OHS convention: 2000
2004-10-30 - Status Note: There 1992. -Database Manager
2004-10-30 - Electrified c. 1929 (?) by William W. Laws using a second-hand theater organ console, probably by Frazee. Cleaning and repairs by volunteers & Lahaise 1990-96. Proposal out in 2001 for new console. -Database Manager
2006-04-23 - Updated through online information from Lisa Lucius. -- New console built by Andover Organ as Opus R-394, 2003 -Database Manager
2023-09-13 - Almost entirely tonally unaltered from 1875. The only exceptions are the Swell 8' Quintadena, which from tenor C up has been replaced with Salicional pipes tuned as a celeste with the original Hook and Hastings Salicional. Also, the Choir 8' Rohr Flute has been replaced by Andover with pipes scaled to match the Rohr Flute in the Hook and Hastings at St. Joseph's Cathedral, Buffalo, NY. -Julius Coyle
Specification from <i>The Organ in New England</i> by Barbara Owen (Raleigh: The Sunbury Press, 1979) Source: Source not recorded Date not recorded
Boston, Massachusetts Cathedral of the Holy Cross (Roman Catholic) E. & G.G. Hook & Hastings Opus 801 1875 3 manuals, 70 stops, 101 ranks ____________________________________________________________________________ Source: Hook & Hastings descriptive flyer and examination of extant organ by Barbara Owen. GREAT ORGAN SWELL ORGAN 16' Open Diapason 58 16' Bourdon 58 16' Quintatön 58 8' Open Diapason 58 8' Bell Open Diapason 58 8' Salicional 58 8' Open Diapason 58 8' Æoline 58 8' Viola da Gamba 58 8' Stopped Diapason 58 8' Clarabella 58 8' Quintadena 58 8' Doppel Flöte 58 4' Octave 58 8' Gemshorn 58 4' Flauto Traverso 58 8' Viol d'Amour 58 4' Violina 58 6' Quint 58 3' Nazard 58 4' Octave 58 2' Flautino 58 4' Flute Harmonique 58 Mixture IV 232 4' Gambette 58 Dolce Cornet V 290 3' Twelfth 58 16' Contra Fagotto 58 2' Fifteenth 58 8' Cornopean 58 Cornet V 290 8' Oboe & Bassoon 58 Mixture IV 232 8' Vox Humana 58 Acuta IV 232 4' Clarion 58 Cymbale VII 406 16' Bombarde 58 PEDALE 8' Trumpet 58 32' Contra Bourdon 30 4' Clarion 58 16' Open Diapason 30 16' Violone 30 CHOIR ORGAN 16' Dulciana 30 16' Lieblich Gedact 58 16' Bourdon 30 8' Open Diapason 58 12' Quint Flöte 30 8' Geigen Diapason 58 8' Bell Gamba 30 8' Melodia 58 8' Violoncello 30 8' Concert Flute 58 8' Octave 30 8' Rohr Flöte 58 8' Flöte 30 8' Dulciana 58 4' Super Octave 30 4' Flute Octaviante 58 Cornet V 150 4' Fugara 58 16' Trombone 30 4' Octave 58 8' Posaune 30 4' Quint Flöte 58 2' Piccolo 58 Cornet V 290 16' Cor Anglais 58 8' Clarinet 58 8' Tuba Mirabilis 58 a a Although listed with the Choir stops, the Tuba is actually a "floating" stop located in front of the Swell, above the Great, on its own chest, with high-pressure wind supply. COUPLERS MECHANICALS Swell to Great Great Organ Separation Choir to Great Swell Tremolo Choir to Great Sub-Octave Choir Tremolo Swell to Choir Bellows Signal Great to Pedal Crescendo Movement Swell to Pedal Great to Pedal Reversible Choir to Pedal Tuba to Great 3 Great Combinations Tuba to Choir 3 Swell Combinations Tuba Octave Coupler 2 Choir Combinations [Received from Steven E. Lawson 2014-12-31]
Typed stoplist from the OHS PC Database. Source: Source not recorded Date not recorded
Cathedral of the Holy Cross, Boston, Massachusetts E. & G. G. Hook & Hastings Organ, Opus 801,1875 (Stoplist: Bozeman Web site 1997) Great 16' Open Diapason + 16' Quintaton (wood) 8' Open Diapason + 8' Bell Open Diapason + 8' Viola da Gamba + 8' Clarabella 8' Doppel Flöte 8' Gemshorn + 8' Viol d'amour + 6' Quint + 4' Octave + 4' Flute Harmonique (metal) + 4' Gambette + 3' Twelfth + 2' Fifteenth + V Cornet + IV Mixture + IV Acuta + VII Cymbale + 16' Bombarde + 8' Trumpet* + 4' Clarion* + Choir 16' Lieblich Gedact 8' Open Diapason + 8' Geigen Diapason + 8' Melodia 8' Concert Flute (wood, harmonic) 8' Rohr Flute 8' Dulciana + 4' Flute Octaviante (metal) + 4' Fugara + 4' Octave + 3' Quint Flöte+ + 2' Piccolo + V Cornet+ 16' Cor Anglais + 8' Clarinet+ 8' Tuba Mirabilis**+ Swell 16' Bourdon 8' Open Diapason + 8' Salicional + 8' Aeoline 8' Stopped Diapason 8' Quintadena***++ 4' Octave + 4' Flauto Traverso (wood) 4' Violina + 3' Nazard + 2' Flautino + IV Mixture+ V Dolce Cornet + 16' Contra Fagotto 8' Cornopean 8' Oboe-Bassoon 8' Vox Humana* 4' Clarion Tremolo Pedale 32' Contra Bourdon 16' Open Diapason (wood) 16' Violone (wood) 16' Dulciana (metal) 16' Bourdon 12' Quint Flöte 8' Bell Gamba 8' Violoncello 8' Octave 8' Flöte 4' Super Octave + V Cornet + 16' Trombone (wood) 8' Posaune (metal) + Manual Compass: C C-a3, 58 notes. Pedal Compass: CCC-F, 30 notes * Reed stops made by Henri Zimmerman, Paris. ** Actually a "floating" stop, located in front of the Swell, above the Great, on its own chest, with high pressure wind supply. *** Some (actually, much) Pipework missing. + Pipework cleaned since 1990 ++ Empty holes occupied by used "Salicional", as celeste rank. All stops are totally independent, including the pedal division.
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