2012-04-10 - Transept, Chancel, Apse, and pipe facades (Photograph by The Rev Richard E Beattie, submitted by Paul R. Marchesano/Paul R. Marchesano)
2004-10-30 - Status Note: There 1999 -Database Manager
2004-10-30 - Elec. by Hall Organ Co. c. 1926. Swell restored by Thompson-Allen Co. -Database Manager
Source: 1994 OHS Handbook, referencing original contract
Great (61 notes, Man. II) Open Diapason 16 (61 m), 1st Open Diapason 8 (61 m), 2nd Open Diapason 8 (61 m), Gross Floete 8 (61 w), Gross Gamba 8 (61 m), Octave 4 (61 m), Wald Flute 4 (61 w&m), Octave Quinte 2⅔ (61 m), Super Octave 2 (61 m), Mixture III (183 m), Trumpet 8 (61 m)
Swell (61 notes, enclosed, Man. III) Bourdon 16 (61 w), Open Diapason 8 (61 m), Stopped Diapason 8 (61 w&m), Salicional 8 (61 m), AEoline 8 (61 m), Vox Celestis 8 (61 m), Flauto Traverso 4 (61 w&m), Violina 4 (61 m), Flautino 2 (61 m), Dolce Comet III (183 m), Contra Fagotto 16 (61 m), Comopean 8 (61 m), Oboe 8 (61 m), Vox Humana 8 (61 m), Tremolo
Choir (61 notes, Man. I) Gamba 16 (61 w&m), Geigen Principal 8 (61 m), Melodia 8 (61 w), Dulciana 8 (61 m), Flute d' Amour 4 (61 w&m), Piccolo Harmonique 2 (61 m), Clarinet 8 (61 m)
Pedal (30 notes) Open Diapason 16 (42 w), Bourdon 16 (42 w), Violone 16 (42 w&m), Quinte 10⅔ (Open Diapason), Floete 8 (Open Diapason), Gedackt 8 (Bourdon), Violoncello 8 (Violone)
Couplers (tilting tablets) Swell to Great, Great to Swell [sic], Swell to Choir, Swell to Swell 16', 4', Choir to Great 16', 8', Great to Pedal , Swell to Pedal , Choir to Pedal
Pedal Movements balanced Swell pedal , balanced Crescendo pedal
Reversibles Sforzando, Great to Pedal reversible
Combinations (thumb pistons) Great: 1-2-3-Cancel, Swell: 1-2-3-4-Cancel, Choir: 1-2-Cancel, Pedal: Cancel, General: Cancel
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