Better Pipe Organ Database

C. B. Fisk, Inc. Opus 103 (1995)

All Saints Episcopal Church, Ashmont: Gallery
210 Ashmont Street
Dorchester
Boston, MA

Images


2022-02-17 - Room (Photograph by John Roper/John Roper)

2022-02-17 - Room (Photograph by John Roper/John Roper)

2022-02-17 - Room (Photograph by John Roper/John Roper)

2022-02-17 - Pipework (Photograph by John Roper/John Roper)

2022-02-17 - Outside swell chamber (Photograph by John Roper/John Roper)

2022-02-17 - Pedal pipework (Photograph by John Roper/John Roper)

2022-02-17 - Outside swell chamber (Photograph by John Roper/John Roper)

2022-02-17 - Regulators (Photograph by John Roper/John Roper)

2022-02-17 - Pipework (Photograph by John Roper/John Roper)

2022-02-17 - Console stopjamb interals (Photograph by John Roper/John Roper)

2022-02-17 - Trackers and console mechanicals (Photograph by John Roper/John Roper)

2022-02-17 - Pedal pipework and support structure (Photograph by John Roper/John Roper)

2022-02-17 - Organ in balcony (Photograph by John Roper/John Roper)

2022-02-17 - Console and room (Photograph by John Roper/John Roper)

2022-02-17 - Console (Photograph by John Roper/John Roper)

2022-02-17 - Regulators (Photograph by John Roper/John Roper)

2022-02-17 - Pipework (Photograph by John Roper/John Roper)

2022-02-17 - Pipework (Photograph by John Roper/John Roper)

2022-02-17 - Tracker detail (Photograph by John Roper/John Roper)

2022-02-17 - Rear facade (Photograph by John Roper/John Roper)

2022-02-17 - Pedal pipework (Photograph by John Roper/John Roper)

2022-02-17 - Room (Photograph by John Roper/John Roper)

2022-02-17 - Pipework (Photograph by John Roper/John Roper)

2022-02-17 - Tremulant (Photograph by John Roper/John Roper)

2022-02-17 - Pipework (Photograph by John Roper/John Roper)

2022-02-17 - Facade in room (Photograph by John Roper/John Roper)

2022-02-17 - Facade (Photograph by John Roper/John Roper)

2022-02-17 - Pedal pipework (Photograph by John Roper/John Roper)

2022-02-17 - Pedal pipework (Photograph by John Roper/John Roper)

2022-02-17 - Manual trackers and rollerboard (Photograph by John Roper/John Roper)

2022-02-17 - Rollerboard (Photograph by John Roper/John Roper)

2022-02-17 - Relay (Photograph by John Roper/John Roper)

2022-02-17 - Builder's nameplate (Photograph by John Roper/John Roper)

2022-02-17 - Keyboards (Photograph by John Roper/John Roper)

2022-02-17 - Pedalboard and toe pistons (Photograph by John Roper/John Roper)

2022-02-17 - Left stopjamb (Photograph by John Roper/John Roper)

2022-02-17 - Right stopjamb (Photograph by John Roper/John Roper)

2022-02-17 - Console (Photograph by John Roper/John Roper)

1993 - Organ in room (Photograph by Fisk, submitted by John Roper/John Roper)

Unknown - Facade and gallery (Photograph by LEN LEVASSEUR (2000s)/Database Manager)

Consoles

Main

Notes

2020-06-30 - "A singular feature is the rear façade rank, facing the great tower window. The Tower Diapason supports the singing of those seated in the tower and provides an echo effect for the listeners in the nave. Instruments facing two sides are not uncommon in England, Italy and Spain; the unique architectural setting at All Saints' provides the ideal opportunity to achieve this arrangement in America." -John Roper

Stoplist

Stoplist from builder's web site Source: Source not recorded Date not recorded

Boston (Dorchester), Massachusetts
Episcopal Parish of All Saints, Ashmont

C.B. Fisk, Inc.   Opus 103   1995          3 manuals, 37 stops, 50 ranks, 2,571 pipes
_____________________________________________________________________________________

          GREAT ORGAN                               SWELL ORGAN
      16' Prestant              58               8' Tower Diapason        58 (unenc.)
       8' Open Diapason         58              16' Bourdon               58
       8' Spire Flute           58               8' Flûte traversière     58
       8' Harmonic Flute        58               8' Bourdon               58
       4' Octave                58               8' Viole de gambe        58
       2' Fifteenth             58               8' Voix céleste (tc)     46
   IV-VI  Mixture                ?               4' Prestant              58
       8' French Trumpet        58               4' Flûte octaviante      58
       8' German Trumpet        58               2' Octavin               58
                                             II-IV  Plein Jeu              ?
          POSITIVE ORGAN                        16' Bombarde              58
       8' Principal             58               8' Trompette             58
       8' Gedackt               58               8' Hautbois              58
       4' Octave                58               8' Clarinet  (prepared for)
       4' Rohrflöte             58
   2 2/3' Nazard                58                  PEDAL ORGAN
       2' Doublet               58              16' Open Wood             30
       2' Quarte de Nazard      58              16' Prestant              GT
   1 3/5' Tierce                58              16' Bourdon               SW
   IV-VI  Sharp                  ?               8' Octave                30
      16' Dulcian               58               8' Spire Flute           GT
       8' Cromorne              58               4' Super Octave          30
                                                32' Posaune   (prepared for)
          COUPLERS                              16' Posaune               30
          Great to Pedal                        16' Bombarde  (prepared for)
          Positive to Pedal                      8' French Trumpet        GT
          Swell to Pedal                         8' German Trumpet        GT
          Swell to Pedal Super
          Swell to Great                            ACCESSORIES
          Positive to Great                         Tremulant
          Swell to Positive                         Wind Stabilizer
                                                    Balanced Swell Pedal
                                                    Register Crescendo


[Received from Steven E. Lawson  2014-12-21]

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