2013-05-24 - Updated through online information from Brent James. -Database Manager
2016-01-25 - "This two-manual installation, Opus 79 of the company, was completed in August 1988 and has mechanical key action with electric stop and combination action. An additional keyboard provides the manual coupler. Since the building's chambers were not suitable for a pipe organ, the encased instrument was fitted into a newly created niche, formed from one of the existing chambers in a wall to the right of the chancel. The windchests are arranged in major third format and the tuning is in equal temperament at A=440. Gently flexing winding is through a single bellows and wooden wind trunks. The visual concept was developed by Kathleen Schmidt; the tonal design and mechanical and structural engineering were done by Pieter Visser; and the tonal engineering was by Thomas Turner. The installation was supervised by Charles Eames and the organ was tonally finished by Brian Davis." (The American Organist, March 1990) -Database Manager
2016-02-12 - Updated through online information from Dr. Jon F. Clements. -Database Manager
Stoplist from <i>The American Organist</i>, March 1990 Source: Source not recorded Date not recorded
Russellville, Arkansas Central Presbyterian Church Visser-Rowland Associates Opus 79 1988 2 manuals, 22 stops, 28 ranks __________________________________________ MANUAL I - coupling manual HAUPTWERK (II) 8' Prinzipal (facade) 61 8' Rohrflöte 61 4' Oktav 61 4' Nachthorn 61 2' Waldflöte 61 2 2/3' Sesquialtera II (TC) 98 1 1/3' Mixtur IV 244 8' Trompete (en chamade) 61 BRUSTWERK (III) - enclosed 8' Gemshorn 61 8' Gemshorn Celeste (TC) 49 4' Prinzipal 61 4' Blockflöte 61 2' Oktav 61 1 1/3' Larigot 61 1' Scharf III 183 8' Rohrschalmey 61 Tremulant PEDAL 16' Subbass 32 8' Prinzipal (facade) 32 8' Gedeckt 32 4' Choralbass 32 16' Fagott 32 4' Schalmey 32 [Received from Steven E. Lawson 2016-01-25]
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