2012-06-05 - Facade from the floor level (Mbzt - Wikimedia Commons/Charles Streeter)
2025-03-11 - From Organs of Paris: 1973: A new instrument was built by Alfred Kern in a Franco-German neoclassical style. The case [made in 1739 by Louis Régnier] was then completely restored and about seven old stops were used in the composition of the new organ. If the stops of Mutations and the reeds are rather inspired by the French classical construction, the Pleins-Jeux are inspired by the North German organ. A Swell was placed in the base of the instrument (lack of space). Two adjoining cases were built on either side of the large case to house the pedal stops. 1995: A complete overhaul by Muhleisen (Georges Walther and André Schaerer). 2015: Yves Fossaert and Muhleisen carried out a new overhaul. -Paul R. Marchesano
Source: Online information
Récit Expressif Quintaton 16, Principal 8, Bourdon 8, Unda Maris 8, Prestant 4, Sifflet 1, Doublette 2, Cymbale IV, Bombarde 16, Trompette 8, Hautbois 8, Clairon 4, Tremblant
Positif Bourdon 8, Montre 4, Flûte à Cheminée 4, Nasard 2 2/3, Doublette 2, Tierce 1 3/5, Larigot 1 1/3, Cymbale III, Cromorne 8, Tremblant
Solo Flûte à Cheminée 8, Flûte à Fuseau 8, Cornet III, Voix Humaine 8
Grand-Orgue Montre 16, Montre 8, Bourdon 8, Gros Nasard 5 1/3, Prestant 4, Grosse Tierce 3 1/5, Doublette 2, Cornet V, Grosse Fourniture II, Fourniture III, Trompette 8, Cymbale IV, Clairon 4, Tremblant
Pédale Soubasse 16, Principal 16, 10 2/3 Quinte, Flûte 8, Prestant 4, Nachthorn 2, Fourniture IV, Bombarde 16, Trompette 8, Clairon 4, Chalumeau 4
Positif to Grand-Orgue 8, Récit Expressif to Grand-Orgue 8, Positif to Récit Expressif 8, Grand-Orgue to Pédale 8, Positif to Pédale 8, Récit Expressif to Pédale 8
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