2024-07-14 - This entry represents the rebuilding of an existing organ with tonal changes, tonal additions, and a new console. -Jim Stettner
2024-07-28 - I helped held keys for Bob’s tuning of this organ once, in my high school days. My recollection is that the Trompette is a Great stop, not borrowed from the Swell, and that it was voiced loudly in the bottom octave to compensate for the lack of a 16’ louder reed in the pedal. -Scott Lamlein
Maas chimes; Cymbelstern Slow-Off-Fast Source: Original document from Robert Hale. May 30, 2019
Great Melodia 8, Diapason 8, Dulciana 8, Octave 4, Mixture III, Trompette 8, Hautbois 8, Clarion 4
Swell Lieblich Gedackt 16, Gedackt 8, Principal 4, Celeste 8, Salicional 8, Flauto Traverso 4, Flautino 2, Trompette 8, Larigot 1 1/3, Fagotto 16, Hautbois 8, Hautbois 4, Tremolo
Pedal Bourdon 16, Lieblich Gedackt 16, Principal 8, Bourdon 8, Bass Flute 8, Choral Bass 4, Fagotto 16, Trompette 8, Hautbois 8, Clarion 4, Hautbois 4, Flute 4
Swell to Pedal 8, Swell to Pedal 4, Great to Pedal 8, Great to Pedal 4, Great to Great 16, Great to Great 8, Great to Great 4, Swell to Great 16, Swell to Great 8, Swell to Great 4, Swell to Swell 16, Swell to Swell 8, Swell to Swell 4
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