows. It was also originally designed as a residential organ for the Lake House residence of Commodore Elbridge T. Gerry. Mr. Gerry, known as commodore as he lead the New York Yacht Club through the 1880's-1890's, was a devoted Anglo Catholic and amateur musician who composed mass settings. When the camp chapel was constructed in 1912, the organ was moved from the Lake House to St. Joseph's Chapel at Lake Delaware Boys Camp, founded by the Commodore's son, Robert Livingston Gerry in 1909. -Database Manager
2014-07-14 - Updated through online information from Scot Huntington. -- The mailing address is Delhi, New York, but geographically the camp is located in Andes, New York, which is good to know if you're using a GPS to get there.<br>The camp was founded in 1909 by the son of Elbridge Gerry on Tunis Lake, and moved to permanent quarters in 1912, the year the St. Joseph Chapel was built. The organ was moved with no changes except to the wind system, by Clark & Fenton from the Gerry estate to the chapel in 1915, according to graffiti found in the reservoir and windchests. Clark & Fenton manufactured a new static reservoir (single-rise) with three box feeders operating from a crankshaft and flywheel, located beside the organ within the organ chamber. The original small double-rise reservoir was converted to single-rise, the feeders were removed, and the unit functionally became a pressure regulator for the whole organ. The glued-in pallets were recovered in 1915. The organ was releathered and renutted by Brant Duddey circa 1966. The residual acid in the nuts coupled with the excessive dampness of the location, froze the nuts in place and corroded the threaded wires irreversibly beyond repair.<br>The organ was restored in 2014 by S.L. Huntington & Co. of Stonington, Connecticut. In addition to releathering and the usual restorative repairs, to better withstand this challenging environmental location and severely cramped and limited access layout, all threaded wires were newly custom-made, and non-corrosive alathon nuts used in place of leather nuts. The pallets were recovered and made removeable, and provision has been made for the future installation of an electric blower for practice and tuning purposes.<br>In 1922-24, the Gerry children built the Upjohn-designed stone church of St. James in memory of their parents, on estate grounds in the neighboring township of Bovina, and included an organ chamber designed to accommodate the Roosevelt, however, it was never relocated there, and the St. James church contained a Buhl unit organ, and post-2000, and Organ Clearing House relocated Möller unit organ. -Database Manager
2014-07-14 - Updated through online information from Scot Huntington. -- In 1966, Brant Duddey of Cedars, Pennsylvania, the Austin representative for Philadelphia, performed a mechanical refurbishment of the instrument. The cost of the work was $4,850 and included releathering of all reservoirs, feeders, and gaskets; new springs on the static reservoir, new leather nuts and felts; regulate 5 reeds; refelted the keyboards and pedalboard; cleaned the instrument interior and repainted the façade pipes in gold bronze. The work was completed on June 27, 1967.<br>In 1971, Duddy retuned the Great Dulciana as a celeste, and made a list of minor defects (ciphers, sticking keys, pipe speech and regulation issues, missing pipes, and tuning issues), problems which remained to the restoration in 2014. -Database Manager
2014-07-29 - Updated through online information from scot huntington. -Database Manager
2016-10-26 - Updated through online information from Scot Huntington. -Database Manager
stoplist from restoration work 2014 Source: Source not recorded Date not recorded
Lake Delaware, Andes, New York Lake Delaware Boys Camp Hilborne L. Roosevelt. 1886. (nameplate) Opus 34, 1878, modified 1880, enlarged 1886 Moved 1915 by Clark & Fenton Renovated ca. 1966, Brant Duddey Restored 2014, S.L. Huntington & Co. Compass: 58 manuals/25 pedal Pitch: A454@72; pressure 84 mm (3 1/4"), static reservoir 100 mm Equal temperament-cone tuned GREAT Gr. Open Diap. 8' Gr. Doppel Flute 8' (t.c.) Gr. Gamba 8' (t.c.) Gr. Dulciana 8' (t.c.) Gr. Unison Bass 8' (12 notes) Gr. Principal 4' Gr. Twelfth 2 2/3' Gr. Fifteenth 2' SWELL Sw. Gemshorn* 8' (t.c., 1880) Sw. Stop. Diap.* 8' (chimney flute from c25, wood bass, top 9 have bored stoppers) Sw. Dolce* 8' Sw. Flauto Traverso 4' (wood, harmonic from c25) Sw. Oboe 8' (t.c.) * all stop share Stop. Diap. basses, through pneumatic stop action operating a slider for notes 1-12 CHOIR (1886, enclosed with Swell in 1886 swell enclosure) Ch. Concert Flute 8' (wood, inverted mouths, harmonic from g32) Ch. Spitz Flote 8' (1-12 common with Concert Flute) Ch. Fugara 4' Ch. Flute d'Amour 4' (stopped wood, 46-58 open metal) Ch. Piccolo 2' (tapered metal, harmonic from c13) Ch. Euphone 16' (1-12 half-length, wood shallots and blocks, remainder full length) Ch. Cornopean 8' (t.c.; 1-12 borrowed from Euphone 13-24) Ch. Clarinet 8' (half-length cylindrical with regulating flaps) Ch. Vox Humana 8' (fractional-length cylindrical, tubed to the floor from main chest. in a box with a lifting lid connected to the expression pedal) PEDAL Ped. Bourdon 16' Ped. Violoncello 8' (1886, cylindrical, expression slots, roller-shaped freins harmonique) On-Off PISTONS between the manuals: Swell Tremolo Choir Tremolo Swell Octaves Swell to Great Choir to Great Swell to Choir Great to Pedal Swell to Pedal Choir to Pedal Four Combination pedals (single acting): Forte (all stops on): Great; Swell Piano (all stops off except 8' flute, Dulciana/Dolce): Great; Swell Balanced expression pedal, single small pivoting shade at front of box plus two small vertically-hinged doors on either side of swell chest, plus Vox Humana lifting lid Eclipse wind indicator attached to internal reservoir [Received from Scot Huntington 2014-07-14.]
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