Better Pipe Organ Database

C. B. Fisk, Inc. Opus 95 (1990)

State University of New York at Buffalo: Slee Hall (Room 202 - Lippes Concert Hall)
Buffalo, NY

Images

2003-05-04 - Console (Photograph by William T. Van Pelt/Database Manager)

2003-05-04 - Auditorium Interior, Stage, and Organ Case (Photograph by William T. Van Pelt/Database Manager)

2003-05-04 - Organ Case and Console (Photograph by William T. Van Pelt/Database Manager)

2003-05-04 - Stage and Organ Case (Photograph by William T. Van Pelt/Database Manager)

2003-05-04 - Builder's Nameplate (Photograph by William T. Van Pelt/Database Manager)

Consoles

Main

Console position: Keydesk Attached
3 manuals
43 stops
46 registers
Key action Type: Mechanical (Details Unknown)
Stop action Type: Electrical
Stop layout Type: Drawknobs in Horizontal Rows on Terraced/Stepped Jambs
Manual compass: 58 notes
Pedal compass: 30 notes
Combination action: Computerized/Digital
Has combination thumb pistons
Has coupler toe pistons
Has tutti thumb pistons

Notes

2004-10-30 - Status Note: There 1998 -Database Manager

2004-10-30 - Wind pressure: Gt, Sw, Pos & Pedal 3 1/4 except for Ped 32's & Posaune 4 1/4 & for 16 Bombarde 4 -Database Manager

2016-10-19 - Updated through online information from Vince Harzewski. -Database Manager

Stoplist

Specification from <i>The American Organist</i>, April 1990 Source: Source not recorded Date not recorded

Buffalo, New York
State University of New York - Slee Hall

C.B. Fisk Incorporated   Opus 95   1990    3 manuals, 46 registers, 43 stops, 56 ranks
______________________________________________________________________________________

         GREAT ORGAN (I)                             SWELL ORGAN (III)
     16' Prestant (facade)        58              8' Flûte traversière        58
      8' Prestant (partly facade) 58              8' Flûte à cheminée         pf
      8' Spillpfeife              58              8' Viole de gambe           58
      8' Flûte harmonique         46 a            8' Voix céleste (TC)        46
      8' Violoncelle              58              4' Flûte octaviante         58
      4' Octave                   58              2' Octavin                  58
      4' Waldflöte                58                 Cornet V (mounted)      156 c
  2 2/3' Twelfth                  58             16' Basson                   58
      2' Fifteenth                58              8' Trompette                58
  1 3/5' Seventeenth (c1-f54)     54              8' Hautbois                 58
         Mixture II-VI           333 b            8' Voix humaine             58
      8' German Trumpet           58
      8' Trompette                58                 PEDAL ORGAN
 4' & 8' Clairon (8' f#31 up)     58             32' Bourdon (unit)           53 [sic]
                                                 16' Prestant (1-12 fr. GT)   18
         POSITIVE (II)                           16' Bourdon (fr. 32')        --
     16' Bourdon                  58              8' Octave                   30
      8' Principal                58              8' Bourdon (fr. 32')        --
      8' Gedackt                  58              4' Octave                   30
      4' Octave                   58                 Mixture III              90
      4' Baarpijp                 58             32' Contra Posaune (ext 16') 12
  2 2/3' Nazard                   58             16' Bombarde                 30
      2' Doublet                  58             16' Posaune                  30
      2' Quarte de Nazard         58              8' Trompette                30
  1 3/5' Tierce (c1-d51)          51
         Scharff III             161                 COUPLERS (stop knobs)
      8' Cromorne                 58                 Great to Pedal
      8' Trechterregal            pf                 Positive to Pedal
                                                     Swell to Pedal
      a  1-12 from Spillpfeife                       Swell super to Pedal
      b  alternative compositions:                   Positive to Great
         1. North German style with breaks           Swell to Great
         2. Progressive mixture without breaks       Swell to Positive
         3. When Prestant 16' is drawn, 5 1/3'       Sub-octaves on Great
            is automatically added to either           (affects Great and whatever
            of the above options from f#31 and          is coupled to it)
            8' is added from c37
      c  from c25; 2' & 1 3/5' to d51                COMBINATION ACTION (32 levels)
                                                     General   1-23    (thumb)
         HOOK-DOWN PEDALS (L-R)                         "     24-29    (toe)   
         Great Mixture Bass off                      Great      1-6    (thumb)
         Tremulant affecting whole organ             Positive   1-6    (thumb)
         Great off (silences Great but not           Swell      1-6    (thumb)
           divisions coupled to it)                  Pedal      1-6    (toe)
         Great to machine (engages the               General cancel    (thumb)
           Servo-Pneumatic Lever)                    Setter            (thumb)
         Steady wind
                                                     REVERSIBLES
         Balanced Swell Pedal                        Great to Pedal    (thumb & toe)
         Balanced Crescendo Pedal                    Positive to Pedal (thumb & toe)
           (1 standard, 3 programmable settings)     Swell to Pedal    (thumb & toe)
                                                     Sforzando         (thumb)


[Received from Steven E. Lawson  2016-01-26]