Better Pipe Organ Database


W. W. Kimball Co. Opus 7153 (1936)

First Church of Christ, Scientist
13 Waterhouse Street
Cambridge, MA

Images


2009-03-15 - Church exterior (Photograph from an archival source: Wikipedia, submitted by Jeff Scofield/Jeff Scofield)

1999-05-04 - Console (Photograph by William T. Van Pelt/Database Manager)

1999-05-04 - Church Interior, Chancel, and Pipe Facade (Photograph by William T. Van Pelt/Database Manager)

1999-05-04 - Builder's Nameplate (Photograph by William T. Van Pelt/Database Manager)

Consoles

Main


Notes

2004-10-30 - Status Note: There 1991 -Database Manager

2004-10-30 - Restored c. 1990 by Nelson Barden & Assoc. -Database Manager

2015-09-01 - Updated through online information from Sean O'Donnell. -Database Manager


Stoplist

original contract from Kimball Source: Source not recorded Date not recorded

Cambridge, Massachusetts, USA						
First Church of Christ, Scientist						
						
W. W. Kimball Company, KPO 7153, 1936						
						
Pitch	Name of Stop		Pipes		Materials and Remarks
				GREAT		(unenclosed)
16’	Double Diapason		61		43 spotted metal, 18 zinc
8’	First Diapason		61		52 block tin, 9 zinc
8’	Second Diapason		61		52 spotted metal, 9 zinc
8’	Gemshorn (tapered)	61		49 spotted metal, 12 zinc
8'      Bourdon                 61              61 spotted metal
4’	Octave			61		61 block tin
4’	Gemshorn (tapered)	61		61 spotted metal
2 2/3’	Octave Quint		61		61 block tin
2’	Super Octave		61		61 block tin
IV	Mixture			244		pure tin
8’	French Horn				(from Choir, 61 notes )
					
				SWELL		(enclosed)
16’	Contra Salicional	73		50 spotted metal, 23 zinc
8’	Open Diapason		73		64 spotted metal, 9 zinc
8’	Rohrflöte		73		61 spotted metal, 12 stopped wood
8’	Salicional		73		62 spotted metal, 11 zinc
8’	Voix Celeste		73		62 spotted metal, 11 zinc
4’	Principal		73		73 spotted metal
4’	Traverse Flute		73		49 open wood, 24 spotted metal
2’	Fifteenth		61		61 spotted metal
IV	Mixture			244		block tin
16’	Wald Horn		73		68 reeds, spotted metal bells
8’	Trumpet			73		56 reeds, spotted metal bells
8’	Oboe			73		53 reeds, spotted metal bells
4’	Clarion			73		44 reeds, spotted metal bells
	Tremolo				
						
				CHOIR		(enclosed)
16’	Spitz Flute (tapered)	73		49 spotted metal, 24 zinc
8’	Open Diapason		73		61 spotted metal, 12 zinc
8’	Claribel Flute		73		61 open wood, 12 stopped wood
8’	Viola			73		61 spotted metal, 12 zinc
8’	Dulciana		73		61 spotted metal, 12 zinc
8’	Unda Maris		73		61 spotted metal, 12 zinc
4'	Flute d'Amour		73		49 stopped wood, 24 spotted metal
2 2/3'	Nazard			61		spotted metal
2'	Piccolo			61		spotted metal
1 3/5'	Tierce			61		spotted metal
8'	French Horn		73		49 reeds, common metal bells
8'	Clarinet		73		53 reeds, spotted metal bells
	Tremolo				
						
				PEDAL			
16'	Open Diapason		32		8 diapason metal, 24 heavy zinc
16'	Contre Basse		32		open wood, bearded
16'	Bourdon			32		stopped wood
16'	Contra Salicional			(from Swell, 32 notes)
16'	Spitz Flute				(from Choir, 32 notes)
8'	Octave			32		diapason metal
8'	Cello			12		extension of Contre Basse
8'	Open Flute		32		open wood
4'	Super Octave		32		spotted metal
III	Mixture			96		spotted metal
16'	Trombone		32		32 reeds, common metal bells
16'	Wald Horn				(from Swell Wald Horn, 32 notes)
8'	Tromba			12		reeds, extension of Trombone
4'	Clarion			12		reeds, extension of Trombone
						
				COUPLERS	
By stop knobs with respective manual groups:	By tablets above Swell manual:
Swell to Swell 16'				Great to Pedal 8'
Swell to Swell 8' off				Swell to Pedal 8'
Swell to Swell 4'				Choir to Pedal 8'
						Great to Pedal 4'
Choir to Choir 16'				Swell to Pedal 4'
Choir to Choir 8' off				Choir to Pedal 4'
Choir to Choir 4' 						
						Swell to Great 8'
						Choir to Great 8'
						Swell to Choir 8'
						Great to Choir 8'
						
						Swell to Great 16'
						Swell to Great 4'
						Choir to Great 16'
						Choir to Great 4'
						Swell to Choir 16'
						Swell to Choir 4'
						
NOTE: Mixtures to be affected only by Unison couplers						
						
			REVERSIBLES			
Great to Pedal 8' by finger piston and toe stud						
Swell to Pedal 8' by finger piston and toe stud						
Choir to Pedal 8' by finger piston and toe stud						
Swell to Great 8' by finger piston						
Choir to Great 8' by finger piston						
Sforzando, by finger piston and toe stud						
Mezzo, by finger piston and toe studd						
16' stops and couplers off manuals by finger piston						
						
		COMBINATIONS BY REMOTE CONTROL				
Eight pistons affecting Great and Pedal stops						
Eight pistons affecting Swell and Pedal stops and intra manual couplers						
Eight pistons affecting Choir and Pedal stops and intra manual couplers						
Eight pistons affecting Pedal stops						
Eight general pistons affecting stops and couplers of entire organ,						
      duplicated by eight toe pistons						
General cancel piston						
Combination setter piston with lock and key						
Pedal to Manual "ON and OFF" controls on each key cheek						
						
		ACCESSORIES				
Balanced expression pedal for Swell organ						
Balanced expression pedal for Choir organ						
Balanced Crescendo pedal affecting entire organ						
Light indicators for all blind movements						
Music rack and pedal lights, specially adapted						
Motor started switch						
Organ bench						
Organ blower of ample capacity with direct coupled generator						
						
		ADDITIONAL				
72 special decorative pipes of heavy zinc to fill in the three arched openings			
      according to design by the architect.						
Necessary dividing walls within the organ chamber together with all wind trunk-				
      ing within organ chamber.						


 [Received from James W. Guyer 2015-10-15.]

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