Note: Not extant. Not playable. (in this location)
2006-01-16 - Identified through information adapted from <i>E. M. Skinner/Aeolian-Skinner Opus List</i>, by Sand Lawn and Allen Kinzey (Organ Historical Society, 1997), and included here through the kind permission of Sand Lawn: <br><i> Replaced by E. M. Skinner Opus 408 (1923). Case retained throughout subsequent alterations.</i> -Database Manager
Typed stoplist (Source: J. Ogasapian, "English Cathedral Music in New York City," 1994 Source: Source not recorded Date not recorded
Trinity Chapel
New York, New York
Hall & Labagh, 1853, to a design of Edward Hodges
OHS ID: 22807
Manual 56 notes C-f3
Pedal 27 notes C-d1
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GREAT ("forcibly voiced") SWELL ("triple boxes and shades")
8 Open Diapason* (large scale) 16 Stopt Double Diapason*
8 Open Diapason (small scale) 8 Open Diapason*
8 Stopt Diapason* 8 Stopt Diapason*
4 Principal* 8 Dulciana
2-2/3 Twelfth* 4 Principal*
2 Fifteenth* Cornet V*
Sesquialtera III 8 Trumpet*
Mixture III 8 Hautboy
8 Trumpet*
4 Clarion CHOIR ("delicately voiced")
8 Open Diapason
PEDAL 8 Dulciana*
16 Dulciana 8 Stopt Diapason*
16 Open Diapason* 4 Principal*
8 Principal* 4 Flute Stopt
Sesquialtera V 2-2/3 Twelfth
16 Serpent ("soft free reed") 2 Fifteenth
Dulciana Sesquialtera III
COUPLERS 8 Reed ("Clarionet trebles, Bassoon bass")
Swell to Pedal
Great to Pedal * Indicates registers actually
Choir to Pedal installed; all others are from
Swell to Great Hodges' design proposal.
Swell to Great 4
Swell to Great 16
Swell to Choir
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