OHS convention: 1961, 2000
Note: Not playable. (in this location)
2004-10-30 - The original builder was Hook & Hastings (1880, Opus1005). -Database Manager
2004-10-30 - Status Note: There 2000. -Database Manager
2004-10-30 - Rebuild. Reversed console, exposed Gt. pipework. Mechanical action to Swell and Chioir, with pneumatic assist; Barker lever added by Hutchings to Great and its couplers. -Database Manager
2024-01-02 - According to Leo Abbot, the Swell 8' Celeste was added in the 1960s during his time as organist. The pipes were taken from the Hutchings instrument in the basement of the church. Whether the 16' Aeoline toeboard was empty or not is unknown. -John Roper
2024-02-23 - Currently (2024) receiving some restorative maintenance to bring it back to playing condition. -John Roper
Source: Taken from console and pipework
Choir Geigen Principal 8 (1-12 zinc, remainder spotted; slotted; Hutchings "294"), Lieblich Gedeckt 8 (1-49 stopped pine; 50-61 stopped metal; "294"), Melodia 8 (wood open throughout; "294"), Dulciana 8 (1-12 zinc, box beards; stopped, slotted; "1005 Aeoline"), Flute D’Amour 4 (1-37 stopped wood; remainder open spotted metal), Fugara 4 (spotted; rollers in bass; "Swell Violina 294"), Piccolo Harmonique 2 (common metal; harmonic spotted 13049; 50-61 open spotted), Clarinett 8 (spotted; 1-12 fagotto construction; 13 up standard clarinet)
Swell Bourdon Bass 16 (CC-BB; stopped wood), Bourdon 16 (stpd. wood), Aeoline 16 (Currently draws 49 note 8’ Celeste), Open Diapason 8 (1-12 zinc, remainder common metal; H&H), Stopped Diapason 8 (1-49 stopped pine, sunken blocks; remainder open metal), Quintadena 8 (stopped wood throughout, Melodia mouths), Salicional 8 (1-8 zinc, remainder tin), Octave 4 (spotted slotted throughout; H&H "1005"), Flute Harmonique 4 (open spotted metal; harmonic 24-49), Violina 4 (spotted slotted throughout; H&H "Violin 1005"), Flageolet 2 (sptd. metal), Mixture V (spotted metal throughout, "Cornet 1005"; 15-19-22-26-29), Contra Fagotto 16 (spotted bells on zinc 1-24; 25-49 spotted; H&H), Cornopean 8 (spotted bells on zinc 1-24; 25-49 spotted; 37-49 harmonic; H&H), Oboe 8 (49 reeds; spotted metal and zinc; H&H), Vox Humana 8 (49 reeds; tin; H&H), Clarion 4 (37 reeds; spotted bells on zinc 1-37; H&H), Tremolo
Pedal Open Diapason 16 (open wood), Bourdon 16 (stpd. wood), Quint 10 2/3 (stpd. wood), Violoncello 8 (1-12 zinc, remainder spotted; "Ped Viol 1005"), Trombone 16 (H&H, wooden blocks, zinc boots, maple shallots)
Great Open Diapason 16 (1-6 stpd wood; remainder zinc/cm; slotted and decorated H&H), Open Diapason 8 (1-12 zinc, remainder common metal; H&H; slotted, decorated H&H), Doppel Flote 8 (1-12 stopped pine, remainder double mouth stopped pine), Viola da Gamba 8 (tin throughout, box beards; H&H; slotted and decorated), Dulciana 8 (1-12 zinc; remainder spotted metal, slotted), Octave 4 (common metal; slotted and decorated), Flauto Traverso 4 (open pine; harmonic 24-49; 50-61 open metal), Twelfth 2 2/3 (common metal, slotted, decorated with large red band), Fifteenth 2 (spotted metal throughout), Mixture V (spotted metal throughout; 15-19-22-26-29), Scharf III (spotted metal throughout; 19-22-26), Trumpet 8 (49 reeds; 1-24 zinc, remainder spotted; H&H), Clarion 4 (44 reeds; 1-12 zinc, remainder spotted; H&H)
Great to Pedal 8, Swell to Pedal 8, Choir to Pedal 8, Swell to Great 8, Choir to Great 8, Swell to Choir 8, Great to Great (Great Separation)
Regrettably, it is not possible to display the information about the sponsor of this pipeorgandatabase entry or if there is a sponsor. Please see About Sponsors on Pipe Organ Database.