2004-10-30 - The original builder was George S. Hutchings (1897, Opus 410). -Database Manager
2004-10-30 - Status Note: There 1995 -Database Manager
2004-10-30 - New slider chests. A new console was provided, though the bat-wing console still existed. The tonal work in consultation with Charles Fisk. Historic Organs Recital 22 Oct 1989. Additional modifications and tonal changes by Lahaise in 1997. -Database Manager
2009-08-31 - Posted to PipeChat August 30, 2009 by Dick Lahaise: -- The organ at Mission Church was built in 1897 by George Hutchings (Opus 410) Bob and Dick Lahaise of Jamaica Plain in consultation with Charles Fisk modified the action, extended the pedal compass to 32 and rebuilt the chests in 1968 and made further tonal reinstatements in 1997. (by which time Bob had died of cancer) Scott Huntington wrote in the OHS 2000 yearbook, "The 1968 rebuild of the Mission Church Hutchings aimed to give the organ a fluency in French and German Baroque music. More recent attention has endeavored to restore some of the opulent provision of eight foot tone found in the 1897 specification. The Great plenum and effective chorus reeds throughout the instrument remain essentially intact." -Database Manager
2017-11-24 - Updated by William Catanesye, who maintains the organ.<br> Pedal compass expanded from 30 to 32 in 1968 -Database Manager
Typed stoplist from the OHS PC Database. Source: Source not recorded Date not recorded
Basilica of Our Lady of Perpetual Help Mission Church, Boston (Roxbury), MA Geo. S. Hutchings, Opus 410 1897/1968 * new pipework, 1968 (Lahaise) + moved or reworked GREAT Double Diapason 16' Open Diapason 8' Doppel Flute+ 8' Spitz Flute 8' Octave 4' Chimney Flute* 4' Fugara 4' Twelfth 2 2/3' Fifteenth 2' Nighthorn+ 2' Tierce* 1 3/5' Cymbal VII Mixture V Scharf III Posaune 16' Trumpet 8' Clarion 4' Swell to Great 16', 8', 4' Choir to Great 16', 8', 4' Great to Great 4' Great Unison Off CHOIR Gedeckt 8' Principal 4' Spindle Flute* 4' Octave 2' Sesquialtera* II Mixture* IV Cremona 8' Swell to Choir 16', 8', 4' Choir to Choir 16', 4' Choir Unison Off SWELL Bourdon 16' Diapason 8' Gedeckt 8' Viola 8' Viola Celeste 8' Octave 4' Koppel Flote* 4' Nazard* 2 2/3' Block Flote* 2' Tierce* 1 3/5' Larigot* 1 1/3' Mixture* III-V Fagot 16' Trompette 8' Oboe 8' Vox Humana 8' Shawm 4' Swell to Swell 16',4' Swell Unison Off Tremelo PEDAL Bourdon 32' Principal 16' Bourdon 16' Violone 16' Dulciana 16' Octave 8' Flute 8' Cello 8' Quint 5 1/3' Super Octave 4' Flute* 4' Flute* 2' Mixture* IV Trombone 16' Trumpet 8' Great to Pedal 8', 4' Swell to Pedal 8', 4' Choir to Pedal 8' Pedal to Pedal 4' Solo division on slider chest with pneumatic action. new slider chests were patterned directly from the Hutchings toeboards. A new console was provided, though the bat-wing console still existed. The tonal work, intended to brighten and expand the harmonic palette, was undertaken in consultation with Charles Fisk. New upper work was included in the swell, choir, and pedal divisions (mutations, mixtures, etc.). The reeds were revoiced to keep their fiery quality on lower pressure. Not all of the original pipework was incorporated, the most notable omissions being the solo tuba and the choir foundations. However, much of this pipework has stood in the original toeboards for the past 25+ years, awaiting the chance to sing again.
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