Johannes Klais, K.G. (2022)

September, 2022 - Flier promoting the organ dedicatory concerts (Photograph from an archival source: Church Facebook page, submitted by Jim Stettner/Jim Stettner)

2022-11-04 - Electric console: left stopjamb (Photograph by Ian Cormack, submitted by Jim Stettner/Jim Stettner)

2022-11-04 - Electric console: right stopjamb (Photograph by Ian Cormack, submitted by Jim Stettner/Jim Stettner)

2022-11-04 - Electric console: manuals, toestuds, and pedal movements (Photograph by Ian Cormack, submitted by Jim Stettner/Jim Stettner)

2022-11-04 - Electric, moveable console (Photograph by Ian Cormack, submitted by Jim Stettner/Jim Stettner)

2022-11-04 - Mechanical console: pedal movements and toe studs (right) (Photograph by Ian Cormack, submitted by Jim Stettner/Jim Stettner)

2022-11-04 - Mechanical console: toe studs and pedal movements (left) (Photograph by Ian Cormack, submitted by Jim Stettner/Jim Stettner)

2022-11-04 - Mechanical console: left stopjamb (Photograph by Ian Cormack, submitted by Jim Stettner/Jim Stettner)

2022-11-04 - Mechanical console: right stopjamb (Photograph by Ian Cormack, submitted by Jim Stettner/Jim Stettner)

2022-11-04 - Mechanical console: manuals (Photograph by Ian Cormack, submitted by Jim Stettner/Jim Stettner)

2022-11-04 - Mechanical console (Photograph by Ian Cormack, submitted by Jim Stettner/Jim Stettner)

2022-11-04 - Organ case in front (Photograph by Ian Cormack, submitted by Jim Stettner/Jim Stettner)

2022-11-04 - Sanctuary interior with organ in front (Photograph by Ian Cormack, submitted by Jim Stettner/Jim Stettner)

Consoles

Mechanical Console

Electric Console

Notes

2022-11-05 - This entry represents the installation of a new organ. Identified from a Facebook page by Ian Cormack on November 4, 2022. Verified with the Klais website. The organ has both a fixed position, mechanical-action console, and a movable electric-action console. Both are IV-manuals. The organ was dedicated in two concerts on November 4 & 5, 2022 by Dr. Winfried Bönig from Köln Cathedral in Germany. -Jim Stettner

Stoplist

Stop list completed from builder website Source: Dedication program 4 November 2022

I. POSITIV (C-c4, 80mm wind pressure; enclosed) Quintatön 16 (12 wood, 49 75% tin), Praestant 8 (61 75% tin), Flûte tranversière 8 (61 75% tin), Holzgedackt 8 (61 wood), Dulciana 8 (61 75% tin), Principal 4 (61 75% tin), Rohrflöte 4 (61 75% tin), Nasard 2⅔ (61 75% tin), Doublette 2 (61 75% tin), Tierce 1⅗ (61 75% tin), Larigot 1⅓ (61 75% tin), Scharff IV 1 (244 75% tin (1' -½'- ½' -¼')), Cor anglais 16 (61 75% tin, C-B ½ -length with lift-lid resonators; from c0 full-length with lantern-form resonators), Cromorne 8 (61 75% tin, ½-length resonators), Tremulant

II. GREAT (C-c4, 90mm wind pressure; unenclosed) Praestant 16 (61 82% tin, C-g1 in façade), Bourdon 16 (24 wood, 37 40% tin, from c1 hammered metal with domed caps), Principal 8 (61 75% tin), Metallflöte 8 (61 75% tin, open bass), Rohrflöte 8 (12 wood, 49 58% tin, from c0 domed caps with outside chimneys), Gemshorn 8 (61 75% tin, conical), Octave 4 (61 75% tin), Spitzflöte 4 (61 75% tin, conical), Quinte 2⅔ (61 75% tin), Superoctave 2 (61 75% tin), Großsesquialtera II 5⅓ (122 75% tin (5⅓ + 3⅕)), Cornet V (220 40/58% tin (from f0 mounted; 8' hammered metal; domed caps with outside chimneys; 8'-4'-2½'-2⅔-1⅗')), Mixtur V 1⅓ (301 75% tin (1⅓'-1'-1'-⅔'-½')), Cymbell III ½ (183 75% tin (½'-⅓'-¼')), Trompete 16 (61 75% tin, full-length resonators; C-B copper and tin), Trompete 8 (61 75% tin), Trompette en chamade 8 (61 75% tin, C-c#2 horizontal in façade (zinc); from d2 inside and hooded; from e0 double-length resonators), Tremulant

III. Swell (C-c4, 90mm wind pressure; enclosed) Lieblich Gedackt 16, Principal 8, Holzflöte 8, Bourdon 8, Viole de Gambe 8, Voix céleste 8, Octave 4, Flûte octaviante 4, Waldflöte 2, Nasard et Tierce II 2⅔, Mixtur IV 2, Basson 16, Trompette 8, Hautbois 8, Voix humaine 8, Clairon 4, Tremulant langsam/slow, Tremulant schnell/fast

IV. SOLO (C-c4) Flûte harmonique 8, Gambe 8, Flauto dolce 8, Unda maris 8, Clarinet 8, Tremulant, Trompette en chamade 8

IV. BOMBARDE (C-c4) Bombarde 16, Trompette 8, Trompette harmonique 8, Clairon harmonique 4

PEDAL (C-g1) Flûte 32, Untersatz 32, Lieblich Gedacktbass 32, Principal 16, Praestant 16, Flûte 16, Subbass 16, Lieblich Gedackt 16, Quintatön 16, Holzgambe 16, Octave 8, Flûte 8, Bartpfeife 8, Superoctave 4, Flûte 4, Flûte 2, Aliquotbass III 10⅔, Hintersatz IV 2⅔, Bombardon 32, Posaune 16, Bombarde 16, Basson 16, Trompete 8, Trompette 8, Basson 8, Clairon 4, Tuba héroïque 8, Trompette en chamade 8

KOPPELN/COUPLERS Positiv Sub, Positiv Super, Swell to Positiv Sub, Swell to Positiv, Swell to Positiv Super, Solo to Positiv Sub, Solo to Positiv, Solo to Positiv Super, Bombarde to Positiv, Swell to Great Sub, Swell to Great, Swell to Great Super, Positiv to Great Sub, Positiv to Great, Positiv to Great Super, Solo to Great Sub, Solo to Great, Solo to Great Super, Bombarde to Great, Swell Sub, Swell Super, Positiv to Swell, Solo to Swell Sub, Solo to Swell, Solo to Swell Super, Bombarde to Swell, Solo Sub, Solo Super, Great to Solo, Swell to Solo, Positiv to Solo, Bombarde Off Solo, Tuba Division on Great, Tuba Division on Swell, Tuba Division on Positiv, Tuba Division on Solo, Great to Pedal, Swell to Pedal, Swell to Pedal Super, Positiv to Pedal, Positiv to Pedal Super, Solo to Pedal, Solo to Pedal Super, Bombarde to Pedal, Positiv to Great mech., Manual I/II Transfer, Positiv Unison Off, Swell Unison Off, Solo Unison Off

Websites

Better Pipe Organ Database