Basilica of the National Shrine of Mary, Queen of the Universe (Roman Catholic)
8300 Vineland Ave
Orlando, FL
Images
2020-02-16 - Console (Photograph by Michael Patrick Shortal, submitted by Jeff Scofield/Jeff Scofield)
2020-12-26 - Positiv division for the Choir (Photograph by Andrew A Clark/Andrew A Clark)
2020-02-12 - Church Exterior (Photograph by Stephen Hall/Database Manager)
Unknown - Basilica nave and façade angle (Photograph courtesy of Louis Patterson/Database Manager)
Unknown - Basilica to rear and Gallery Organ (Photograph courtesy of Louis Patterson/Database Manager)
Unknown - Carved figure and façade pipes (Photograph courtesy of Louis Patterson/Database Manager)
Unknown - Console (Photograph courtesy of Louis Patterson/Database Manager)
Unknown - Basilica nave and façade pipes (Photograph courtesy of Louis Patterson/Database Manager)
2025-03-15 - Church interior (Michael Patrick Shortal via Facebook/Jeff Scofield)
2025-03-15 - Gallery organ case (Michael Patrick Shortal via Facebook/Jeff Scofield)
Consoles
Main
- Organ type: Traditional With Roll Top
- Console position: Movable Console
- 4 manuals
- 70 stops
- 7 divisions
- Key action Type: Electrical
- Stop action Type: Electrical
- Stop layout Type: Drawknobs in Vertical Rows on Angled Jambs
- Manual compass: 61 notes
- Pedal compass: 32 notes
- Pedal Type: Concave Radiating (Meeting AGO Standards)
- Expression Type: Balanced Expression Shoes/Pedals (Meeting AGO Standards)
- Has crescendo
- Combination action: Computerized/Digital
- Has sequencer
- Has combination thumb pistons
- Has combination toe pistons
- Has coupler toe pistons
- Has tutti thumb pistons
- Has tutti toe pistons
Notes
2020-04-09 - Gallery Division in a case in a gallery at the rear of the room. -Database Manager
Stoplist
Source: Stoplist copied from <i>The American Organist</i> February 2020 Date not recorded
Orlando, Florida
Basilica of the National Shrine of Mary, Queen of the Universe
Schoenstein & Co. Op. 175 2019 4/86
___________________________________________________________________________________________
GREAT (II) 5" w.p. CHOIR (I) 5 1/2" w.p. GALLERY (unenclosed) 5"
32' Lieblich Gedeckt tc SW 16' Aeoline 12 16' Double Diapason (2) 12
16' Dbl Open Diapason 61ƒ 8' Open Diapason 61 8' Open Diapason No. 1 61
8' Phonon Diapason SO 8' Chimney Flute 61 8' Open Diapason No. 2 61
8' Open Diapason 61 8' Gallery Strings III GA 4' Octave (No. 2) 12
8' Small Open Diapason 12 8' Aeoline 61
8' Gallery Diapasons II GA 8' Unda Maris 49 GALLERY (enclosed)
8' Harmonic Flute 61 4' Fugara 61
8' Gallery Strings VIII GA 4' Silver Flute 61 16' Bass Viol 12
8' Bourdon 61 2 2/3' Nazard 61 8' Viola Pomposa 73
8' Aeoline CH 2' Blockflöte 61 8' Viola Celeste 73
4' Principal 61 1 3/5' Tierce 54 8' Gamba Celeste II 129 d
4' Spire Flute 61 IV-V Mixture mƒ 285 8' Violin 73
2' Fifteenth 61 16' Bass Horn (Flügel) 12 8' Violin Celeste 68
III Mixture mƒ 167 8' Trumpet 61 8' Voix Serénissime II 129 d
IV Mixture ƒ 201 8' Flügel Horn 61 4' Violina (V Pomposa) --
8' Trumpet 61 8' English Horn 61 8' Grand Harmonic Trumpet 61 e
8' Tuba Magna SO 8' Clarinet 61
8' Tuba Chorus a SO Tremulant PEDAL (enclosed 5-15" wp)
8' Grand Harmonic Trumpet GA Sub
Gallery on Great Unison Off 32' Open Metal (unencolosd)32
Positive on Great Super 32' Resultant --
8' Tuba Magna SO 16' Open Wood 32
SWELL (III) 5 1/2" w.p. Gallery on Choir 16' Open Metal (unenclosed)12
Positive on Choir 16' Double Open Diapason GT
16' Lieblich Bourdon 12 16' Diaphone (Phonon Diap) 12 SO
8' Open Diapason 61 SOLO IV) 10" w.p. 16' Diapason GA
8' Stopped Diapason 61 16' Bourdon 32
8' Viole de gambe 61 16' Tibia Clausa c 61 16' Violone 32
8' Voix céleste 61 8' Phonon Diapason 61 16' Lieblich Bourdon SW
8' Gallery Strings VIII GA 8' Symphonic Flute 61 16' Aeoline CH
8' Erzähler b 61 8' Tibia Clausa 12 16' Bass Viol GA
8' Erzähler Celeste tc b 49 8' Concert Flute 61 8' Principal 32
4' Principal 61 8' Gamba 61 8' Bourdon 12
4' Harmonic Flute 61 8' Gamba Celeste 61 8' Tibia Clausa SO
2' Harmonic Piccolo 61 8' Viol d'Orchestre 61 8' Violone 12
III Cornet 176 8' Viol Celeste 61 8' Flute GT
IV Mixture ƒƒ b 215 8' Gallery Strings VIII 8' Stopped Diapason SW
16' Posaune b 61 4' Octave 12 4' Fifteenth 32
8' Cornopean b 61 4' Piccolo (Tibia) 12 4' Flute GT
8' Oboe 61 4' Flute (Concert) 12 IV-V Mixture mƒ CH
8' Vox Humana b SO 4' Gambette 12 32' Cornet (derived) --
4' Clarion b 61 4' Viol Celeste II 24 32' Contra Trombone 12
Tremulant 2 2/3' Twelfth (Tibia) 7 16' Trombone 32
Sub 2' Piccolo (Tibia) 5 16' Posaune SW
Unison Off 2' Fifteenth (Gamba) 12 16' Bass Horn CH
Super 1 3/5' Tierce (Tibia) -- 8' Tuba Magna SO
Gallery on Swell 16' Corno di Bassetto 61 8' Tromba 12
Positive on Swell 8' Tuba Horn 61 8' Posaune SW
8' French Horn 61 4' Octave Tromba 12
POSITIVE 4" w.p. 8' Corno di Bassetto 12 4' Corno di Bassetto SO
8' Vox Humana d 61 Pizzicato Bass
8' Salicional 61 8' Tuben III SW Gallery on Pedal
8' Lieblich Gedeckt 61 8' Tuba Magna 15" 61 Positive on Pedal
4' Salicet 61 Tremulant
4' Lieblich Flute 61 Variable Tremulant WURLITZER PIPES
2' Fifteenth 61 Sub
Unison Off Tibia Clausa
a Tuba Magna 16, 8, 4 Super Concert Flute
b Under double expression 8' Grand Harmonic Trumpet Viol d'Orchestre
c 1-12 Pedal Bourdon Gallery on Solo Viol Celeste
d Unison 73, Celeste 56 tc Positive on Solo Tuba Horn
e 10" wind pressure Vox Humana
Manual I/II Transfer Diaphone
COUPLERS
SPECIAL COUPLERS
GT to PD 8
SW to PD 8 4 Pedal Divide
CH to PD 8 4 Solo to Great Melody Coupler
SO to PD 8 4 Swell to Great Melody Coupler
SW to GT 16 8 4 Pedal to Great Bass Coupler
CH to GT 16 8 4 Swell to Great Sforzando
SO to GT 16 8 4 Solo to Great Sforzando
SW to CH 16 8 4
SO to CH 16 8 4 Vox Humana has a separate Tremulant (Slow p / Fastƒ)
PD to CH 8
CH to SW 8
SO to SW 8
PERCUSSIONS (Walker Digital) Chimes, Tower Chimes, Orchestral Harp, Harp, Celesta,
Orchestral Bells, Xylophone, Handbells, Cymbelstern, Tympani are controlled by stopknobs
in their respective divisions. The following percussions are controlled by push bottons on
the left key desk: Crash Cymbals, Roll Cymbal, Bell Tree Up, Bell Tree Down, MIDI
output Solo.
[Received from Jeff Scofield February 2, 2020]
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