2004-05-10 - Chancel, Console, and Twin Organ Cases (Photograph by William T. Van Pelt/Database Manager)
2004-05-10 - Console and Organ Case (Photograph by William T. Van Pelt/Database Manager)
OHS convention: 2005
2004-10-30 - Status Note: There 1990. -Database Manager
2008-09-09 - Updated through on-line information from Michael Eaton. -Database Manager
Source: 2005 OHS Handbook
Great (unenclosed, Man. II, CC-c4) GEDECKT POMMER 16 (61, 1-12 stopped wood: 13-31 canistered zinc; 32-61 canistered spotted metal), PRINCIPAL 8 (61, 1-19 zinc, in facade, scroll-tuned; 20-61 spotted metal, old Woodberry Gt. 16' Principal, new languids, slide-tuned; cl scribed "A# OP 16"), CHIMNEY FLUTE 8 (61, 1-12 stopped wood; 13-61 spotted metal feet, canistered tin bodies, chimneys), OCTAVE 4 (61, 1-5 zinc; 6-61 spotted metal; slide-tuned; stamped "GR OCT"), SPINDLE FLUTE 4 (61, 1-46 canistered spotted metal, ½ taper open caps; 47-61 tapered spotted metal, slide-tuned), TWELFTH 2⅔ (61, Planed spotted metal, slide-tuned; 1-24 tapered), FIFTEENTH 2 (61, Tin, slide-tuned; CC stamped "DGO"), SEVENTEENTH 1⅗ (61, Planed spotted metal, slide-tuned; 1-24 tapered), FOURNITURE 1⅓' IV-V (291, Planed spotted metal; slide- tuned), Trumpet 8 (61, 1991; 1-24 zinc with spotted metal bells; 25-54 spotted metal; 55-61 slotted spotted metal flues, slide-tuned)
Swell (enclosed, Man. III, CC-c4) BOURDON 16 (61, Woodberry; stopped wood; 1-6 outside box), VIOLIN PRINCIPAL 8 (61, 1-18 zinc; 19-61 spotted metal, former Woodberry Salicional rescaled 1 note, new languids; 1-8 rollers; 1-12 slotted, scroll-tuned; 13-61 slide-tuned), VIOLIN CELESTE 8 (61, 1-12 stopped wood, pipes marked ''Aeoline Sw"; 13-18 zinc, rollers; 19-61 spotted metal, former Woodberry Aeoline rescaled 7 notes), STOPPED FLUTE 8 (61, Stopped wood, Woodberry), PRINCIPAL 4 (61, 1-5 zinc; 6-61 spotted metal; former Woodberry "Gr Pr" with new languids, light nicking; slide-tuned), BLOCK FLUTE 4 (61, Planed spotted metal, 2/3 taper; slide-tuned; CC stamped "Blockflote 4;" C body seam scribed "given voice by Matthew-Michael Bellocchio Dec. 1973"), WALD FLUTE 2 (61, Planed spotted metal, 2/3 taper; slide-tuned), SEPTIEME 1⅐ (61, Planed spotted metal, wide scale, narrow mouth; slide-tuned), SHARP MIXTURE IV (244, Planed spotted metal; slide-tuned), SESQUIALTER II (122, Planed spotted metal; wide scale; slide-tuned), BASSOON 16 (61, Tin resonators, regulating flaps, 61 half-soldered lifting lids; 1-12 wooden boots; 1-24 half-length), FRENCH TRUMPET 8 (61, 1-56 tin boots and resonators, regulating flaps; 1 9-56 French double-block construction, duckbill shallots; 57-61 scrolled-tuned tin flues), OBOE 8 (61, 1-49 spotted metal bells on zinc stems; 50-61 scroll-tuned spotted metal flues), SWELL TREMULANT, CHIMES ON SWELL (20 tubes t.A-e2)
Choir (enclosed, Man. I, CC-c4) GEDECKT 8 (61, 1-12 stopped wood, Woodberry Melodia bass; 13-61 canistered common metal), DULCIANA 8 (61, 1-12 stopped zinc, wood stoppers, box beards; 13-18 tapered zinc, C lip stamped "FT DOL I 50," back stamped "2187;" 19-61 spotted metal; 19-49 tapered; 1949 E. M. Skinner Flauto Dolce from First Parish, Taunton, MA; slide-tuned), UNDA MARIS [t.C] 8 (49, 13-19 tapered zinc, C lip stamped "FT CEL / 50," back stamped "2187;" 20-61 spotted metal; 20-49 tapered; 1949 E. M. Skinner Flute Celeste from First Parish, Taunton, MA; slide-tuned), PRINCIPAL 4 (61, 1-5 zinc, scroll-tuned; 6-61 spotted metal, former Woodberry Gt. Octave, rebuilt), FLUTE 4 (61, Former Woodberry Flute D'Amour; 1-37 stopped wood; 38-61 open common metal, slide-tuned), OCTAVIN 2 (61, Planed spotted metal; slide-tuned), CYMBAL ⅔' IV (244, Planed spotted metal; slide-tuned; 2nd 2' rank muted), 8 (61, 1-56 tin resonators, domed shallots; 57-61 scrolled tin flues), CHOIR TREMULANT, CHIMES ON CHOIR
Pedal (unenclosed, CC-g1) CONTRA BOURDON 32 (44, Stopped wood; 1-3 = 10⅔,' pipes, sounding with 13-15; 4-12 in right chamber; 1-3 and 13-20 on swell box roof), PRINCIPAL 16 (44, 1-33 zinc, scroll tuned; 15-33 fac;ade; 34-44 spotted metal, slide-tuned, former Woodberry Gt. Open), SUBBASS 16 ([from Contra Bourdon]), GEDECKT POMMER 16 (Gr), OCTAVE 8 ([from Principal]), BASS FLUTE 8 (32, Stopped wood, arched mouths; pipes stamped "ST. DIAP"), SUPER OCTAVE 4 (32, 1-5 zinc, 6-32 Hoyt metal; pipes stamped "SW OP"), CHIMNEY FLUTE 4 (32, Canistered tin bodies, spotted metal feet; 13-32 chimneys), NACHT HORN 2 (32, 1-9 zinc, 10-32 common metal; wide scale, narrow mouths; CC stamped "DUL D#"), MIXTURE IV [sic] (192, Actually six ranks, tin: 15 - 19 - 22 - 26 - 29 - 33), CONTRA BOMBARDE 32 (1-12 Bombarde at 16', Principal at 16' + 8' + 4', Bourdon at 10⅔' + 6⅖' + 5⅓' + 4⁴⁄₇'; 13-32 Bombard at 32'), BOMBARDE 16 (56, 1-24 zinc, 25-56 spotted metal; 50-56 harmonic length), POSAUNE 8 ([from Bombarde]), CLARION 4 ([from Bombarde])
Couplers (drawknobs above Swell keyboard) GREAT TO PEDAL, SWELL TO PEDAL, SWELL TO PEDAL OCTAVES, CHOIR TO PEDAL, CHOIR TO PEDAL OCTAVES, SWELL TO GREAT, CHOIR TO GREAT, SWELL TO CHOIR
Combinations (Reisner-Shaw, 32-levels, selectable by thumbwheel) General 1-2-3-4-5-6 (thumb and toe), Great 1-2-3-4 (thumb), Swell 1-2-3-4 (thumb), Choir 1-2-3-4 (thumb), Pedal 1-2-3-4 (thumb and toe), Great to Pedal (thumb and toe reversible), Swell to Pedal (thumb and toe reversible), Choir to Pedal (thumb and toe reversible), Sforz., Cancel (thumb and toe reversible, indicator light), Set
Balanced Pedals Swell Expression, Choir Expression, Register Crescendo (indicator light)
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