Better Pipe Organ Database


Austin Organs, Inc. Opus 2479 (1968)

First United Methodist Church / Daniels Recital Hall / Mars Hill Church: Sanctuary; front
811 5th Avenue
Seattle, WA

Note: Not extant. Not playable. (in this location)


Images


1993-02-17 - Console interior (Photograph by James R. Stettner/Jim Stettner)

2015-06-22 - Swell, Great and Choir Airbox (Photograph by Lanny Hochhalter/Database Manager)

2016-07-14 - Chancel (32' Bourdon in lower left) (Photograph by Lanny Hochhalter/Database Manager)

2008-02-14 - Recital Hall Interior and Pipe Facade (Photograph by Mark Andersen/Database Manager)

2007-11-28 - Chancel and organ (Photograph by Lanny Hochhalter/Database Manager)

Consoles

Main


Notes

2005-01-08 - Information identifying this instrument from the Austin Organs, Inc. web site, accessed December 31, 2004: http://www.austinorgans.com/organ-research.htm. -Database Manager

2005-07-22 - On-line update from James R. Stettner -- Echo organ from previous 1911 Kimball organ retained. Located in ceiling chamber. Austin installed behind modified pipe fence facade of Kimball. -Database Manager

2006-10-18 - Updated through online information from James R. Stettner. -- The contract was signed on Sept. 1, 1965, and the instrument was promised in 27 months. The cost was $68,000.00. An account of the organ can be seen in the April 1966 issue of Diapason. The 6-rank Echo division was retained from the previous Kimball organ and is located in a ceiling chamber in the SE corner of the sanctuary. It is playable only from the Swell and is subject to the Swell intra-manual couplers. The chimes, while playable from the Great, are located in the Positiv. Of the façade, the far left and far right clusters of 7 pipes each are the first 14 pipes of the Great 16' Gemshorn. The remaining 33 pipes are the 32 pipes of the Pedal 16' Principal plus one dummy. Aside from the 6-rank Echo, one other old rank is retained. This is the Pedal 32'/16' Bourdon. It is hung upside-down behind the Great, so that the mouths aren't hidden by the Universal windchests and so that the stoppers are more accessible. The building was damaged in the Ash Wednesday Nisqually earthquake in 2003, and various plans are being considered at present (October, 2006). -Database Manager

2013-07-22 - Updated through online information from Jeff Scofield. -- The building was sold to Daniels Development in 2008; the sanctuary became the Daniels Recital Hall; the Mars Hill Church began using the facility as their downtown campus in 2012. -Database Manager

2014-06-06 - Updated through online information from Sean Haley. -- Upon selling the previous church the congregation did not relocate to the suburbs, but to a newly built building near Seattle Center at 180 Denny Way. The church currently uses a 3 manual electronic instrument. While a committee was formed to explore having a new pipe organ built and proposals submitted, no contract has yet been awarded. -Database Manager

2016-07-26 - Updated through online information from Lanny Hochhalter. The former church building will become a conference center. Earthquake reinforcement of the masonry walls required removal of the organ. The historic commission specified that the room be visually preserved. The facade will be reinstalled, but the organ will not. The developers were kind enough to allow Hochhalter, Inc. to remove all but a few of the pipes (including the 1911 Kimball 32' Bourdon). It was not possible to save any of the Austin air boxes or windchests. -Database Manager


Stoplist

Source: Stoplist copied from the Console [JRS] September 8, 1992

Seattle, Washington
First United Methodist Church

Austin Organs, Inc., Op. 2479, 1968   3/49
____________________________________________

       GREAT                                   SWELL (Expressive)
16'    Gemshorn             12          8'     Rohr Flöte           61
8'     Principal            61          8'     Viola                61
8'     Bourdon              61          8'     Viola Celeste  (GG)  54
8'     Gemshorn             61          4'     Principal            61
4'     Octave               61          4'     Spitz Flöte          61
4'     Nachthorn            61          2'     Block Flöte          61
2'     Super Octave         61          II     Sesquialtera        122
IV     Fourniture          244          IV     Plein Jeu           244
8'     Trompete             61          16'    Fagot                61
       blank                            8'     Trompette            61
       blank                            4'     Clairon              61       
       Chimes              (32) a              blank
                                               blank
Great Unison Off --                            Tremulant

                                        Swell 16
       ECHO (Expressive; Antiph) b      Swell Unison Off --
8'     Diapason             61          Swell 4
8'     Hohl Flöte           61
8'     Aeoline              61
8'     Celeste              61                 PEDAL
4'     Waldflöte            61          32'    Contre Bourdon       12 c
8'     Vox Humana           61          16'    Principal            32
       Tremulant                        16'    Bourdon              32
                                        16'    Gemshorn       (Gt)  --
                                        16'    Lieblich Gedeckt     --
       POSITIV (Expressive)             8'     Octave               32
8'     Nason Flute          61          8'     Gemshorn       (Gt)  --
8'     Flauto Dolce         61          8'     Rohr Flöte     (Sw)  --
8'     Flute Celeste  (tc)  49          4'     Choral Bass          32       
4'     Koppel Flöte         61          II     Rauschquint          64
2'     Oktav                61          16'    Posaune              32
1 1/3' Larigot              61          16'    Fagot          (Sw)  --
III    Cymbel              183          8'     Posaune              12
8'     Krumm Horn           61          4'     Krumm Horn     (Ch)  --
       blank                                   blank
       blank                                   blank
       Tremulant

Positiv 16
Positiv Unison Off
Positiv 4


       COUPLERS                                FINGER PISTONS
Swell 8             [to Pedal]          General                 1 - 14
Swell 4             [to Pedal]          Swell                    1 - 8
Great 8             [to Pedal]            Sw  Ped                (rev)
Positiv 8           [to Pedal]            Sw  Gt                 (rev)
Positiv 4           [to Pedal]            Sw  Pos                (rev)
                                        Great                    1 - 8
Swell 16            [to Great]            Gt  Ped                (rev)
Swell 8             [to Great]          Positiv                  1 - 8
Swell 4             [to Great]            Pos  Ped               (rev)
Positiv 16          [to Great]          Tutti                    (rev)
Positiv 8           [to Great]          Gen Can
Positiv 4           [to Great]

Swell 16          [to Positiv]                 TOE STUDS
Swell 8           [to Positiv]          General                 1 - 10
Swell 4           [to Positiv]          Pedal                    1 - 6
Great 8           [to Positiv]          Sw to Ped Rev            (rev)
                                        Gt to Ped Rev            (rev)
Positiv 8           [to Swell]          Pos to Ped Rev           (rev)
Echo on Swell                           Tutti                    (rev)

Pedal on any Manual Piston Adj
                                               PEDAL MOVEMENTS
                                        Swell Expression        (bal.)
                                        Positiv Expression      (bal.)
                                        Echo Expression         (bal.)
                                        Crescendo               (bal.)

       NOTES
a  enclosed in Choir-Positiv
b  playable on SW and affected by SW intra-manual 
   couplers; retained from the 1911 Kimball
c  retained from the 1911 Kimball

[Received online from Jeff Scofield July 18, 2013]
[Corrected & Updated by James R. Stettner January 30, 2023]

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