2020-09-26 - The old church building needed to be demolished and rebuilt because of structural issues (the exterior brick "skin" was filling away from the side walls and the gallery was no longer safe). Gene Burmaster of Irving, NY was contracted to rebuild and enlarge the previous Estey Opus 3144 instrument, which had been somewhat modified by the Delaware Organ Company in 1963. Much of the previous pipework was reused. The contract was signed in March, 1972 for $28,400 and the instrument was completed in 1976, three years later than agreed. (It is interesting to note that Mr. Burmaster, formerly an employee of the Schlicker Organ Company of Buffalo -- and, in his words, "the only employee to be fired twice from Schlicker" -- was Vice-President of the Delaware Organ Company at the time of the 1963 tonal revisions.) This instrument is located in a large chamber running across the width of the front wall of the sanctuary with the Great stacked above the Swell in front of the cloth-covered tonal opening, and with Pedal pipework in various places on either side. Due to the unusual shape of the chamber, some of the Pedal pipework is as much as 15 feet from the opening. The stoplist provided from the 1976 Burmaster instrument lists, to the extent I could determine them, the sources of each rank of pipes. -John Anderson
2020-09-26 - Shortly after I was hired as Minister of Music in 1980, I put a proposal forward for additions to the Pedal division to eliminate much of the existing unification and duplexing. All of this work was done by me at a cost of $9,500, achievable only because all of my labor was donated. The Great and Swell mixtures were reduced in size from 4 ranks to 3 by removing the top rank from each, causing them to blend with, rather than overpower, their respective principal choruses. The Pedal mixture was changed from a 2' 4-rank Mixture to a 2' 3-rank Mixture, the original make-up from the Delaware tonal changes. By making the top of the Pedal Mixture a unison rather than a quint, the blend was greatly improved in this fairly dead room. Several new Pedal ranks were added as listed in the addendum stoplist with all but the Flachflöte installed on new chests. The new flue pipes were purchased from Organ Supply Industries in Erie, PA and the new 16' Gedackttrompete was purchased from and voiced by Aug. Laukhuff in Weikersheim, Germany. All new flue pipes were voiced by me and I built and wired the new chests. The Gedackttrompete is an interesting and useful stop, consisting of metal resonators and wooden blocks. Numbers 1-18 are 1/4 length with the remainder being 1/2 length, and the effect under a full Pedal is of a much larger reed because of the vast array of harmonics present in the sound. Some revoicing was done across the instrument, most notably to the SW 8' Rohrflute and 4' Principal. The Swell Oboe was carefully regulated, but as of late 1986 was virtually unusable and in need of replacement. (The current condition is unknown.) Pipe supports were installed for the SW Oboe and GT and PED Trompettes to halt the collapse of the unsupported resonators. Electric baseboard heat was added to the organ chamber to help with intonation during the winter months, and all cables from the console to the instrument were replaced in 1985/86. Because the console was movable but was installed with solid-copper wiring, we were experiencing wire breakages. All movable cables were replaced with 24-gauge stranded, color-coded cables. At this same time, the setterboard for the combination action was moved from its original location in the sacristy, across the sanctuary from the console, to the console pit. Finally, in October 1986, a new Laukhuff tremulant was installed in the Swell division where it replaced the old Estey tremulant that had failed. -John Anderson
Source: Updated Stoplist after the 1981 changes 1981
Eugene Burmaster (1976) Additions by John Anderson (1981) Immanuel Lutheran Church Jamestown, NY With these changes, the new instrument size was 36 stops and 37 ranks across two manuals and pedal. Pedal stops marked "unchanged" are the same make-up as in the Burmaster stoplist. Pedal stops marked "new" are from Organ Supply Industries or Aug. Laukhuff as described in the accompanying Note. GREAT ORGAN CHANGE: The top rank of the Mixture IV was removed. SWELL ORGAN CHANGE: The top rank of the Mixture IV was removed. NEW PEDAL ORGAN STOPLIST: 16' Prinzipal (32 pipes, unchanged) 16' Subbass (56 pipes, unchanged) 16' Lieblich Gedeckt (32 notes, unchanged) 8' Octave (32 pipes, new) 8' Spitzflöte (32 pipes, new) 4' Choralbass (32 pipes, new, very slightly tapered) 4' Klein Gedackt (32 notes, unchanged) 2' Flachflöte (32 pipes, new, tapered, voiced to pair with the 4' Choralbass) 2' Mixture III (96 pipes, unchanged except for removal of the top [4th] rank) 16' Gedackttrompete (32 pipes, new) 8' Trompette (20 pipes, unchanged) 4' Chalumeau (32 pipes, unchanged) Swell 8 Great 8
Source: From the console and examination of the pipework as of 1980
Eugene Burmaster (1976) Immanuel Lutheran Church Jamestown, NY Manual compass, 56 notes Pedal compass, 32 notes All-electric console with swell pedal (no crescendo pedal) Setterboard combination action with 4 each of GT, SW, PED, General pistons GREAT ORGAN: 16' Lieblich Gedackt (92 pipes, wood, Estey Opus 3144) 8' Prinzipal (56 pipes, metal, Haskell basses, Estey Opus 3144) 8' Bordun (56 pipes, wood, possibly Möller Opus 151) 8' Flute Octaviante, t.c. (44 pipes, metal, possibly Möller Opus 151) 4' Oktav (56 pipes, metal, old, various unknown sources) 4' Spitzflöte (56 pipes, metal, Gemshorn from Estey Opus 3144) 2' Klein Oktav (56 pipes, metal, Delaware) 2' Gedackt Flöte (56 notes, from 16' Lieblich Gedeckt, metal trebles) II Kornett, m.c. (2 2/3' & 1 3/5', 64 pipes, Dulciana from Möller Opus 151 and Unda Maris from Möller Opus 5932) 1 1/3' Mixtur IV (244 pipes, Delaware, octave breaks) 8' Trompette (56 pipes, old, source unknown) Chimes Swell 16 Swell 8 SWELL ORGAN: 8' Rohrflöte (92 pipes, 1-12 wood Möller Opus 151, 13-92 metal Delaware) 8' Viola (56 pipes, 1-12 Estey Opus 3144 Open Diapason Haskell basses, 13-18 Dulciana from unknown source, 19-36 Möller Opus 151, 37-56 from unknown source) 8' Viola Celeste t.c. (44 pipes, 1-5 Aeoline possibly Estey Opus 3144, 6-25 Möller Opus 5932 Unda Maris, 26-44 from unknown source) 4' Prinzipal (56 pipes, unknown source) 4' Koppelflöte (56 pipes, new) 2 2/3' Nasat (68 pipes, new) 2' Schwiegel (56 pipes, 1-25 Möller Opus 151 Piccolo, 26-56 from unknown source) 2' Rohrflöte (56 notes, from 8' Rohrflöte) 1 3/5' Terz (56 pipes, new) 1 1/3' Quint (56 notes, from 2 2/3' Nasat) 1' Sifflöte (56 notes, from 8' Rohrflöte) 1' Scharf IV (244 pipes, new) 8' Hautbois (56 pipes, source unknown) Tremulant Swell 16 Swell 8 PEDAL ORGAN: 16' Prinzipal (68 pipes, 1-12 Estey Opus 3144 Haskell basses, 13-29 Möller, 30-68 Estey) 16' Subbass (56 pipes, 12-12 Estey Opus 3144, 13-56 Estey? Open Diapason rescaled with homemade caps) 16' Lieblich Gedackt (32 notes, from GT 16' Lieblich Gedackt) 8' Prinzipal (32 notes, from 16' Prinzipal) 8' Gedackt (32 notes, from 16' Subbass) 4' Prinzipal (32 notes, from 16' Prinzipal) 4' Klein Gedackt (32 notes, from 16' Subbass) 2' Prinzipal (32 notes, from 16' Prinzipal) 2' Mixture IV (128 pipes, Delaware) 16' Bombarde (12 pipes, 1-6 wood, 7-12 metal, 13-32 from 8' Trompette) *** 8' Trompette (20 pipes, 1-12 from GT 8' Trompette, 13-32 from unknown source) 4' Chalumeau (32 pipes, Möller Opus 5932 Clarinet) Swell 8 Great 8 *** The first 12 pipes of the Pedal 16' Bombarde were from Virgal Fox's home organ (this information was relayed to me personally by Gene Burmaster but I have not independently verified it). Numbers 1-6 had full-length wooden resonators while numbers 7-12 were mitered metal. The wooden resonators would not fit in Gene's vehicle when he transported them, so he cut them in half at the mid-point and reconnected them by gluing and screwing plywood "band-aids" on all four sides. The tongues on these pipes were massively thick and heavy and they barely spoke on the much lower pressure of this instrument, sometimes taking up to two seconds to begin sounding.
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