Better Pipe Organ Database

Owner (1996)

Residence: Stephen & Mary Ann Boe
St. Paul, MN

Note: Not extant. Not playable. (in this location)

Images

1996 - Organ (Photograph by Stephen Boe, submitted by Jim Stettner/Jim Stettner)

Consoles

Main

Organ type: Traditional With Roll Top
Console position: Keydesk Attached
2 manuals
3 stops
20 registers
1 divisions
Key action Type: Electrical
Stop action Type: Electrical
Stop layout Type: Stop Keys Above Top Manual
Manual compass: 61 notes
Pedal compass: 32 notes
Pedal Type: Concave Radiating (Meeting AGO Standards)
Expression Type: Balanced Expression Shoes/Pedals (Meeting AGO Standards)
Has crescendo
Combination action: None

Notes

2021-04-06 - This is a self-contained *Sonatina* model. The Pedal 16' Subbass comes from 12 free-reeds. The organ was originally purchased by Mrs. Jan Pearson for her home in Big Lake, Minnesota. The organ was acquired in 1996 by Stephen & Mary Ann Boe of St. Paul, Minnesota for their home. From whom they purchased the organ is not recorded. The sale was facilitated by their friend, organist and teacher, Steve Gentile. The organ was used fo three years before being placed in storage until 2009. The Boes moved to Clear Lake, Wisconsin, and the organ was set-up there again in 2009. -Jim Stettner

Stoplist

Source: Stoplist copied from the console

St. Paul, Minnesota
Residence: Stephen & Mary Ann Boe

WICKS ORGAN CO., Opus 1498, 1936 - Original Specifications
Owner, 1996 - Installation without changes


GREAT (Expressive)              SWELL (Expressive)              PEDAL (Expressive)
   16'    Bourdon                  16'    Bourdon                  16'  Sub Bass
   8'     Flute                    8'     Stopped Flute            8'   Gedeckt
   8'     Salicional               8'     Quintadena               4'   Flute
   8'     Dulciana                 8'     Viola                    4'   Violina
   4'     Flute d'Amour            8'     Dulciana
   4'     Violina                  4'     Flute
   2'     Piccolo                  4'     Dulciana
                                   2-2/3' Nazard
                                   8'     Oboe


STOP / RANK / PIPE ANALYSIS
   16'    Sub Bass                 (Ped)  12  Free Reeds. Extension of 8' St. Flute.
   16'    Bourdon                (Sw/Gt)  –-  Tenor C. From the 8' St. Flute.
   8'     Stopped Flute             (Sw)  61
   8'     Flute                     (Gt)  –-  Same as the 8' Stopped Flute.
   8'     Gedeckt                  (Ped)  –-  Same as the 8' Stopped Flute.
   8'     Quintadena                (Sw)  –-  Synthetic.
   8'     Salicional                (Gt)  49  Tenor C. 1-12 from 8' St. Flute.
   8'     Viola                     (Sw)  –-  Same as 8' Salicional.
   8'     Dulciana               (Sw/Gt)  49  Tenor C. 1-12 from 8' St. Flute.
   4'     Flute d'Amour             (Gt)  12  Extension of the 8' St. Flute.
   4'     Flute                 (Sw/Ped)  –-  Same as the 4' Flute d'Amour.
   4'     Violina               (Gt/Ped)  12  Extension of the 8' Salicional.  
   4'     Dulciana                  (Sw)  12  Extension of the 8' Dulciana.
   2-2/3' Nazard                    (Sw)   7  Extension of the 8' St. Flute.
   2'     Piccolo                   (Gt)   5  Extension of the 8' St. Flute.
   8'     Oboe                      (Sw)  –-  Synthetic.


PIPE SUMMARY

   Sub Bass               Stopped Flute          Salicional             Dulciana
   12 reeds               85 pipes               49 pipes               61 pipes


                                  PEDAL MOVEMENTS
                        Expression                   (bal.)
                        Crescendo                    (bal.)


ACTION: Direct-Electric ™     VOICES: 3     STOPS: 20     RANKS: 3     PIPES: 195


[Typed stoplist courtesy of Stephen Boe; formatted by James R. Stettner]

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